| Photos (See all 36 | slideshow) | Videos (see all 2) |
| Tobin Bell | ... | Jigsaw / John Kramer | |
| Shawnee Smith | ... | Amanda Young | |
| Donnie Wahlberg | ... | Eric Matthews | |
| Erik Knudsen | ... | Daniel Matthews | |
| Franky G | ... | Xavier Chavez | |
| Glenn Plummer | ... | Jonas Singer | |
| Emmanuelle Vaugier | ... | Addison Corday | |
| Beverley Mitchell | ... | Laura Hunter | |
| Timothy Burd | ... | Obi Tate | |
| Dina Meyer | ... | Detective Allison Kerry | |
| Lyriq Bent | ... | Daniel Rigg | |
| Noam Jenkins | ... | Michael Marks | |
| Tony Nappo | ... | Gus Colyard | |
| Kelly Jones | ... | SWAT Member Pete | |
| Vincent Rother | ... | SWAT Member Joe | |
| Linette Doherty | ... | Mother in Cancer Ward (as Linette Robinson) | |
| Gretchen Helbig | ... | Nurse in Cancer Ward | |
| Kofi Payton | ... | Boy in Cancer Ward | |
| John Fallon | ... | Video Techie | |
| Ho Chow | ... | Security Officer (as Ho 'Oyster' Chow) | |
| Conrad Coates | ... | Additional Voice Talent (voice) | |
| James Gallanders | ... | Additional Voice Talent (voice) | |
| Sam Malkin | ... | Additional Voice Talent (voice) | |
| Robin Ward | ... | Additional Voice Talent (voice) |
Directed by | |||
| Darren Lynn Bousman | |||
Writing credits | ||
| Leigh Whannell | (written by) and | |
| Darren Lynn Bousman | (written by) | |
Produced by | |||
| Peter Block | .... | executive producer | |
| Mark Burg | .... | producer | |
| Jason Constantine | .... | executive producer | |
| Greg Copeland | .... | co-producer | |
| Daniel J. Heffner | .... | co-producer (as Daniel Jason Heffner) | |
| Gregg Hoffman | .... | producer | |
| Oren Koules | .... | producer | |
| Stacey Testro | .... | executive producer | |
| James Wan | .... | executive producer | |
| Leigh Whannell | .... | executive producer | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | (director of photography) | ||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Stephanie Gorin | |||
| Amy Lippens | |||
Production Design by | |||
| David Hackl | |||
Art Direction by | |||
| Michele Brady | |||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Alex Kavanagh | |||
Makeup Department | |||
| Damon Bishop | .... | prosthetics assistant | |
| François Dagenais | .... | prosthetics coordinator (as Francois Dagenais) | |
| Sarah Fairbairn | .... | key makeup artist | |
| Stephanie Ingram | .... | key hair stylist | |
| Pamela Mills | .... | assistant hair stylist | |
| Robbi O'Quinn | .... | second assistant makeup artist | |
| Candice Ornstein | .... | assistant makeup artist | |
| Patrick Baxter | .... | makeup lab technician (uncredited) | |
| Matthew Dewilde | .... | prosthetic supplier (uncredited) | |
| Sheilagh McGrory | .... | prosthetic supplier (uncredited) | |
| Neil Morrill | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| W. Michael Beard | .... | post-production supervisor | |
| Greg Copeland | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian Backman | .... | third assistant director | |
| Stephen Belanger | .... | trainee assistant director | |
| Dave Bene | .... | first assistant director: second unit (as David Bene) | |
| Dave Bene | .... | second third assistant director (as David Bene) | |
| Darrin Brown | .... | second assistant director | |
| Greg Copeland | .... | second unit director (as Greg 'Fellini' Copeland) | |
| Elizabeth Scherberger | .... | first assistant director | |
Art Department | |||
| Rupert Blab | .... | carpenter | |
| Dave Bracken | .... | carpenter | |
| Hamish Buchanan | .... | second assistant art director | |
| Anthony Buckmyre | .... | carpenter | |
| Jamie Burke | .... | construction coordinator | |
| Erika Caceres | .... | labourer | |
| Carlo Cesta | .... | painter | |
| Steven Ciancamerla | .... | set dresser | |
| Michael Cole | .... | set labourer | |
| Gord Craig | .... | on set carpenter | |
| Rae Crombie | .... | assistant property master (as W. Rae Crombie) | |
| Rae Crombie | .... | property master: second unit (as W. Rae Crombie) | |
| Deirdre Dodds | .... | on set dresser (as Deidre Dodds) | |
| Mike Dutkowski | .... | carpenter (as Mike Dutkowdki) | |
| Rick Fernandez | .... | head carpenter | |
| Joanne Filleti | .... | painter (as Joanne Filletti) | |
| Geoff Flint | .... | carpenter | |
| Jeff Flint | .... | carpenter (as Geoff Flint) | |
| Lino Frutti | .... | carpenter | |
| David Fuji | .... | painter | |
| John Galbraith | .... | key scenic painter | |
| John Jay Gilmore | .... | labourer | |
| Eric Goldberg | .... | labourer | |
| Michael Harvey | .... | carpenter | |
| Dwight Hendrickson | .... | first assistant art director | |
| Ron Hobbs | .... | storyboard artist | |
| Suzanne Hoffman | .... | lead set dresser | |
| Matthew Howlett | .... | set buyer | |
| Leandro Illescas | .... | painter | |
| Michael Irving | .... | carpenter | |
| Rod James | .... | painter | |
| Michael Johnston | .... | carpenter | |
| Stephanie Kelemen | .... | set labourer | |
| Grant Kilroy | .... | carpenter | |
| Takashi Komai | .... | carpenter | |
| William Kucheran | .... | set dresser | |
| William Kucheran | .... | set labourer | |
| Laszlo Latorcai | .... | labourer | |
| Keith Lewis | .... | labourer | |
| Jason Lunn | .... | set dresser | |
| Jason Lunn | .... | set labourer | |
| Michael Madill | .... | painter | |
| Kim Maticiw | .... | second assistant property master | |
| Gord Maynard | .... | carpenter (as Gord James Maynard) | |
| Mike McCullough | .... | labourer | |
| Brent McGillivray | .... | first assistant art director | |
| Brent McGillivray | .... | set designer | |
| Patrick McKenna | .... | labourer | |
| Jonathan McKenzie | .... | set labourer | |
| R. Mellott | .... | assistant props builder | |
| Mario Moreira | .... | props buyer | |
| Alan Moy | .... | carpenter | |
| David Murray | .... | labourer | |
| James R. Murray | .... | property master (as Jim Murray) | |
| Zoran Naumovski | .... | head scenic painter (as Zoran 'Cook' Naumovski) | |
| David Nicholson | .... | carpenter | |
| Rick O'Brien | .... | painter | |
| Enrique Patritti | .... | painter | |
| Tereza Radman | .... | art department trainee | |
| Tereza Radman | .... | construction administrator | |
| Dave Rice | .... | labourer | |
| Stewart Robertson | .... | labourer | |
| Wayne Rodriguez | .... | carpenter | |
| Larry Saunders | .... | painter | |
| David Smith | .... | labourer | |
| Shaun Smith | .... | carpenter | |
| Mike Stanek | .... | second assistant art director | |
| Norm Stott | .... | set labourer | |
| Dennis Stroud | .... | carpenter | |
| Derek Taylor | .... | painter | |
| Mark Tindale | .... | art department trainee | |
| Alejandro Torres | .... | painter | |
| Marcelo Torres | .... | painter | |
| Stephen Travis | .... | set labourer | |
| Adrienne Trent | .... | second assistant property master | |
| John Wareing | .... | carpenter | |
| Chris Williams | .... | carpenter | |
| Tim Young | .... | carpenter | |
| Michael Zaharuk | .... | painter | |
| Joe Zeiney | .... | set dresser (as Joe Zelney) | |
| Anthony Pearce | .... | conceptual illustrator (uncredited) | |
| Anthony Pearce | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Steve Baine | .... | foley artist (as Steven J. Baine) | |
| David W. Barr | .... | additional adr mixer: Intersound | |
| Tom Bjelic | .... | sound effects editor | |
| Roberta Bratti | .... | project manager: sound | |
| Robin Crumley | .... | assistant sound editor | |
| Keith Elliott | .... | sound re-recording mixer | |
| Allan Fung | .... | dialogue editor | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | sound operator | |
| Gina Gyles | .... | foley assistant (as Gina Wark) | |
| Jason Hopfner | .... | boom operator | |
| John Laing | .... | dialogue editor | |
| Matthew McKenzie | .... | adr recordist | |
| Colin McLellan | .... | adr recordist | |
| Jordan O'Neill | .... | DTS Sound Mastering Engineer | |
| Michael Paterson | .... | optical track recordist | |
| Rick Penn | .... | sound mixer | |
| Jason Perreira | .... | sound operator | |
| Peter Persaud | .... | foley recordist | |
| Eric Putnam | .... | adr assistant | |
| Paul Shikata | .... | sound effects editor | |
| John Douglas Smith | .... | supervising dialogue editor (as John Smith) | |
| Andrew Tay | .... | sound re-recording mixer | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
| David W. Barr | .... | adr recordist (uncredited) | |
| Ian Elias | .... | sound (uncredited) | |
| John Sanacore | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Sean Armstrong | .... | key special effects | |
| Jason Ehl | .... | props builder: animatronics | |
| Tim Good | .... | special effects supervisor | |
| Colin Penman | .... | props builder: animatronics | |
| Glen Roemer | .... | second assistant special effects | |
| Jasmine Gorett Vala | .... | first assistant special effects (as Gorett Vala) | |
Visual Effects by | |||
| Naomi Anderlini | .... | opening titles designer: Spin | |
| Kris Brockman | .... | digital compositor: C.O.R.E Digital Pictures | |
| Bret Culp | .... | visual effects supervisor | |
| Tony Cybulski | .... | digital compositor: C.O.R.E Digital Pictures | |
| Paul DeOliveira | .... | digital compositor: C.O.R.E Digital Pictures | |
| Maria A. Gordon | .... | digital compositor: C.O.R.E Digital Pictures | |
| Daniel Lee | .... | lead digital compositor: C.O.R.E. Digital Pictures | |
| Chad Malbon | .... | visual effects producer: opening title sequence, Spin | |
| Tina McGill | .... | digital compositor: C.O.R.E Digital Pictures | |
| Samara Melanson | .... | visual effects executive producer: C.O.R.E. Digital Pictures | |
| Roubina Messerkhanian | .... | digital compositor: C.O.R.E Digital Pictures | |
| Joe Raasch | .... | digital compositor: C.O.R.E Digital Pictures | |
| Mahmoud Rahnama | .... | digital compositor: C.O.R.E Digital Pictures | |
| Carrie Richardson | .... | visual effects production manager: C.O.R.E. Digital Pictures | |
| Russ Robertson | .... | DI producer | |
| Tracey Vaz | .... | digital compositor: C.O.R.E Digital Pictures | |
| Ken Walker | .... | visual effects digital artist: C.O.R.E. Digital Pictures | |
| Alphonso Young | .... | digital compositor: C.O.R.E Digital Pictures | |
| Candice Day | .... | visual effects sales coordinator (uncredited) | |
| Yoga Kurniawan | .... | playback animator (uncredited) | |
| Natasha North | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Wade Eastwood | .... | stunt double: Jigsaw | |
| Brian Jagersky | .... | stunt actor: SWAT #2 | |
| Darren McGuire | .... | stunt actor: SWAT #1 | |
| Alison Reid | .... | stunt coordinator | |
| Alison Reid | .... | stunt double: Amanda | |
| John Stoneham Jr. | .... | stunt actor: SWAT #3 | |
| Dave Van Zeyl | .... | stunt double: Obi | |
Casting Department | |||
| Stephanie Laffin | .... | casting associate: Los Angeles | |
| Jane Rogers | .... | extras casting | |
| Janelle Scuderi | .... | casting assistant: Los Angeles | |
| Kathleen Howell | .... | casting assistant (uncredited) | |
| Karen Williams | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Karen Eppstadt | .... | key costume breakdown artist | |
| Les Handrahan | .... | costume coordinator | |
| Leslie Kavanagh | .... | wardrobe set supervisor | |
| Jenn Lantz | .... | wardrobe: second unit | |
| Stephanie Lees | .... | assistant costume designer | |
| Shelley Mansell | .... | wardrobe buyer | |
| Adam Smith | .... | costume prop (uncredited) | |
Editorial Department | |||
| Gary Brown | .... | project manager: picture | |
| Nick Iannelli | .... | supervising digital intermediate editor | |
| Ahmad Ismail | .... | digital optical editor | |
| Trevor Lewis | .... | data film assistant | |
| Chris Lohbrunner | .... | post-production: Lions Gate Films | |
| Rui Martins | .... | telecine sync operator | |
| Tom Mayclim | .... | negative cutter: Exact Cut | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Nick Paulozza | .... | data film operator | |
| Valoen Power | .... | post-production: Lions Gate Films | |
| Ryan Ruskay | .... | color timer: dailies | |
| Danny St. Pierre | .... | post-production: Lions Gate Films | |
| Chris Wallace | .... | supervising digital intermediate colorist | |
| Bob Wenokur | .... | post-production: Lions Gate Films | |
| Ron Wisman Jr. | .... | first assistant editor | |
| Motassem Younes | .... | digital optical editor | |
| Arthur Montreuil | .... | film color timer (uncredited) | |
Music Department | |||
| Rob Bertola | .... | music editor | |
| Wes Borland | .... | musician | |
| Charlie Clouser | .... | music mixer | |
| Charlie Clouser | .... | music recordist | |
| Charlie Clouser | .... | musician | |
| Peter Freeman | .... | musician | |
| Danny Lohner | .... | musician | |
| Yvonne McDonald | .... | music clearances | |
| Jonathan McHugh | .... | music supervisor | |
| Jonathan Scott Miller | .... | music supervisor | |
| Jonathan Platt | .... | music supervisor | |
| Chas Smith | .... | musician | |
| Joel C. High | .... | music executive (uncredited) | |
| Jim Kaufman | .... | soundtrack music (uncredited) | |
| Thomas D. Mahoney | .... | music coordinator (uncredited) | |
Transportation Department | |||
| Eddie Bowman | .... | transportation coordinator | |
| Mike Bowman | .... | transport captain | |
| Dave Murray | .... | driver | |
| Steve Warren | .... | driver | |
Other crew | |||
| Christine Barclay | .... | dust busting | |
| Angelo Barillaro | .... | security | |
| Troy Begnaud | .... | assistant: Gregg Hoffman | |
| Bill Bibert | .... | stand-in | |
| Laura Blaney | .... | product placement | |
| Anne Marie Boysen | .... | international sales: Lions Gate Films | |
| Ralph Bruzzese | .... | location security: Concepts International | |
| Lisa Burling | .... | script supervisor | |
| David Carter | .... | production financing: Comweb Film Capital Corporation | |
| Miguel Casillas | .... | marketing: Lions Gate Films | |
| Chad Cole | .... | assistant: Mark Burg and Oren Koules | |
| Bailey Corneal | .... | stand-in | |
| Cristin L. Cornett | .... | production coordinator (as Cristy L. Becker) | |
| Bernadette Couture | .... | dust busting | |
| Kym Crepin | .... | production accountant | |
| Gewan Dass | .... | security | |
| Stephanie Denton | .... | international sales: Lions Gate Films | |
| Brent DiCaire | .... | production financing: Nuleaf Management Services | |
| Rob Dobier | .... | payroll services: EP Canada | |
| John Doyle | .... | caterer: Catering by David's | |
| Gary Eisler | .... | stand-in | |
| Ryan Eldridge | .... | production assistant | |
| Yon Elvira | .... | publicist: Lions Gate Films | |
| Andrew Finch | .... | security | |
| Shyama Friedenson | .... | marketing: Lions Gate Films | |
| Sarah Greenberg | .... | publicist: Lions Gate Films | |
| Lisa Gyorfi | .... | assistant production coordinator | |
| Lauren Hassard | .... | set medic | |
| John Hegeman | .... | marketing: Lions Gate Films | |
| Wendy Jaffe | .... | business affairs: Lions Gate Films | |
| Chela Johnson | .... | marketing: Lions Gate Films | |
| Armen Kazazian | .... | set production assistant | |
| Jane Kim | .... | assistant: Darren Bousman | |
| Brigitte Kingsley | .... | photo double: Amanda | |
| David Kinnersly | .... | craft service: Star Grazing | |
| Eda Kowan | .... | acquisitions: Lions Gate Films | |
| Amy Lennie | .... | script research: The Rights Company | |
| Steven Lewis | .... | company production counsel: Heenan Blaikie | |
| Roy London | .... | stand-in | |
| Roger Lumyoung | .... | assistant location manager | |
| Roger Lumyoung | .... | studio manager | |
| Dahla MacKenna | .... | educational supervisor: Improv Care (as Dahla McKenna) | |
| David C. Malcolm | .... | set production assistant (as David Malcolm) | |
| Chava Mandlsohn | .... | on-set tutor | |
| Darren Martin | .... | craft server | |
| Nick Meyer | .... | international sales: Lions Gate Films (as Nicolas Meyer) | |
| Ashleigh Millar | .... | craft server | |
| David Mintz | .... | caterer: Catering by David's | |
| D. Jim Mirkopoulos | .... | studio staff: Cinespace Studios (as Jim Mirkopoulos) | |
| Steve Mirkopoulos | .... | studio staff: Cinespace Studios | |
| Tracy Mulholland | .... | acquisitions: Lions Gate Films | |
| Tom Ortenberg | .... | marketing: Lions Gate Films | |
| Tim Palen | .... | EVP of Theatrical Marketing: Lionsgate | |
| Anne Parducci | .... | marketing: Lions Gate Films | |
| Scarlett Pettyjohn | .... | business affairs: Lions Gate Films (as Scarlett Petty John) | |
| Pauline K. Quong | .... | payroll accountant (as Pauline Quong) | |
| Mag Sarnowska | .... | dust busting | |
| Elizabeth Kim Schwan | .... | international sales: Lions Gate Films (as Elizabeth Kim) | |
| Victoria Serrajean | .... | photo double: Addison | |
| Sat Sidhu | .... | on-set tutor | |
| John Sinopoli | .... | location support: Film Inc. | |
| Carla Spizziri | .... | first assistant accountant | |
| S. Corissa Stuckey | .... | insurance broker: AON/Ruben-Winkler Entertainment Insurance Brokers (as Corissa Stuckey) | |
| Bob Tarantino | .... | company production counsel: Heenan Blaikie | |
| Charles Taylor | .... | weapons wrangler: Movie Armourments Group (as Charlie Taylor) | |
| Will Taylor | .... | production assistant | |
| Lisa Vella | .... | assistant to producers | |
| Thomas Vencelides | .... | location manager (as Tom Vencelides) | |
| Dan Walton | .... | production staff | |
| Charlyn Ware | .... | business affairs: Lions Gate Films | |
| Greg Wessendorf | .... | dust busting | |
| Kris Wood | .... | playback coordinator | |
| Kris Wood | .... | playback supervisor: Tellavision | |
| Christopher W. Yan | .... | acquisitions: Lions Gate Films (as Christopher Yan) | |
| Sergei Yershov | .... | international sales: Lions Gate Films | |
| Heather Dawn | .... | creative consultant (uncredited) | |
| Alex Franklin | .... | development executive (uncredited) | |
| Jesse Korosi | .... | playback editor (uncredited) | |
| Pete Nilson | .... | caterer (uncredited) | |
| Al Vrkljan | .... | armorer (uncredited) | |
| Al Vrkljan | .... | tactical advisor (uncredited) | |
Thanks | |||
| Tracy Mulholland | .... | special thanks | |
| Christopher W. Yan | .... | special thanks (as Chris Yan) | |
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Why is it that so many critics, movie-goers and film patrons see such bold and unique forms of film as nothing but bloody and un-needed garbage? Isn't it about time to enter the age of the modern horror film, and to realize that audiences these days have already seen it all when it comes to the horror movie, so one-of-a-kind ideas such as the SAW series should be seen as a much needed godsend to the film industry. They say that this is what is takes to scare people these days: untrue. Take the original Texas Chainsaw Massacre for instance, upon close examination, one can notice that it is essentially a bloodless film. So what is it about such movies that scare us? Well, it's the idea, the cinematography, and the boldness to plant such a terrifying seed into the world of movies. It isn't a man sawing his foot off or a man being set on fire that scares audiences, it's the fact that it has NEVER...EVER been done before on the big screen that engulfs the audience into a trance-like cloak of fear over a movie. The people who conjure these ideas for movies are not on the mindset to create something for the SOLE PURPOSE of making someone cringe and fray, they want to be their own level, nay, rank of movies for others to, essentially, build off of. Are SAW and SAW II the last of their kind? By no means, if anything they are merely predecessors of the film noir that is going to eventually rise into the R-rated spectrum. Forgive me for not stressing on the movie's actual content, but I feel it is the very ideas behind SAW that make us have to see it for ourselves. And I highly recommend those of you skeptical about it to do so. Will you be frightened? Yes. Will you see things never before shined onto the screen? Yes. And will you leave the darkness of the theater in a sense that you have witnessed movie history unfold before your eyes? YES.