| Photos (see all 22 | slideshow) | Videos |
| Sat. July 19 | 9:00 PM | SCIFI |
| Tobin Bell | ... | Jigsaw / John | |
| Shawnee Smith | ... | Amanda | |
| Donnie Wahlberg | ... | Eric Matthews | |
| Erik Knudsen | ... | Daniel Matthews | |
| Franky G | ... | Xavier | |
| Glenn Plummer | ... | Jonas | |
| Emmanuelle Vaugier | ... | Addison | |
| Beverley Mitchell | ... | Laura | |
| Tim Burd | ... | Obi (as Timothy Burd) | |
| Dina Meyer | ... | Kerry | |
| Lyriq Bent | ... | Rigg | |
| Noam Jenkins | ... | Michael | |
| Tony Nappo | ... | Gus | |
| Kelly Jones | ... | SWAT Member Pete | |
| Vincent Rother | ... | SWAT Member Joe | |
| Linette Robinson | ... | Mother in Cancer Ward | |
| Gretchen Helbig | ... | Nurse in Cancer Ward | |
| Kofi Payton | ... | Boy in Cancer Ward | |
| John Fallon | ... | Video Techie | |
| Ho Chow | ... | Security Officer (as Ho 'Oyster' Chow) | |
| Conrad Coates | ... | Additional Voice Talent (voice) | |
| James Gallanders | ... | Additional Voice Talent (voice) | |
| Sam Malkin | ... | Additional Voice Talent (voice) | |
| Robin Ward | ... | Additional Voice Talent (voice) |
Directed by | |||
| Darren Lynn Bousman | |||
Writing credits | ||
| Leigh Whannell | (written by) and | |
| Darren Lynn Bousman | (written by) | |
Produced by | |||
| Peter Block | .... | executive producer | |
| Mark Burg | .... | producer | |
| Jason Constantine | .... | executive producer | |
| Greg Copeland | .... | co-producer | |
| Daniel J. Heffner | .... | co-producer (as Daniel Jason Heffner) | |
| Gregg Hoffman | .... | producer | |
| Oren Koules | .... | producer | |
| Stacey Testro | .... | executive producer | |
| James Wan | .... | executive producer | |
| Leigh Whannell | .... | executive producer | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | |||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Stephanie Gorin | |||
| Amy Lippens | |||
Production Design by | |||
| David Hackl | |||
Art Direction by | |||
| Michele Brady | |||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Alex Kavanagh | |||
Makeup Department | |||
| Damon Bishop | .... | prosthetics assistant | |
| Pamela Mills Byer | .... | assistant hair stylist (as Pamela Mills) | |
| François Dagenais | .... | prosthetics coordinator (as Francois Dagenais) | |
| Sarah Fairbairn | .... | key makeup artist | |
| Stephanie Ingram | .... | key hair stylist | |
| Robbi O'Quinn | .... | second assistant makeup artist | |
| Candice Ornstein | .... | assistant makeup artist | |
| Patrick Baxter | .... | makeup lab technician (uncredited) | |
| Matthew Dewilde | .... | prosthetic supplier (uncredited) | |
| Sheilagh McGrory | .... | prosthetic supplier (uncredited) | |
| Neil Morrill | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Greg Copeland | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian Backman | .... | third assistant director | |
| Darrin Brown | .... | second assistant director | |
| Elizabeth Scherberger | .... | first assistant director | |
Art Department | |||
| Carlo Cesta | .... | painter | |
| Steven Ciancamerla | .... | set dresser | |
| Jeff Flint | .... | carpenter | |
| Dwight Hendrickson | .... | first assistant art director | |
| Ron Hobbs | .... | storyboard artist | |
| Jason Lunn | .... | set dresser | |
| Michael Madill | .... | painter | |
| Mario Moreira | .... | prop buyer | |
| Alan Moy | .... | carpenter | |
| James R. Murray | .... | property master | |
| Enrique Patritti | .... | painter | |
| Alejandro Torres | .... | painter | |
| Adrienne Trent | .... | special props builder | |
| Tim Young | .... | carpenter | |
| Michael Zaharuk | .... | painter | |
| Anthony Pearce | .... | conceptual illustrator (uncredited) | |
| Anthony Pearce | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| David W. Barr | .... | adr recordist | |
| Tom Bjelic | .... | sound effects editor | |
| Robin Crumley | .... | assistant sound editor | |
| Ian Elias | .... | sound | |
| Keith Elliott | .... | sound re-recording mixer | |
| Allan Fung | .... | sound editor | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | re-recording assistant | |
| Gina Gyles | .... | foley assistant | |
| Jason Hopfner | .... | boom operator | |
| Matthew McKenzie | .... | adr recordist | |
| Colin McLellan | .... | adr recordist | |
| Rick Penn | .... | sound mixer | |
| Jason Perreira | .... | re-recording assistant | |
| Peter Persaud | .... | foley recordist | |
| John Sanacore | .... | sound re-recording mixer | |
| Paul Shikata | .... | sound effects editor | |
| John Douglas Smith | .... | supervising sound editor | |
| Andrew Tay | .... | sound re-recording mixer | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Tim Good | .... | special effects supervisor | |
| Colin Penman | .... | puppet builder | |
Visual Effects by | |||
| Naomi Anderlini | .... | opening titles designer | |
| Kris Brockman | .... | digital compositor: C.O.R.E Digital Pictures | |
| Bret Culp | .... | visual effects supervisor | |
| Tony Cybulski | .... | digital compositor: C.O.R.E Digital Pictures | |
| Paul DeOliveira | .... | digital compositor: C.O.R.E Digital Pictures | |
| Maria A. Gordon | .... | digital compositor: C.O.R.E Digital Pictures | |
| Daniel Lee | .... | lead digital compositor: C.O.R.E. Digital Pictures | |
| Chad Malbon | .... | visual effects producer: opening title sequence | |
| Tina McGill | .... | digital compositor: C.O.R.E Digital Pictures | |
| Samara Melanson | .... | visual effects executive producer: C.O.R.E. Digital Pictures | |
| Roubina Messerkhanian | .... | digital compositor: C.O.R.E Digital Pictures | |
| Joe Raasch | .... | digital compositor: C.O.R.E Digital Pictures | |
| Mahmoud Rahnama | .... | digital compositor: C.O.R.E Digital Pictures | |
| Carrie Richardson | .... | visual effects production manager: C.O.R.E. Digital Pictures | |
| Russ Robertson | .... | DI producer | |
| Tracey Vaz | .... | digital compositor: C.O.R.E Digital Pictures | |
| Alphonso Young | .... | digital compositor: C.O.R.E Digital Pictures | |
Stunts | |||
| Wade Eastwood | .... | stunt double: Jigsaw | |
| Brian Jagersky | .... | stunt actor: SWAT #2 | |
| Darren McGuire | .... | stunt actor: SWAT #1 | |
| Alison Reid | .... | stunt coordinator | |
| Alison Reid | .... | stunt double: Amanda | |
| John Stoneham Jr. | .... | stunt actor: SWAT #3 | |
| Dave Van Zeyl | .... | stunt double: Obi | |
Camera and Electrical Department | |||
| Eric Beaulieu | .... | second assistant camera: "a" camera | |
| Cinar Eryasar | .... | electrician | |
| Greg Gayne | .... | gallery photographer | |
| Brian Gedge | .... | camera operator | |
| Brian Gedge | .... | director of photography: second unit | |
| Kevin Michael LeBlanc | .... | first assistant camera: "a" camera | |
| Alex Lisman | .... | camera trainee | |
| Dave Sansford | .... | electrician | |
| Darren Spriet | .... | second assistant camera: "b" camera | |
| Kit Whitmore | .... | director of photography: second unit | |
| Steve Wilkie | .... | still photographer | |
Costume and Wardrobe Department | |||
| Karen Eppstadt | .... | key costume breakdown artist | |
| Les Handrahan | .... | costumer | |
| Leslie Kavanagh | .... | wardrobe set supervisor | |
| Stephanie Lees | .... | assistant costume designer | |
| Shelley Mansell | .... | wardrobe buyer | |
| Adam Smith | .... | costume prop | |
Editorial Department | |||
| Nick Iannelli | .... | digital intermediate editor | |
| Rui Martins | .... | telecine operator | |
| Tom Mayclim | .... | negative cutter | |
| Arthur Montreuil | .... | film color timer | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Ryan Ruskay | .... | colorist | |
| Chris Wallace | .... | digital intermediate colorist | |
| Bob Wenokur | .... | studio post-production representative | |
| Ron Wisman Jr. | .... | assistant editor | |
Music Department | |||
| Rob Bertola | .... | music editor | |
| Wes Borland | .... | musician | |
| Charlie Clouser | .... | musician | |
| Peter Freeman | .... | musician | |
| Chad Gray | .... | composer: song "Forget To Remember" | |
| Danny Lohner | .... | musician | |
| Yvonne McDonald | .... | music clearances | |
| Jonathan McHugh | .... | music supervisor | |
| Jonathan Scott Miller | .... | music supervisor | |
| Jonathan "Big Jon" Platt | .... | music supervisor | |
| Chas Smith | .... | musician | |
Other crew | |||
| Christine Barclay | .... | dust busting | |
| Troy Begnaud | .... | assistant: Gregg Hoffman | |
| Chad Cole | .... | assistant: Mark Burg and Oren Koules | |
| Cristin L. Cornett | .... | production coordinator | |
| Bernadette Couture | .... | dust busting | |
| Kym Crepin | .... | production accountant | |
| Heather Dawn | .... | creative consultant | |
| Ryan Eldridge | .... | production assistant | |
| Yon Elvira | .... | publicist: Lionsgate | |
| Alex Franklin | .... | development executive | |
| Lisa Gyorfi | .... | assistant production coordinator | |
| Lauren Hassard | .... | set medic | |
| Jane Kim | .... | assistant: Darren Bousman | |
| Steven Lewis | .... | production attorney | |
| Dahla MacKenna | .... | educational supervisor | |
| Ashleigh Millar | .... | craft service | |
| Pete Nilson | .... | caterer | |
| Michael Paterson | .... | optical recording | |
| Pauline K. Quong | .... | payroll accountant | |
| Mag Sarnowska | .... | dust busting | |
| Sat Sidhu | .... | on-set tutor | |
| Carla Spizziri | .... | first assistant accountant | |
| Lisa Vella | .... | assistant to producers | |
| Greg Wessendorf | .... | dust busting | |
| Al Vrkljan | .... | armorer (uncredited) | |
| Al Vrkljan | .... | tactical advisor (uncredited) | |
Thanks | |||
| Tracy Mulholland | .... | special thanks | |
| Christopher W. Yan | .... | special thanks (as Chris Yan) | |
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| Saw IV | Kill Bill: Vol. 1 | Freddy vs. Jason | Saw | The Texas Chainsaw Massacre: The Beginning |
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Although this follow-up to the marvellous 2004 thriller 'Saw' is nowhere near as great as the original, it is still a good film worth watching.
The "Jigsaw" killer plays another sick game with another unlucky group of people. They are placed in a booby-trapped house that is slowly filling up with a lethal nerve gas. They are doomed to die, unless they can find out what they have in common, complete various tasks in the house and find the antidote.
Where the original film's gore could be forgiven on the account of its high logic, this lazy sequel is just gore for its own sake. The pace has been slowed down to a snail's and there are fewer scares and twists to keep the viewer as interested. Nevertheless, few viewers will have worked out the final, nasty twist, which makes it all worthwhile.