Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to ... See full summary »
Darren Lynn Bousman
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
When detective Eric Matthews is called to a crime scene of a victim of Jigsaw, he finds a lead to the place where he is hidden. Once there, he realizes that Jigsaw trapped his son Daniel Matthews with three women and four men in a shelter, and they are inhaling a lethal nerve gas. If they do not use an antidote within two hours, they will die. Eric follows with increasing desperation the death of each member of the group in monitors, while trying to convince Jigsaw to release his son. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This film originally came from a script by the director Darren Lynn Bousman which was called "The Desperate". After trying for years to get it made but being told repeatedly that it was too violent, finally a company wanted to do it because they suspected Saw (2004) which was becoming a hit at Sundance might blow out big and they wanted to capitalize on its success. Some producers even described Bousman's script as "too Saw-ish". Just before he was about to close a deal to make the movie, Saw (2004) opened huge at the box-office and the next day he received a call, and the producers asked if he could change it around to "Saw 2". Leigh Whannell (who wrote the first "Saw") was then brought on a little later to help Bousman with creating his original idea into a proper sequel to Saw (2004). See more »
(at around 35 mins) When they discover Obi's envelope, the knife's position on the envelope shifts between shots. See more »
I anxiously waited for this film to be released---eagerly anticipating every frame, and I was not disappointed when I "saw" the first screening this afternoon. From the opening scene thru the end? I found myself being transported into the big screen, taken for one of the wildest rides I have ever experienced, and deposited back into my seat knowing I had not wasted my money (nor the afternoon, for the matter). I was kept guessing until the end, and I was not let down with a "cliched and wrap it up" ending...I left wanting more. (Having seen CUBE...I don't see the "ripoff"...I see a very well thought out original script with a deeper story). The acting was very impressive and very believable. A special shout out to the team who came up with the set design and atmospheric lighting. I was moved and mentally manipulated by this film, and when I stepped out of the theater into the lobby and real life I had to take a minute to let my mind unwind before I went out the theater door.
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