The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick ...
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Legend says that Antonio Bay was built in 1880 with blood money obtained from shipwrecked lepers but no one believes it. On the eve of the town's centennial many plan to attend the celebrations, including the murdered lepers.
Jamie Lee Curtis,
The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.
The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick Castle is one of the descendants of the men, and owns a fishing charter company, using his vessel, the Seagrass, for tourism. When his girlfriend Elizabeth Williams returns to the island after spending six months in New York, a bizarre series of events begin to occur, including several gruesome deaths and the presence of a mysterious fog. When Elizabeth slips in Nick's boathouse and falls into the sea, she finds an old journal from 1871, written by Patrick Malone, one of the town's founders. It tells how a man named Blake bought half the island for use as a leper colony. While bringing his people to Antonio Island in their clipper ship, the Elizabeth Dane, Blake is betrayed by Castle, Wayne, Williams and Malone. The four men locked Blake and his people in the vessel, stole their money and possessions, ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
First film Tom Welling and Maggie Grace co-star. The second was The Choice (2016). See more »
When Stevie goes into the lighthouse to work, the bulletin board in the background shows her son's drawings and pictures. They're in different places in the next shot. When they catch fire, they're in different places again. See more »
I got an idea. Why don't you do some work around here and I'll go get the clutch.
Cause I'm the Skipper, and you're Gilligan.
Like that? After all the "we", now I'm just Gilligan. I'm by myself, huh?
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Written by Damian Kulash (as Damian Kulash, Jr.)
Performed by OK Go
Courtesy of Capitol Records
Under license from EMI Film & Television Music
(Played before the hairbrush caught fire at the radio station) See more »
I recently saw THE FOG and then read a lot of the reviews posted on IMDb about it. In my opinion, you people are being TOO easy on it. Can you rate anything BELOW a 1? Can I give a NEGATIVE rating to this film? And most of all, I'm writing Revolution Studios and demanding my money back. When you pay money to see something in a theater, I feel that there is a mutual and unspoken guarantee from the studio releasing it that the film will, at the very least, resemble something that LOOKS as if it were made by a group of people who know something about film-making. After seeing this, I would have to seriously question whether or not Rupert Wainwright has ever actually seen a film or if he's just going by what other people have told him ("Hey, Rupert, movies are really cool! You use this thing called a camera and it records people doing neat stuff! Doesn't that sound interesting?").
I don't need to be insulted like this. The original FOG was a good, solid piece of horror film-making that generated its scares by making the most of a small budget along with great music and decent effects. The new one is a poop stain on the remake underbelly that Hollywood has chosen to embrace. I don't just hate this movie, I LOATHE it. I loathe it and everything that it stands for because what it stands for is taking your money and then kicking you in the balls.
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