The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick ... See full summary »
Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...
The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick Castle is one of the descendants of the men, and owns a fishing charter company, using his vessel, the Seagrass, for tourism. When his girlfriend Elizabeth Williams returns to the island after spending six months in New York, a bizarre series of events begin to occur, including several gruesome deaths and the presence of a mysterious fog. When Elizabeth slips in Nick's boathouse and falls into the sea, she finds an old journal from 1871, written by Patrick Malone, one of the town's founders. It tells how a man named Blake bought half the island for use as a leper colony. While bringing his people to Antonio Island in their clipper ship, the Elizabeth Dane, Blake is betrayed by Castle, Wayne, Williams and Malone. The four men locked Blake and his people in the vessel, stole their money and possessions, ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The first tomato can be thrown at the screen two minutes after the opening credits
I wasn't angry about The Fog remake until I heard that it was going to be released by Revolution Studios, a company known to house crap movies. From then on, my hopes weren't that high, and they sank even lower when I saw the trailer. It looked to much like Boogeyman or Darkenss Falls rather than an atmospheric, imaginative, horror production like the original.
The original Fog deserves to be a cult classic and is a great film, but I thought it could have used a couple of improvements. It was not John Carpenter's best effort, but it still was an 8 out of 10 movie. This remake had potential because it could have corrected some of the plot holes from the original. Not surprisingly, the modernized Fog created new loopholes in the story and in addition had a terrible script.
The characters here were clichéd. The naive young girl who sees "horrible things" happening and who is befriended by her "hot ex-boyfriend". There is even a token black guy who serves as the "comic relief" for the film. Why can't they have black heroes in horror movies? Every character is seen in some state of undress, including Stevie Wayne, a mother of a young teenage boy named Andy, who struts around in panties in front of her son (I thought that was funny). I'm surprised Andy's old nanny wasn't shown strutting around in her undies while cleaning the dishes.
The leper colony ghosts were not scary. They were all see through, and instead of a giant fishing hook, Father Blake carried a cane (WTF??), not for support while walking, but for a scene near the end of the film where flying glass shards contribute to the death of a character. Also, the fog in this film is all CGI, and is not nearly as menacing as the one in the original was.Father Malone's character in the original was a major contributor to the story, because he represented the sins of the founding fathers. In this one, he's just a stupid old drunk who has a minimal impact on the story and plays more like the typical "old lady who can see the future" kind of character. Also, why aim for a PG-13? It's obvious the filmmakers wanted to put some gore in this, and they did, because there were many deaths that involved people being maimed and/or set on fire, not necessarily in that order. Only a few more drops of blood and it would be R.
There are two good things though. There is one pretty shocking death scene that was cool and there were some cool cinematography shots. The eerie image of the sailors on their ship in the fog gave me the chills. There was also a really creepy ghost who was only shown in shadows (you never saw his face) and who wore a top hat. It would have been interesting if they showed that ghost more, but alas, they shied away from it.
And don't get me started on the ending. It's supposed to be a shocker, but it's extremely predictable. It also makes everything that preceded it make little sense. What was the point of that? Stevie Wayne's cheesy closing monologue was even cheesier than the concluding monologue in House of the Dead.
Overall, this dreadful remake ran shy of where it could have won the race.
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