The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick ... See full summary »
Set during the 10th anniversary of Hong Kong's reunification with China, FOG tells the story of Wai, who suffers from a rare amnesia that wipes his memory entirely clean, as he attempts to ... See full summary »
The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick Castle is one of the descendants of the men, and owns a fishing charter company, using his vessel, the Seagrass, for tourism. When his girlfriend Elizabeth Williams returns to the island after spending six months in New York, a bizarre series of events begin to occur, including several gruesome deaths and the presence of a mysterious fog. When Elizabeth slips in Nick's boathouse and falls into the sea, she finds an old journal from 1871, written by Patrick Malone, one of the town's founders. It tells how a man named Blake bought half the island for use as a leper colony. While bringing his people to Antonio Island in their clipper ship, the Elizabeth Dane, Blake is betrayed by Castle, Wayne, Williams and Malone. The four men locked Blake and his people in the vessel, stole their money and possessions, ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was green lit by Revolution Studios before the script was written. See more »
When the lighthouse notice board catches fire, Stevie puts it out with a CO2 fire extinguisher. She holds the nozzle, which isn't recommended with CO2 extinguishers; her hand should've frozen to the nozzle. See more »
I recently saw THE FOG and then read a lot of the reviews posted on IMDb about it. In my opinion, you people are being TOO easy on it. Can you rate anything BELOW a 1? Can I give a NEGATIVE rating to this film? And most of all, I'm writing Revolution Studios and demanding my money back. When you pay money to see something in a theater, I feel that there is a mutual and unspoken guarantee from the studio releasing it that the film will, at the very least, resemble something that LOOKS as if it were made by a group of people who know something about film-making. After seeing this, I would have to seriously question whether or not Rupert Wainwright has ever actually seen a film or if he's just going by what other people have told him ("Hey, Rupert, movies are really cool! You use this thing called a camera and it records people doing neat stuff! Doesn't that sound interesting?").
I don't need to be insulted like this. The original FOG was a good, solid piece of horror film-making that generated its scares by making the most of a small budget along with great music and decent effects. The new one is a poop stain on the remake underbelly that Hollywood has chosen to embrace. I don't just hate this movie, I LOATHE it. I loathe it and everything that it stands for because what it stands for is taking your money and then kicking you in the balls.
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