5.9/10
823
31 user 28 critic

Flannel Pajamas (2006)

A story of one couple falling in and out of love.

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Stuart Sawyer
...
Nicole Reilly
...
Elizabeth
...
Jordan
Chelsea Altman ...
Tess
Michelle Federer ...
Tara
...
Bill
...
Megan
...
Calvin
...
Amanda
...
Cathy
...
Winston
Tracy Sallows ...
Barbara
...
Marc
...
Peter
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Storyline

A study of a relationship that starts quickly, burns bright, and then gets rocky, not from any one thing, but from an accumulation of civilization and its discontents. Stuart is glib and generous, Nicole is shy and forthright. He doesn't like her best friend; she tires of his brother's antics. She wants children sooner. He's a poor listener, she broods. Both have divorced parents, and their families complicate their lives. Is love enough to see them through? Written by <jhailey@hotmail.com>

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Genres:

Romance

Motion Picture Rating (MPAA)

Rated R for strong sexuality, graphic nudity and language
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Details

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Release Date:

22 January 2006 (USA)  »

Box Office

Opening Weekend:

$11,069 (USA) (17 November 2006)

Gross:

$123,301 (USA) (20 April 2007)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

After Stuart's brother Jordan commits suicide, one of the following scenes shows the funeral for Jordan. At the beginning of the movie after Nicole meets Stuart, she mentions in a call to her mother that Stuart is Jewish. So, if Jordan is Stuart's brother, then he must be Jewish too. Therefore, he would have a Jewish funeral. In a Jewish Funeral, the men wear yipot on their heads (small caps to symbolize that god is with them), and there is no wake afterwards, the body would be taken immediately to the cemetery (not to someone's house). See more »

Connections

References Everybody Loves Raymond (1996) See more »

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User Reviews

 
The most intimate love story in years, rendered less in the end
8 April 2007 | by (SoFla, UsA) – See all my reviews

Treat yourself to a cinematic love affair via the extremely personal, impressively detailed romantic drama Flannel Pajamas. In what is surely one of the most perceptive and intelligent scripts to emerge this decade detailing the intense highs and lows of a relationship, viewers are treated to an insiders look at the birth, fruition and eventual apathetic demise into one of the most richly detailed and believable love stories recently released. Credit the realistic script from director Jeff Lipsky, and two stellar, honest and open lead performances from Justin Kirk and Julianne Nicholson for skyrocketing this modest indie production into the history books of romantic cinema.

In detailing the exquisitely realized courtship, Lipsky's script (occasionally clunky and verbose amongst a majority of truthful ranting) taps into both harmonizing and colliding mentalities with equal passion and resonance, coming across as if were actually penned by two extremely intimate lovers. The amazing comfort these two leads bring to the table only helps bring the richly detailed dialog past the point of a petty fictionalization, and almost let's the viewer live vicariously through their most intimate moments in a completely engaging and believable manner. These characters may not be fleshed out to the satisfaction of some viewers and may remain irrelative to even more, yet the objective analysis this filmmaker has dedicated into studying the mechanics behind their vested interest remains unshakable. Of course, most films would be not be complete without some flaws, and for all the sheer integrity invested in portraying the sanctity of this partnership in a truthful light, the small budget feature does become bogged down with subplot's, supporting characters, and a weary conclusion that does not quite know how to finalize itself.

Suffering from your typical "third act syndrome", Flannel Pajamas follows a captivating lover's arc into a final act that betrays the intense honesty and character integrity found throughout for a resolution that feels ambiguous at best, and a closing scene that feels entirely unintuitive. Still, more mature, dialog-driven viewers will be hard pressed to find anything as substantial in the way of an honest love story told in the most human way possible that has come out in recent memory, which more then makes up for a weak conclusion.


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