It is the story of one Mr. Fox and his wild-ways of hen heckling, turkey taking and cider sipping, nocturnal, instinctive adventures. He has to put his wild days behind him and do what fathers do best: be responsible. He is too rebellious. He is too wild. He is going to try "just one more raid" on the three nastiest, meanest farmers that are Boggis, Bunce and Bean. It is a tale of crossing the line of family responsibilities and midnight adventure and the friendships and awakenings of this country life that is inhabited by Fantastic Mr. Fox and his friends. Written by
The character of Kylie was based on a handyman (named Kylie) who was living in Wes Anderson's New York apartment when he purchased it from the painter Larry Rivers: "After I bought it, he continued to live there while the place was gutted, but eventually I had to ask him to move out." See more »
The film is clearly set in England, according to Mr. Fox's morning paper and other clues. But the wolf's alpine backdrop is like something out of the Rocky Mountains, and Kiley is an American opossum--there are no opossums or any marsupial relatives native to Europe. On the wackbat-trophy's champion-list there is an "M.K. Silvery-Marmoset", a creature found only in very limited areas in Brazil. See more »
What'd the doctor say?
Nothing. Supposedly it's just a 24-hour bug. He gave me some pills.
I told you, you probably just ate some bad gristle.
See more »
The initial end credits play out over the outside shot of Boggis, Bunce and Bean's supermarket. See more »
To put it simply, Fantastic Mr. Fox is unlikely to leave you disappointed.
For a start, the animation, is simply wonderful. Gorgeously designed backgrounds and scenery full of simply incredible attention to detail, the film is full of such loving care and attention. Each character feels full of personality and it's refreshing to see something other than a glossy 3D rendered animation film for a change most certainly. It feels like a return to a day where a little imagination was expected in films, which is nice.
Comparing Pixar releases and this film is besides the point. This film wasn't made to be compared or compete with others, it was made to tell a classic children's tale by one of the greatest authors at writing them. Dahl's wife Felicity herself has described her delight at how the film portrays the universe great author created and the modification of the story for film length is smoothly and smartly done. It is a beautifully told story, heart-warming and charming, witty and full of comedic moments.
While Pixar films play like films made for children that can be enjoyed by adults. Wes Anderson's film feels like one made for adults, that can be enjoyed by children. Some parents may not feel too comfortable of the less than subtle replacement of curse words with "cuss" or "cussing" it has to be mentioned however.
The voice acting is excellently done, Anderson took the cast outside, underground and indoors for the varying parts of the film to give it a real feel of authenticity which pays off. The soundtrack, as with all Wes Anderson films, is stunningly good and really elevates the film. After watching you may find yourself searching out the soundtrack as soon as you get home.
The film's style and direction screams Wes Anderson at the top of its lungs and so, haters of his previous work may need to be careful, but I would certainly suggest to give the film a try and see if it can convert you, if not at least not make you feel like you've wasted your money.
As a self confessed Wes Anderson fan I was doomed to love this film no matter what, but am genuinely delighted with the end product and believe that more than just the blind Wes Anderson lover will find this film a charming, witty ride of enjoyment.
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