Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
Years after the Raccoon City disaster, Alice is on her own; aware that she has become a liability and could endanger those around her, she is struggling to survive and bring down the Umbrella Corporation led by the sinister Albert Wesker and head researcher Dr. Isaacs. Meanwhile, traveling through the Nevada Desert and the ruins of Las Vegas, Carlos Olivera, L.J., and new survivors K-Mart, Claire Redfield, and Nurse Betty must fight to survive extinction against hordes of zombies, killer crows and the most terrifying creatures created as a result of the deadly T-Virus that has killed millions. Written by
In the Tokyo scene the sign next to 'Tokyo Metro' reads 'Zatoichi Square' an obvious nod to the fictional Japanese film and television character. See more »
After Alice uses her powers to kill the crows, Dr. Isaacs uses 3 satellites to locate her - as evidenced by the display on his computer monitor. Three smaller circles, presumably satellites, centered around a larger circle, presumably the radius of her psionic ability - even though we only see one satellite in orbit. Even if the satellites are not sensitive to psionic bursts (though they should be, since the AI in the Umbrella facility claims to have detected them), Project Alice has several implants which allow Umbrella to track and control her. See more »
Take a sample of her blood, and then get rid of that.
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At the end of the credits, Alice's voice is heard to say "You're just... another asshole". See more »
One thing that's for sure is that the "evil" of the title is becoming less and less "residential." This time around the nasty T-virus has spread all over the whole world and humanity is in grave danger. I guess that's where the "extinction" part comes in.
Once again we find ourselves not too long after the previous film left off. Humanity is in shambles and "Extinction" plays itself like a post-apocalyptic thriller, no pun intended. Alice is evading the evil Umbrella Corporation who needs to conclude some experiments but they can only do it with her blood and clones don't work. While wandering the desert Alice finds out she has mental powers, meets a group of survivors, and happens to be tracked by Umbrella all within what must be one hour. I guess it's not her lucky day. The audience however, providing you're fans of stylized carnage, is in for a little treat. "Extinction" not only provides a more interesting plot than the previous film, it also provides much better action and special effects. These effects feature zombies (naturally) but also demonic crows and a nasty mutation at the end. The action scenes are nicely done with somewhat unpredictable approach to who gets munched and who doesn't so tension is there throughout.
There are also many absurdities, but they can only be expected in a film like this. For instance, the film is set in a desolate world with supposedly little supplies yet the women look like they put on make up every morning and regularly get a manicure. The GOOD women that is. Alice meets some BAD people in the beginning and these people somehow haven't picked up any of those bathroom supplies and make up kits that are laying around. Those bad people are another thing, they appear in an early scene that demonstrates that Alice can fight and kick ass... seeing that this is the third movie in the series do they really need to make this point again? If they avoided it, then the climatic fight might have been longer and a bit more, you know, climatic. But I guess that wasn't the point of that fight since right after it we are set up for Resident Evil 4.
"Extinction" is enjoyable for what it is, but that's it. --- 6/10
Rated R for violence/gore and horror. Ages 13+
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