Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. ... See full summary »
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Holly Kennedy is beautiful, smart and married to the love of her life - a passionate, funny, and impetuous Irishman named Gerry. So when Gerry's life is taken by an illness, it takes the life out of Holly. The only one who can help her is the person who is no longer there. Nobody knows Holly better than Gerry. So it's a good thing he planned ahead. Before he died, Gerry wrote Holly a series of letters that will guide her, not only through her grief, but in rediscovering herself. The first message arrives on Holly's 30th birthday in the form of a cake, and to her utter shock, a tape recording from Gerry, who proceeds to tell her to get out and "celebrate herself". In the weeks and months that follow, more letters from Gerry are delivered in surprising ways, each sending her on a new adventure and each signing off in the same way; P.S. I Love You. Holly's mother and best friends begin to worry that Gerry's letters are keeping Holly tied to the past, but in fact, each letter is pushing ... Written by
According to the Christmas 2006 issue of People magazine, Jeffrey Dean Morgan had to learn to play the guitar for his part in this film in a very short time. His guitar instructor was Nancy Wilson of the band Heart. Morgan was thrilled to take lessons from her because, in his own words, "I had such a crush on her as a kid." See more »
During the scenes on the road, just prior to their first kiss, Holly is wearing Gerry's leather jacket which changes states of openness several times. At one point, the jacket is slightly open with the flaps flat against her chest, then the jacket is shown more open with the flaps flipped back on themselves, then switches back again. Then, Holly starts to walk away and remembers that she is wearing his jacket & reaches up to take it off. Cut to a long shot where it shows the jacket buttoned about halfway up from the bottom. See more »
Oh, never mind. I'm just screwed up. I'm trouble... yeah.
I like trouble.
Oh no, I don't mean "cool Pulp Fiction" trouble. I mean "mental case wacko" trouble.
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This film is dedicated in loving memory of Windland Smith Rice 1970 - 2005 See more »
To be fully honest, I'm not one for what we know as "chick-flicks" because of their tendency to be as predictable as a crystal ball or as cheesy as cheese. However, hearing that Gerard Butler and James Marsters were both in this film together, seeing as I adore both actors for many different reasons, I thought I might be able to stomach it and maybe even have a laugh.
By the end of the film, I found this film to be more than just a "chick-flick"; it was instead a bittersweet story about a young widow, played by the strongly talented Hilary Swank, coping with the death of her husband through letters that he'd written for her teaching her how to live and remember how to be happy with herself. All in all, I'd say it was a great film. It was one of those film that can make you smile, scream, laugh and cry and the writers capture the audiences emotions beautifully.
The writer has clearly gone through the same situation of losing a loved one because if I'm not mistaken, I do recall hearing my grandmother going through the same emotions that Swank's character was going through after her own husband passed away.
The acting in the film is perfectly done. Butler, though he can't hold an Irish accent very well, plays the role of a goofball perfectly, especially in his striptease scene and when he was watching his wife sing a sexy karaoke tune (poor guy was trying to contain himself while covering Marsters' eyes). Swank is also hilarious and in a scene when she's crying in an emotional breakdown, she plays it more realistically than I have ever seen on film.
What is also great about the film is that it rebels against most romantic comedies by practically spoofing typical chick-flick events, which was a great relief to me, since the recycled plots that I see in too many films and books nowadays (*cough*Enchanted*cough*) gets more than just annoying. Out of ten, I will give it a nine because the only problem I had with the film was Butler's accent. Other than that, it was a great film with a well-chosen cast and a well-written script.
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