A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Holly Kennedy is beautiful, smart and married to the love of her life - a passionate, funny, and impetuous Irishman named Gerry. So when Gerry's life is taken by an illness, it takes the life out of Holly. The only one who can help her is the person who is no longer there. Nobody knows Holly better than Gerry. So it's a good thing he planned ahead. Before he died, Gerry wrote Holly a series of letters that will guide her, not only through her grief, but in rediscovering herself. The first message arrives on Holly's 30th birthday in the form of a cake, and to her utter shock, a tape recording from Gerry, who proceeds to tell her to get out and "celebrate herself". In the weeks and months that follow, more letters from Gerry are delivered in surprising ways, each sending her on a new adventure and each signing off in the same way; P.S. I Love You. Holly's mother and best friends begin to worry that Gerry's letters are keeping Holly tied to the past, but in fact, each letter is pushing ... Written by
The whole letter Gerry sent to his Mom & Dad in Ireland says: "Dear Mum & Dad. Well, Doc says there's not much time so I thought I'd write to you, seeing how bad we Kennedy's are with modern day contraptions like telephones. Tell Dad to not lay about and to take care of his legs-keep them walking. I always think of Dad walking across the farm yelling after the hands too lazy to keep the chickens fed. And you Mum, yelling at Dad to treat the boys with a Father's hand, not a father's belt. I remember everything Mum. And I thank you for giving me a mother's breath of life and love. No son ever loved a mother more, I can tell you that. Never could say it to your face. Nor to Dad. But I love you." See more »
In the scene at the beginning when Gerry and Holly are fighting, Holly goes into the closet to put something away and Gerry puts his arms up in the doorway. Holly pushes his arm back to go into the bedroom and accidentally hits and moves the lampshade. Gerry looks at it and grabs it, but when they cut to a wider shot on the bedroom, the lampshade is perfectly straight again. See more »
[as Holly's reading a letter]
My life had changed right there. I'm not worried about you remembering me, luv. You need to remember that girl on the road.
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This film is dedicated in loving memory of Windland Smith Rice 1970 - 2005 See more »
Generally speaking, I dislike the romantic American tearjerker dramas especially films like 'Titanic'. So i tend to avoid them. A few that I have liked include 'Far and Away' and 'The English Patient' (which was much more than the average movie of this genre). What interested me about 'P.S. I Love You' was the interesting ensemble cast. Now that I have watched the film, I must say that it came as a pleasant surprise.
I found it very fresh: the cast which brings together talents like Lisa Kudrow, Kathy Bates and Hilary Swank; the idea of shooting in Ireland was very refreshing and the beautiful locations were so wonderfully shot that it just makes one want to visit the beautiful country; the screenplay, yes it is flawed as there are a few corny moments and some of the situations are a little too convenient but most of the dialogues are great, the comedic undertone is mostly welcoming and not misplaced, the ending is different from what one would expect; the soundtrack which adds more life into the moments.
It's ironic that just the other day I watched 'Reign Over Me' which also dealt with 'grieving over' lost loved ones. Both films were totally different but it was interesting to see how the central character of both films deal, or more correctly, fail to cope with their losses in different ways. Both the writer and director LaGravenese put a lot of heart into 'P.S. I Love You' and the film is strengthened by the chemistry of the actors.
Both Hilary Swank and Gerard Butler are excellent. The chemistry between them is electric. Swank gracefully shows Holly's transition from the whiny but loving working wife to the lonely widow. In a flashback scenes we see her brilliantly pull off the naive teenager. It's no surprise that the woman can act. Butler is terrific as the charming, lively and funny Gerry but his grasp of the Irish accent is disastrous. Lisa Kudrow provides comic relief. The actress gives a natural performance with shades of her famous Phoebe Buffay character (which I didn't mind as I miss Phoebe) but I wish she was given more screen time. Even Gina Gershon springs a surprise with a decent performance. Kathy Bates's acting is beautifully restrained. Harry Connick Jr. too adds some comedy (which might not appeal to all).
'P.S. I Love You' makes for a good rainy day film. It might not appeal to all as there are a few fluffy corny moments but the film does make its point well and for me it was worth a watch.
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