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A poor and passionate young man falls in love with a rich young woman and gives her a sense of freedom. They soon are separated by their social differences.
Director:
Nick Cassavetes
Stars:
Gena Rowlands,
James Garner,
Rachel McAdams
The story of two North Carolina teens, Landon Carter and Jamie Sullivan, who are thrown together after Landon gets into trouble and is made to do community service.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
A romantic drama centered on two new lovers: Tyler, whose parents have split in the wake of his brother's suicide, and Ally, who lives each day to the fullest since witnessing her mother's murder.
Director:
Allen Coulter
Stars:
Robert Pattinson,
Emilie de Ravin,
Caitlyn Rund
A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
Director:
David Frankel
Stars:
Anne Hathaway,
Meryl Streep,
Adrian Grenier
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Director:
Donald Petrie
Stars:
Kate Hudson,
Matthew McConaughey,
Adam Goldberg
Holly Kennedy is beautiful, smart and married to the love of her life - a passionate, funny, and impetuous Irishman named Gerry. So when Gerry's life is taken by an illness, it takes the life out of Holly. The only one who can help her is the person who is no longer there. Nobody knows Holly better than Gerry. So it's a good thing he planned ahead. Before he died, Gerry wrote Holly a series of letters that will guide her, not only through her grief, but in rediscovering herself. The first message arrives on Holly's 30th birthday in the form of a cake, and to her utter shock, a tape recording from Gerry, who proceeds to tell her to get out and "celebrate herself". In the weeks and months that follow, more letters from Gerry are delivered in surprising ways, each sending her on a new adventure and each signing off in the same way; P.S. I Love You. Holly's mother and best friends begin to worry that Gerry's letters are keeping Holly tied to the past, but in fact, each letter is pushing ... Written by
Orange
The whole letter to sent to his Mom & Dad in Ireland says: "Dear Mum & Dad. Well, Doc says there's not much time so I thought I'd write to you, seeing how bad we Kennedys are with modern day contraptions like telephones. Tell Dad to not lay about and to take care of his legs-keep them walking. I always thing of Dad walking across the farm yelling after the hands too lazy to keep the chickens fed. And you Mum, yelling at Dad to treat the boys with a Father's hand, not a father's belt. I remember everything Mum. And I thank you for giving me a mother's breath of life and love. No son ever loved a mother more, I can tell you that. Never could say it to your face. Nor to Dad. But I love you." See more »
Goofs
When Holly's friends and family come for her birthday she has a pimple on her head, then she showers and it's magically gone. See more »
Quotes
[During her dream sequence/fantasy, Holly is hanging over Gerry's shoulders while he plays guitar]
Holly Kennedy:
I can't fall asleep alone.
Gerry Kennedy:
[still strumming]
I'm right here, baby.
Holly Kennedy:
I had a terrible dream.
Gerry Kennedy:
Don't tell me.
[He smiles]
Holly Kennedy:
Gerry, I don't want to go back to work. What should I do?
Gerry Kennedy:
Quit. Stay here with me.
[She rises and walks to the couch]
Holly Kennedy:
[despairing]
I don't have a plan, Gerry.
[...] See more »
Crazy Credits
This film is dedicated in loving memory of Windland Smith Rice 1970 - 2005 See more »
To be fully honest, I'm not one for what we know as "chick-flicks" because of their tendency to be as predictable as a crystal ball or as cheesy as cheese. However, hearing that Gerard Butler and James Marsters were both in this film together, seeing as I adore both actors for many different reasons, I thought I might be able to stomach it and maybe even have a laugh.
By the end of the film, I found this film to be more than just a "chick-flick"; it was instead a bittersweet story about a young widow, played by the strongly talented Hilary Swank, coping with the death of her husband through letters that he'd written for her teaching her how to live and remember how to be happy with herself. All in all, I'd say it was a great film. It was one of those film that can make you smile, scream, laugh and cry and the writers capture the audiences emotions beautifully.
The writer has clearly gone through the same situation of losing a loved one because if I'm not mistaken, I do recall hearing my grandmother going through the same emotions that Swank's character was going through after her own husband passed away.
The acting in the film is perfectly done. Butler, though he can't hold an Irish accent very well, plays the role of a goofball perfectly, especially in his striptease scene and when he was watching his wife sing a sexy karaoke tune (poor guy was trying to contain himself while covering Marsters' eyes). Swank is also hilarious and in a scene when she's crying in an emotional breakdown, she plays it more realistically than I have ever seen on film.
What is also great about the film is that it rebels against most romantic comedies by practically spoofing typical chick-flick events, which was a great relief to me, since the recycled plots that I see in too many films and books nowadays (*cough*Enchanted*cough*) gets more than just annoying. Out of ten, I will give it a nine because the only problem I had with the film was Butler's accent. Other than that, it was a great film with a well-chosen cast and a well-written script.
54 of 91 people found this review helpful.
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To be fully honest, I'm not one for what we know as "chick-flicks" because of their tendency to be as predictable as a crystal ball or as cheesy as cheese. However, hearing that Gerard Butler and James Marsters were both in this film together, seeing as I adore both actors for many different reasons, I thought I might be able to stomach it and maybe even have a laugh.
By the end of the film, I found this film to be more than just a "chick-flick"; it was instead a bittersweet story about a young widow, played by the strongly talented Hilary Swank, coping with the death of her husband through letters that he'd written for her teaching her how to live and remember how to be happy with herself. All in all, I'd say it was a great film. It was one of those film that can make you smile, scream, laugh and cry and the writers capture the audiences emotions beautifully.
The writer has clearly gone through the same situation of losing a loved one because if I'm not mistaken, I do recall hearing my grandmother going through the same emotions that Swank's character was going through after her own husband passed away.
The acting in the film is perfectly done. Butler, though he can't hold an Irish accent very well, plays the role of a goofball perfectly, especially in his striptease scene and when he was watching his wife sing a sexy karaoke tune (poor guy was trying to contain himself while covering Marsters' eyes). Swank is also hilarious and in a scene when she's crying in an emotional breakdown, she plays it more realistically than I have ever seen on film.
What is also great about the film is that it rebels against most romantic comedies by practically spoofing typical chick-flick events, which was a great relief to me, since the recycled plots that I see in too many films and books nowadays (*cough*Enchanted*cough*) gets more than just annoying. Out of ten, I will give it a nine because the only problem I had with the film was Butler's accent. Other than that, it was a great film with a well-chosen cast and a well-written script.