A family in financial crisis is forced to sell Lassie, their beloved dog. Hundreds of miles away from her true family, Lassie escapes and sets out on a journey home.
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Stephen Sommers
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Life is hard for Yorkshire miner's son Joe Carraclough, who is beaten at school by a his teacher, his only consolation is his collie Lassie. It gets worse: when the mine is decommissioned, his father, Sam, is forced to sell the dog to the duke, who owns the local estate. The Duke's servant, Hynes, scares the dog, who keeps running back, so the Carracloughs have to keep returning her, until the Duke moves to the Scottish Highlands for the holiday season. Lassie escapes, embarking on a desperate journey home, with daunting Glasgow dogcatchers and taken in by a circus performer. It looks like a miracle is needed, by Christmas. Written by
KGF Vissers
One thread that connects all the Lassie projects is Lassie herself. Every one of the long string of Lassie productions has featured a collie directly descended from the original canine star, a dog named Pal. The new film was made with 8-year-old Lassie the ninth, and three other non-related collies, whose biggest challenge were in scenes swimming across Loch Ness on her way home. "They weren't bred to be water dogs, who have more webbing between their feet and more fat on their body to insulate them for the water," said trainer Carol Riggins, who has steered the Lassie stable through Lassies seven, eight and nine. "Collies don't have that. When you put them in the water, as soon as they get wet to the skin you have to take them out and you have to blow dry them before you can do the rest of the scene. When they get in the water they get cold and their muscles don't work as well." See more »
Goofs
There are seven puppies in the litter (at around 1h 30 mins), but eight can be seen in the walk in the countryside (at around 1h 30 mins). See more »
Crazy Credits
There are no credits at the beginning of the film, not even the film's title. All that is seen is the logo of the production company. See more »
The worst thing that can be said about this excellent film is that it is a "family movie" as that term may turn off many cinema buffs from seeing a film that is first rate from practically all aspects. It is brilliantly directed by Charles Sturridge ("Brideshead Revisited") and features several cream of the crop actors starting with the marvelous Peter O'Toole. It is also a superb adaptation of Eric Knight's wartime novel, "Lassie Come Home." (Unfortunately, the viewer would not know this until the end of the credits.) The photography is absolutely breathtaking with scenes of the Scottish Highlands that I haven't seen equaled. There is also a grittiness and realism to the film that was impossible to capture in a 1943 version filmed on the back lots of MGM. Rather than a mere remake, this film is classic in its own right and deserves a wider audience than I suspect it has found thus far. High fives all the way.
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The worst thing that can be said about this excellent film is that it is a "family movie" as that term may turn off many cinema buffs from seeing a film that is first rate from practically all aspects. It is brilliantly directed by Charles Sturridge ("Brideshead Revisited") and features several cream of the crop actors starting with the marvelous Peter O'Toole. It is also a superb adaptation of Eric Knight's wartime novel, "Lassie Come Home." (Unfortunately, the viewer would not know this until the end of the credits.) The photography is absolutely breathtaking with scenes of the Scottish Highlands that I haven't seen equaled. There is also a grittiness and realism to the film that was impossible to capture in a 1943 version filmed on the back lots of MGM. Rather than a mere remake, this film is classic in its own right and deserves a wider audience than I suspect it has found thus far. High fives all the way.