A down-and-out film producer agrees to make his nephew's film about 19th century English statesman Benjamin Disraeli, but can only get financing if he casts a well-known action star. ... See full summary »
L.A. soft-porn writer Carter Webb is frustrated enough, after his actress girlfriend dumps him, to need a serious break. He decides to spend it with his grandmother, who can't really take ... See full summary »
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
An airline pilot and his wife are forced to face the consequences of her alcoholism when her addictions threaten her life and their daughter's safety. While the woman enters detox, her husband must face the truth of his enabling behavior.
Amidst Argentina's financial collapse, workers take over a Buenos Aires men's clothing factory and continue producing clothing on a self-management model. As the formerly poor become business managers, their lives are changed forever.
Based on a very clever comedy by Claire Booth, wife of Time Publisher Henry Luce and later Ambassador to Italy. One of the surprises was an all-woman cast, novel in the 1930's. And although there were no men in the cast, most of the dialog was about them. The story is rather thin and depended on the fact that divorce, in the 1930's, was not only difficult but almost impossible in New York. Mrs. Stephen Haynes learns that her husband is seeing a salesgirl at Saks, and reluctantly divorces him, abetted by her friends, all of whom have romantic problems of their own. In the 1930's New York women who could afford it went to Nevada, where residency could be established quickly and divorce was relatively easy. The 1939 film, starring Norma Shearer, Paulette Goddard, Rosalind Russell, and Joan Crawford, was a hit. This one, with an even better looking cast, is definitely not, largely because someone tried to move a 1930's situation comedy into the present. Written by
There is an abundance of the use of the color green, from the color of the sets, props, costumes, in almost every scene throughout the movie. In the final fashion show, except for the models, almost every guest is wearing green. See more »
While Mary and Sylvie are changing into their scrubs before they go into the delivery room for the birth of Edie's baby, Mary puts the right bootie on twice. See more »
As a Spanish tourist in Los Angeles and a fanatic movie lover I committed a terrible mistake. I went to see "The Women" The remake of one of my all time favorites. I've seen the original many many times, in fact I own it. My rushing to see the remake was based on Diane English, the woman responsible for "Murphy Brown" My though was: how bad can it be? She must know what she's doing. Well, I don't know what to say. I don't understand what happened. The Botoxed women is a rather depressing affair. Meg Ryan or whoever played Mary - she looked a bit like a grotesque version of Meg Ryan...another actress perhaps wearing a Meg Ryan mask - she doesn't bring to the character nothing of what Norma Shearer did in 1939. The new one is a tired, unconvincing prototype of what has become a farce within a farce. The "friends" Annette Bening, Debra Messing, Jada Pinket Smith are as disconnected as anything I've ever seen and if this wasn't enough: Eva Mendes as Crystal, the character created by Joan Crawford in one of her best and funniest performances. Eva Mendes's casting is really the poster sign for how wrong, how ill conceived this commercial attempt turned up. I didn't give it a 1 out respect for Candice Bergen and Cloris Leachman
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