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The Women (2008)

PG-13 | | Comedy, Drama | 12 September 2008 (USA)
2:31 | Trailer

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A wealthy New Yorker wrestles with the decision to leave her cheating husband, as she and her friends discover that women really can have it all.



(screenplay), (play) | 2 more credits »
4 wins & 4 nominations. See more awards »



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Cast overview, first billed only:


Based on a very clever comedy by Claire Booth, wife of Time Publisher Henry Luce and later Ambassador to Italy. One of the surprises was an all-woman cast, novel in the 1930's. And although there were no men in the cast, most of the dialog was about them. The story is rather thin and depended on the fact that divorce, in the 1930's, was not only difficult but almost impossible in New York. Mrs. Stephen Haynes learns that her husband is seeing a salesgirl at Saks, and reluctantly divorces him, abetted by her friends, all of whom have romantic problems of their own. In the 1930's New York women who could afford it went to Nevada, where residency could be established quickly and divorce was relatively easy. The 1939 film, starring Norma Shearer, Paulette Goddard, Rosalind Russell, and Joan Crawford, was a hit. This one, with an even better looking cast, is definitely not, largely because someone tried to move a 1930's situation comedy into the present. Written by jojo.acapulco

Plot Summary | Plot Synopsis


Get your friends together and celebrate "The Women". See more »


Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sex-related material, language, some drug use and brief smoking | See all certifications »

Parents Guide:





Release Date:

12 September 2008 (USA)  »

Also Known As:

Todo sobre las mujeres  »

Box Office


$16,500,000 (estimated)

Opening Weekend:

£865,310 (UK) (12 September 2008)


$26,896,744 (USA) (14 November 2008)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

1.85 : 1
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Did You Know?


"The Women's" screenwriter Anita Loos who wrote this film's original 1939 screenplay, started her writing career in 1912 with her first full film screenplay The Musketeers of Pig Alley (1912) starring Lillian Gish for the American Mutoscope & Biograph Co. which is still in existence today. After writing many scripts for Biograph, Loos went on to write such other films such as Saratoga (1937), Another Thin Man (1939), San Francisco (1936), A Tree Grows in Brooklyn (1945), and Gentlemen Prefer Blondes (1953). See more »


Before the fashion show, Mary's mother asks Mary to rethink how she is presenting the coats for the show. When we view the fashion show, there are no coats modeled, only dresses. See more »


Edie Cohen: [about the voice of her car's navigation system] She's always calm. She never talks back. My husband's in love with her.
See more »


Version of The New Women (2001) See more »


The Races
Written by Inara George and Greg Kurstin
Performed by The Bird and the Bee
Courtesy of The Blue Note Label Group
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

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User Reviews

How The Mighty Have Fallen
20 April 2009 | by (United States) – See all my reviews

I have never seen the original 1930s version of the film, but this remake is one of the worst I have seen from a major production studio in years. Seeing actors such as Meg Ryan and Annette Bening, once near A level talents, sleepwalk their way through poorly scripted roles is painful. There appeared to be no desire to be in front of the camera for anyone in this film.

Jada Pinkett Smith and Debra Messing play worthless roles that have no bearing on the plot and add no entertainment value. Jada Pinkett Smith's character is used as nothing more than a ploy to appear modern, having an African American lesbian character, but in actuality she is there to just look cool. There is no actual reason why Messing in this film other than to fill out the amount of women in the original I take.

The side characters played by Eva Mendes and Debi Mazar are stereotypical female characters, with Mendes portraying the vixen looking to steal the wealthy but bored and mildly neglected husband and Mazar covering the gossip roles.

The movie is boring, lacking charm, humor, or sympathy for any characters. It almost felt like the movie was a punishment for everyone involved, whether in front of or behind the camera.

There is one glimmering hope in the film, however little it is allowed to shine surrounded by the dim and dying stars around it is Cloris Leachman. Leachman is still an amazing talent that brings her remarkable charm and humor to the film, in the small role that she has.

17 of 21 people found this review helpful.  Was this review helpful to you?

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