A down-and-out film producer agrees to make his nephew's film about 19th century English statesman Benjamin Disraeli, but can only get financing if he casts a well-known action star. ... See full summary »
L.A. soft-porn writer Carter Webb is frustrated enough after his actress girlfriend dumps him to need a serious break. He decides to spend it with his grandmother, who can't really take ... See full summary »
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
An airline pilot and his wife are forced to face the consequences of her alcoholism when her addictions threaten her life and their daughter's safety. While the woman enters detox, her husband must face the truth of his enabling behavior.
Based on a very clever comedy by Claire Booth, wife of Time Publisher Henry Luce and later Ambassador to Italy. One of the surprises was an all-woman cast, novel in the 1930's. And although there were no men in the cast, most of the dialog was about them. The story is rather thin and depended on the fact that divorce, in the 1930's, was not only difficult but almost impossible in New York. Mrs. Stephen Haynes learns that her husband is seeing a salesgirl at Saks, and reluctantly divorces him, abetted by her friends, all of whom have romantic problems of their own. In the 1930's New York women who could afford it went to Nevada, where residency could be established quickly and divorce was relatively easy. The 1939 film, starring Norma Shearer, Paulette Goddard, Rosalind Russell, and Joan Crawford, was a hit. This one, with an even better looking cast, is definitely not, largely because someone tried to move a 1930's situation comedy into the present. Written by
In The Women (1939) the only scene in color was the fashion show sequence. In this version the fashion show begins with all-black and white clothes, and the scene before it takes place in a black-and-white room. See more »
(at around 1h 45 mins) After the birth scene, the infant is passed from the bassinet to the girls, the baby has it's arms hanging limply by it's side. As the infant is given to the mother the baby is totally swaddled and it's arms are inside the blankets. See more »
It feels like someone kicked you in the stomach, feels like your heart stopped beating, feels like that dream, you know the one, when you are falling and you want so desperately to wake up before you hit the ground but it's all out of your control, you can't trust anything anymore, no-one is who they say they are, your life is changed forever, and the only thing to come out of the whole ugly experience is no-one will be able to break your heart like that again.
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As a Spanish tourist in Los Angeles and a fanatic movie lover I committed a terrible mistake. I went to see "The Women" The remake of one of my all time favorites. I've seen the original many many times, in fact I own it. My rushing to see the remake was based on Diane English, the woman responsible for "Murphy Brown" My though was: how bad can it be? She must know what she's doing. Well, I don't know what to say. I don't understand what happened. The Botoxed women is a rather depressing affair. Meg Ryan or whoever played Mary - she looked a bit like a grotesque version of Meg Ryan...another actress perhaps wearing a Meg Ryan mask - she doesn't bring to the character nothing of what Norma Shearer did in 1939. The new one is a tired, unconvincing prototype of what has become a farce within a farce. The "friends" Annette Bening, Debra Messing, Jada Pinket Smith are as disconnected as anything I've ever seen and if this wasn't enough: Eva Mendes as Crystal, the character created by Joan Crawford in one of her best and funniest performances. Eva Mendes's casting is really the poster sign for how wrong, how ill conceived this commercial attempt turned up. I didn't give it a 1 out respect for Candice Bergen and Cloris Leachman
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