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Kai S. Pieck
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Torsten C. Fischer
Klaus J. Behrendt,
Gabriela Maria Schmeide
Junior high in a time of rotary phones. Cougars have been spotted in the area. Logan is 13, the odd kid, with an active imagination and few friends. His young, single mother seems stressed. Latency is giving way to puberty, and Logan, who keeps a tube of lipstick in his dresser, may be gay or, more mysterious, transgender. He stares at himself in the mirror. He becomes friends with Rodeo, older and more mature, good-looking, with girlfriends. They take walks. Logan calls Rodeo and pretends to be a girl. Will he disclose himself to Rodeo? The kids at school talk. The school wants to promote kindness and tolerance. There are stories of child suicide. How do we find our way? Written by
After watching this movie on DVD, I watched the trailer. The voice-over describes the movie as surreal. Well, there's surreal, and there's surreal.
There was really only one part of the film that seemed surreal to me, but frankly, it was more confusing than surreal. The other unusual imagery, particularly the lunchroom scene where everybody is on the floor, were so nonsensical they had no meaning. I don't mind imagery that doesn't mean anything, but these scenes just seemed irrelevant.
My impression is that the director was trying to convey Logan's inner monologue. I don't know what else would explain what was going on. Unfortunately, nothing I saw gave me any clue what Logan was thinking about, what his perspective was, or even his emotional state. All I could tell was that he wasn't particularly happy with his physical appearance, and that he had a crush on an older boy.
I thought the ending signaled what the relationship between the boys had become, but not much else did. Purposely juxtaposing ambiguous scenes with those that were more straightforward seemed more like a cop out than an artistic decision.
Still, as tiresome and as content-free the movie was for me, it was a definite change of pace. I very much liked Madagascar Skin, and I had the feeling this movie aspired to that kind of narrative, and perhaps even style. It didn't even come close. For me there's no question about it: this movie deserves an A for effort, but a D for execution.
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