| Elio Germano | ... | Giulio | |
| Chiara Conti | ... | Federica | |
| Elisabetta Rocchetti | ... | Sasha | |
| Cristina Brondo | ... | Arianna | |
| Iván Morales | ... | Andrea | |
| Edoardo Stoppa | ... | Inspector | |
| Elena Maria Bellini | ... | Giulio's Mother | |
| Horacio José Grigaitis | ... | Inspector | |
| Giuseppe Lo Console | ... | Federica's Boss (as Giuseppe Loconsole) | |
| Milvia Marigliano | ... | Sasha's Mother | |
| Giampiero Perone | ... | The Fiancee | |
| Antonio Mazzara | ... | Cleaning Man | |
| Anna Varello | ... | Doctor | |
| Carla Gambino | |||
| Lorenzo Federici | |||
| Alessandra Magrini | |||
| Emanuela Cuglia | |||
| rest of cast listed alphabetically: | |||
| Nicola Rondolino | ... | Priest | |
| Lynn Swanson | ... | Orthopedist | |
Directed by | |||
| Dario Argento | |||
Writing credits(in alphabetical order) | ||
| Dario Argento | ||
| Franco Ferrini | ||
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Frederic Fasano | |||
Film Editing by | |||
| Walter Fasano | |||
Production Design by | |||
| Francesca Bocca | |||
| Valentina Ferroni | |||
Costume Design by | |||
| Fabio Angelotti | |||
Makeup Department | |||
| Mario Audello | .... | wig maker | |
| Fiorella Novarino | .... | hair stylist | |
| Rosabella Russo | .... | makeup artist | |
Production Management | |||
| Irma Misantoni | .... | post-production supervisor | |
| Giorgio Turletti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Guido Foa | .... | second assistant director | |
| Leopoldo Pescatore | .... | assistant director | |
Sound Department | |||
| Federico Amodio | .... | sound effects editor | |
| Mick Boggis | .... | sound mixer | |
| Vladislav Boyadjiev | .... | sound assistant | |
| Valerio Brini | .... | assistant sound mixer | |
| Piergiorgio De Luca | .... | sound effects editor | |
| Mario Giacco | .... | sound effects | |
| Mirko Guerra | .... | sound | |
| John Ireland | .... | adr english director | |
| Sonia Portoghese | .... | boom operator | |
| Marco Streccioni | .... | sound engineer | |
| Mario Struglia | .... | sound assistant | |
| Rikard Strømsodd | .... | assistant sound | |
Visual Effects by | |||
| Riccardo Albiero | .... | digital artist | |
| Marcello Buffa | .... | visual effects supervisor | |
| Alessandro Canu | .... | compositor | |
| Simone Fontana | .... | digital mastering editor | |
| Stefano Villa | .... | digital supervisor | |
Stunts | |||
| David Ambrosi | .... | stunt coordinator | |
| Diego Guerra | .... | stunts | |
Casting Department | |||
| Esther Cases | .... | casting | |
| Lorella Chiapatti | .... | casting | |
Costume and Wardrobe Department | |||
| Lucia Facchino | .... | wardrobe | |
| Viola Verra | .... | assistant costumer | |
Editorial Department | |||
| Rino Carlucci | .... | telecine operator | |
| Roberto Cesareo | .... | colorist | |
| Pasquale Cuzzupoli | .... | color supervisor | |
| Claudio Misantoni | .... | assistant editor | |
| Irma Misantoni | .... | assistant editor | |
| Irma Misantoni | .... | post-production coordinator | |
Other crew | |||
| Carla Alonzo | .... | production secretary | |
| Nilo Argento | .... | production secretary | |
| Marcello Colaciello | .... | groupman | |
| Alessandro Colopi | .... | assistant production secretary | |
| Anna Marta Corio | .... | assistant production secretary | |
| Danilo Goglio | .... | assistant production secretary | |
| Laura Greco | .... | production secretary | |
| Daniele Morini | .... | assistant production secretary | |
| Patrizia Pierucci | .... | production administrator | |
| Cristiano Sebastianelli | .... | payroll | |
| Fernanda Selvaggi | .... | script supervisor | |
| Cristiano Sergioli | .... | groupman | |
| Lynn Swanson | .... | dialogue coach | |
| Erika Taloni | .... | production accountant | |
| Andrea Tavani | .... | production secretary | |
| Cristina Vecchio | .... | assistant production secretary | |
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| Torso | Blade of the Ripper | What Have You Done to Solange? | Giornata nera per l'ariete | So Sweet, So Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Italy section |
Make no mistake, this is a made-for-TV movie so don't expect the usual Argento-gore and a lot of stylized violence. If that's what you're looking for, look somewhere else!
It also shows sometimes that he is working in another medium (television), style-wise. But apart from that, this is a playful and lightweight homage to Alfred Hitchcock, that works fairly well within the constrains of the medium.
It has a sympathetic lead in Elio Germano (but the female are more formulaic) and most actors are a lot better that what is common in an Argento-movie. The beginning of the movie is very well set-up when you get a peak into several apartments a la "Rear window". The script is full of references to different Hitchcock-movies, but there are also nods towards Brian dePalma and...Dario Argento himself! There are scenes that seems to have been lifted more or less intact from his other creations like "Deep red", "Opera" and "Inferno". But this is not necessarily a negative thing since all this is mostly woven into the plot with a lot of skill. There is only one murder (but two death scenes), but it is quite violent and the scene leading up to it is very suspenseful. The final 10 minutes are also edge-of-your-seat material.
Also worth mentioning is the nice cinematography by Fasano (especially the shots at night are very nice to look at). And the score by Pino Dinaggio is absolutely top-notch! It's certainly a lot better than the anonymous music he put together for Dario in "Trauma" and might remind you of his work for Brian de Palma.
But some things don't work, for instance the scene where our "hero" breaks his leg. It is too drawn out even though it's suspenseful in the beginning. The pace flags occasionally and is generally erratic. And even if the climax is exciting, I cannot shake of a feeling that it could have been even better with a tighter script. It seems that Argento/Ferrini lost interest somehow in their intriguing little tale of terror. And finally, the usual quibble when it comes to an Argento film...the dubbing is sometimes truly bad, at best it's acceptable. And note that I saw the Italian version! God only knows why italians often prefer to dub instead of using the original sound?!
But all in all, a very decent outing by Mr Argento. It certainly doesn't top "Suspiria", "Inferno", "Deep red" or his other masterpieces (it doesn't even top the underrated "Trauma" which is resembles sometimes), but it is absolutely one of the best things he's done since "Opera".