When her daughter Sara (Davalos) unexpectedly passes away, Natalie (Keaton) retreats to the summer home where she and Sara used to visit. Time with her best friends and some of Sara's friends help her deal with her loss.
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After Sara Swerdlow's death in a nightly car accident, her excessively self-righteous mother Natalie shamelessly invites herself to move into her room at the remote summer house where her friends are on holiday as often before. Gay playwright Adam fails to evict her because of happily married Peter's cavalier hospitality. Soon everyone suffers facing Sara's, and their own past and present, as Nathalie only thought she really knew her 'all-confiding' daughter, which shifts several reports. Written by
KGF Vissers
A good, not great, Diane Keaton performance is pretty much the only reason to see this clichéd movie-of-the-week and the only reason it gets my rating. Would it be possible to have a TV film where zero gay characters dress in drag or are screaming queens? Would it be possible that no more characters hear something scandalous over a baby monitor? Can we get a movie with people most of us can relate to, instead of the usual East Coast elite (hey, I'm liberal, but c'mon - it's been done as recently as Keaton's own "Something's Gotta Give"!) Keaton is, as usual, worth sitting through this, but I just felt like I'd seen it all before.
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A good, not great, Diane Keaton performance is pretty much the only reason to see this clichéd movie-of-the-week and the only reason it gets my rating. Would it be possible to have a TV film where zero gay characters dress in drag or are screaming queens? Would it be possible that no more characters hear something scandalous over a baby monitor? Can we get a movie with people most of us can relate to, instead of the usual East Coast elite (hey, I'm liberal, but c'mon - it's been done as recently as Keaton's own "Something's Gotta Give"!) Keaton is, as usual, worth sitting through this, but I just felt like I'd seen it all before.