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The Secret Life of Words (2005) More at IMDbPro »

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44 reviews in total

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71 out of 85 people found the following review useful:
Secret's Poetry, 23 October 2005

Author: efewebber from www.efeweb.es

I went to see this last Isabel Coixet's movie three hours ago and its beautiful and powerful story is still bouncing in my head... the sea, Tim Robbin's eyes, Hanna's beautiful voice and her intense way of holding her feelings, Simon's delightful food in the middle of nowhere..

The way it is conceived is somehow simple, a mysterious woman, in my opinion extremely well resolved by Sarah Polley, happens to arrive to a remote place where a bunch of loners have just had a deep dramatic experience. As explicitly mentioned in the movie, 'God makes them..' ('Dios los cria'.., in Spanish), and so as she gets there she expands and relaxes in this environment where no one really expects anything from anybody.

The takes are so beautiful, the thousand different feelings that the same isolated landscape in the middle of the sea projects through the movie is unbeatable. The cast of characters is solid, and the supporting characters are developed enough so as to allow the viewer to understand, in basic terms, what brought them there.

Finally, the use of Tom Waits for the final transition is sublime! but, yeah, how could it not be? Tom Waits's music is the music for these films where the very deep of the heart is at stake.

So, yes, I do recommend this movie for anyone who cares or wants to care or would like to be able to care about people who have been profoundly wounded at some point. And this, I am afraid, hopefully includes you. Thanks Isabel.

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46 out of 50 people found the following review useful:
Good and Underrated, 11 June 2006

Author: slake09 from Silver Lake, Ohio, USA

Great performances, an original idea, good script - it's just a great movie, which nobody I know has seen.

I have no idea why this one didn't get better distribution, it certainly deserves it. The little quirks of the characters liven up the story, as does the interaction between Polley's disturbed nurse and Robbin's rough patient. Although you could see the ending coming a mile away, that was fine, as it seemed that was what was supposed to happen.

This is a good one when you're in the mood for a somewhat dark drama with romantic overtones. The romance doesn't get too much in the way of the drama, the drama doesn't go overboard into melodrama.

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54 out of 67 people found the following review useful:
Touching and smart, 2 November 2005

Author: abeldiaz from Barcelona

Two persons trying to cope with the past: a splendid Sarah Polley and (as always) a great Tim Robbins. This is a smart and very interesting film about the way we try to escape from the past: with love and with words (and with silences). I also enjoyed the rest of the characters: it is amazing how they are described with small details here and there, and you finish the movie wanting to know more about the rest of the cast. Isabel Coixet did a splendid work here of portrayal of the more inner parts of the human soul. Please check the music of the film, the selection is really good and all the songs fit brilliantly in the plot of the film.

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35 out of 42 people found the following review useful:
This film just screened as part of Brisbane International Film festival (Australia). I was truly devastated., 11 August 2006

Author: stefan-t from Australia

I understand the commentary about the revelation of pain but the most significant 'lesson' for me was the insidious horror of war - in a film without bloodshed - and obviously the lingering effects of man's inhumanity to man. The slow reveal of the characters' backgrounds crept up on me and to my surprise left me absolutely gutted at the film's conclusion -and for some time after. I was left with a feeling of emotional and physical grief that i have not felt since my father died - the uncontrollable tide of internal pain. While a completely different genre, it reminded me of Sophie's Choice but in comparison made Streep's horror look like a walk in the park. Polley is amazing. What human's do to each other is tragic beyond description. And yet, we continue to torture our fellow humans and apparently fail to learn from our mistakes.

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43 out of 60 people found the following review useful:
Outstanding! Isabel has done it again!, 23 October 2005

Author: nicoloved from Barcelona, Spain

What a remarkable film! "The Secret Life of Words" grows on you little by little, at a steady and constant relaxed pace, throwing at you intriguing images and sounds from the very beginning that will get you hooked wondering until the very end.

Isabel has done it again, an emotional "rollercoaster" that gets to you in a devastating way. We needed this movie!

This movie could have been called "The Forgotten". Why we prejudice people we don't know simply because they behave differently, in ways we do not understand? How come we pretend to understand certain things that we cannot even imagine to be happening in the world?

The story of Hannah is the story of the millions that have been forgotten, but that walk with us every day.

Subtle and brilliant. Fine and devastating.

My admiration to Isabel for her bravery and talent. A terrific next film after "My Life Without Me".

The cast is wonderful! Sarah Polley and Tim Robbins are absolutely fantastic. What a performance! Julie Christie is great too (she sure got the great lines!). Thank you, thank you all.

Entertaining in a meaningful way.

Absolutely recommendable!

All the best to your film Isabel!!

Nico

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28 out of 33 people found the following review useful:
Not the most social film in the world, 14 May 2006

Author: KuRt-33 (kurtaerden@yahoo.com) from Antwerp, Belgium

I have a feeling this may be one of those movies like 'The Goddess of 1967', a movie people will either love (for its beauty) or hate (and claim it's hollow trash that pretends to be intellectual).

'La Vida' is a movie that's largely based on an oil rig. An explosion has occurred, killing one guy and badly injuring a man who tried to help. The problem is: where can you find a nurse that wants to work on an oil rig? Enter Hanna Amiran, a deaf girl who has worked in a factory for four years without taking a day off. Now Hanna has been forced by the unions to take some time off. Hanna, seemingly unaware of what a vacation is, books herself a stay in a shabby hotel and is eating Chinese food when she overhears a man who's working for the oil company: "Where can we find a nurse that wants to work on an oil rig?" Hanna goes up to him and says: "I'm a nurse."

Hanna is not the most social person in the world. That she's deaf is helpful: if she doesn't want to communicate she turns off her hearing aid. Which makes her an ideal person to work on an oil rig: the captain, the cook, the biologist... all of them are pretty introvert. The thing is: when a new person is brought to the oil rig, they do want to have some social contact. But not Hanna. She's even less revealing to Josef, the man she has to nurse. Josef is badly burnt and because of the fire has lost the ability to see for a couple of weeks. Not being able to see anything, he wants to talk the whole time. Which seems to upset Hanna. She tells him his name is Cora, she lies about the colour of her hair...

Throughout the movie you'll see the secretive layers of Josef and Hanna peel off. And all of it will come to a painful climax long before the movie ends.

One of the other people on the oil rig is Simon (Daniel Mays of 'Funland'), who's sent to study the waves violently bashing against the rigs. In his own time he also studies mussels (which are affected by the pollution) and hopes that one day when the oil has been pumped out of the sea the rigs will be used to make the water cleaner. That is the bit that makes me feel some will dismiss this movie as pretentious nonsense. Hanna's history, which I won't reveal, is also a heavy subject. And yes, maybe this movie wants too much, but Coixet does manage to find a setting to make her story work and enough setting to back it up convincingly.

Maybe the movie ends a bit too positive, but after what we've heard it's okay to lose reality and dream for the best.

Polley and Robbins are very good, as are the rest of the supporting cast. The childish voice-over you hear at the beginning and the end of the movie has raised a couple of questions on internet fora as to which character it is. Some of the comments on those fora made me want to see the movie again. Which, whatever way you put it, is always a good sign.

It's hard to describe this movie as we're not dealing with 'actions', but rather the 'aftermath of actions'. Which is why the movie is both silent and talkative. Which is why we're voyeurs trying to peel off the layers too. The best (and possibly the only) way to describe this movie is by using one word: intense.

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35 out of 48 people found the following review useful:
A great movie on survival and healing, 28 November 2005

Author: Campusgirl from Europe

When people go through great amounts of pain and unbearable suffering, it takes a lot of time for them to be able (if ever) to heal and go on with their lives. This movie helps us to understand that process and connect with other people's pain. It does it in a very slow way, it's true, but that's the greatness and beauty of this movie. It gives us time to understand what these people have been thru, and shows how important it is that we do not forget, or let those that have suffered to be forgotten. It's not 'showy', not fast, not overly intellectualized but small, understanding and truthful. It gives us people difficult to watch because they are block, closed and reserved but at the same time gives us time to understand why, and that in the end it is possible to survive, to heal from the most terrible things that can happen to a human being. This movie is not for people who are not sensitive enough to think about what happened 'around the corner' some years ago and what extent can the human cruelness reach. The movie could have been pathetic and sentimental but it's not (it does have its faults but the outcome is so important that you forgive that). It shows that there is a place in a world for those that have suffered, and for those that are hurt, lonely, shy, and for those to whom the mere existence is difficult. And already for that I am grateful for this movie, that shows that there is so much more in life than words, and that we all carry a rich universe in us to be explored if we love and are loved no matter who we are and what life has put us through.

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33 out of 45 people found the following review useful:
What a wonderful movie, 4 November 2005
Author: katkat00 from Austria

I have seen the movie and I have to say its just beautiful, no its not the slow, easy going romantic love story....it is difficult, critical and poetic. there is no action, its just about those 2 people, who are lonely, and experienced things in their lives nobody could imagine. this movie makes you think, think about your life, about your love about the world.

i can recommend it to everybody, who likes little quiet movies, which touch you go watch it, the 2 main actors are brilliant. sarah polley plays here role, with a heartbreaking truth, tim robbins (susan sarandons husband) does a great job as well.

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27 out of 41 people found the following review useful:
Remarkable independent film, 5 November 2005

Author: paulscofield68 from New York

Those of you who have seen Isabel Coixet's first film- My Life without Me- shouldn't miss this one. Like that film, this has a tragic-romantic essence at its core. A very well-written script, with a handful of themes, superbly acted, and direction/editing/score/soundtrack all good to very good (at times excellent). Dense, literate, and increasingly absorbing. By no means your mainstream action flick; yet this movie should find a large audience in those who like 'independent films' (or 'European', for Americans). Filmed in Ireland (much shot indoors), and entirely in English. A very satisfying drama- I found it even better than 'l'Enfant', which took top prize at this past Cannes Film Festival. Both are highly recommended...enjoy.

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9 out of 10 people found the following review useful:
Touching and Heartbreaking, 3 August 2008

Author: Claudio Carvalho from Rio de Janeiro, Brazil

In Ireland, the introspective deaf worker Hanna (Sarah Polley) is forced to take vacations by her boss after four years service in a factory. She travels, but when she overhears a phone conversation in a restaurant, she offers to nurse a burned worker with fractures and temporarily blind in a decommissioned oil rig. Joseph (Tim Robbins) seriously wounded after risking his life to rescue a colleague that committed suicide jumping in a fire and need to stay for a while in the platform to stabilize his health condition. Hanna is a lonely woman, with the paranoid behavior of eating white rice, chicken nuggets and apple everyday and never repeating the soap, and she slowly interacts with the few workers first, opening her heart to Joseph later and disclosing her traumatic experience in her old country.

"The Secret Life of Words" is a touching and heartbreaking romance, with an awesome screenplay and wonderful performances of Sarah Polley and Tim Robbins. The dramatic story develops perfectly the characters and in spite of the happy-end, it is never corny. The sensitive direction of Isabel Coixet, from the stunning "My Life Without Me" with the same Sarah Polley, is top-notch again. The process of re-socialization of Hanna, who was dead inside and reborn after meeting Joseph, is intense. My vote is eight.

Title (Brazil): "A Vida Secreta das Palavras" ("The Secret Life of Words")

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