DAY AND NIGHT is about people that love and want to be loved. It's the story of a father, his young son, his unfaithful wife, her secret lover, his young mistress, his lonely sister, his ... See full summary »
Roro, a foreign worker in Swedish parks, loves his girlfriend but is about to marry another girl to prevent her from being sent back to Lebanon. Roros best friend, Måns, has his own ... See full summary »
The tenants in a building are constantly busy with straightening out their lives. In the midst of all a vacuum cleaner salesman appears that instead of selling his goods he start to listen ... See full summary »
It's been nearly forty years since Robert Altman first popularized the 'multiple storyline' film. This genre highlights the interrelationships of multiple characters who navigate through intricate plot lines. If done correctly, each characterization or narrative will enhance and strengthen an overall theme, and create an organic synergy. More recently, Paul Thomas Anderson has directed films which have utilized this technique. CHLOROX, AMMONIA,AND COFFEE, a Norwegian film directed by Mona J. Hoel, is a lesser attempt at this type of film making. Several disparate narratives connect, repel, and finally implode in a big city hospital. The climax seems a bit contrived as we witness Birth, Marriage, Death, Extreme Violence, and Casual Sex metaphorically paraded before us in the halls of this hospital in Lillestrom, Norway. Maybe it lost something in the translation, but I found the individual story lines a bit preposterous, and hard to accept. The young teenage girl's drug habit seemed unreal, the grandmother's alienation seemed undeveloped, and the crumbling marriage lacked depth or background. And, are trampolines really that popular in Norway? Overall the film was worth a look, but if you really want to understand this type of film, check out Altman's NASHVILLE, or Paul Thomas Anderson's MAGNOLIA. A Hair Under Three Stars.
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