| Videos |
| Barbara Niven | ... | Donna Germaine | |
| Perry King | ... | William Costigan | |
| Susan Blakely | ... | Jeannie Costigan | |
| Linda Darlow | ... | Grace Palmer | |
| Lila Bata-Walsh | ... | Trish Costigan | |
| Anna Silk | ... | Ashley Marin | |
| Tori Hammond | ... | Rita | |
| Peter Michael Dillon | ... | Chuck | |
| Lorraine Ansell | ... | Tippi | |
| Chuck Shamata | ... | Detective Lupo | |
| Linda Smith | ... | Sally Innes | |
| Alan Fawcett | ... | Thomas | |
| Caroline Redekopp | ... | Kelli | |
| Mark Camacho | ... | Phil | |
| Diane White | ... | Allied Secretary | |
| Anna-Marie Frances Lea | ... | Dr. Schneider | |
| Keara Johnston | ... | Little Donna | |
| Brent Donnelly | ... | Donna's father | |
| rest of cast listed alphabetically: | |||
| Rick Bramucci | ... | Anchorman (uncredited) | |
| Anastasia Kimmett | ... | Rita's Secretary (uncredited) | |
| Maddy Lewis | ... | Forensic Officer (uncredited) | |
| Kel Morin-Parsons | ... | Restaurant patron (uncredited) | |
| Imran Syed | ... | Business Executive (uncredited) | |
Directed by | |||
| Douglas Jackson | |||
Writing credits(in alphabetical order) | ||
| Ken Sanders | story | |
| Richard Dana Smith | writer | |
Produced by | |||
| Tom Berry | .... | executive producer | |
| Neil Bregman | .... | producer | |
| Pierre David | .... | executive producer | |
| Louis A. Massicotte | .... | executive producer | |
| Stefan Wodoslawsky | .... | producer | |
Original Music by | |||
| Richard Bowers | |||
| Henry J. Lindley | |||
Cinematography by | |||
| Bert Tougas | |||
Film Editing by | |||
| Isabelle Malenfant | |||
Casting by | |||
| Ginette D'Amico | |||
| Aaron Griffith | |||
Set Decoration by | |||
| Tricia May | |||
Second Unit Director or Assistant Director | |||
| Darren Kotania | .... | first assistant director | |
| Thomas Parkinson | .... | second assistant director | |
Sound Department | |||
| Don Cohen | .... | production sound recordist | |
| Lorita de la Cerna | .... | adr mixer | |
| Valéry Dufort-Boucher | .... | dialogue editor | |
| Denys Dufresne | .... | sound editor | |
| Alexis Farand | .... | foley artist | |
| Marie-Pierre Grenier | .... | foley assistant | |
| Pierre Paquet | .... | sound re-recording mixer | |
| Christian Rivest | .... | sound designer | |
Stunts | |||
| Héléna Laliberté | .... | stunt double | |
| Stéphane Lefebvre | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Albert Camicioli | .... | still photographer | |
| Christopher Kralik | .... | lighting technician | |
| Jeff Nichol | .... | key grip | |
Editorial Department | |||
| Melany Bourgouin | .... | post-production coordinator | |
| Sébastien Girard | .... | assistant editor | |
Other crew | |||
| Troy Baker | .... | assistant production coordinator | |
| Virginie Blondel-Pelletier | .... | post-production accountant | |
| Kendall Nowlin | .... | assistant: Pierre David | |
| Ken Sanders | .... | executive: Lance Films, Canada | |
| Ainslie S. Wiggs | .... | location manager | |
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| Consenting Adults | Gaslight | Niagara | Body Double | Eyes Wide Shut |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Canada section | Add this title to MyMovies |
I must say that when I picked the box up the cover and the description of the movie almost made me feel a bit uncomfortable, because it seemed to be able to give me quite a fright. Now the only thing which made me feel uncomfortable was how bad the actors were. Perry King who played William Costigan was the one who I found to make the best of this movie and his part wasn't big enough to lift it up a lot. Maybe from a two to a three but no more than that. Barbara Niven who played the main character Donna Germaine was quite a disappointment, the character was well written and did somethings which a person in that state might actually do if this had been for real. Barabara Niven who was very... good at overplaying the part where she was "The Perfect Neighbor" should probably not be offered similar roles. The day I watched this I had, had a good night's sleep but after the movie was to an end I was almost about to have another one and this was in the middle of the day mind you. Usually after watching a movie of this class I'd recommend it as a sleeping pill, but since the story is quite disturbing (it really was a nice thought) and the acting is so terrible, you might, if you are in that mood laugh until you cry. I'd recommend this movie for someone who has a nice boy or girl over and doesn't want to focus all of their energy on a movie to rent this one. That might actually have been it's purpose.