Ricardo Tubbs is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy, as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves. Written by
This movie, along with Heat (1995) and Collateral (2004), all feature at one point or another, a white supremacist or supremacists. Waingro has various tattoos of his affiliation. Max is robbed while tied to the steering wheel. Apart from their boots, quilted jackets, and generally all being Caucasian, the thug holding the gun to Max, has a small and faint swastika on the corner of his lower eye. See more »
During the film's primary shootout, the police are shown bringing in snipers who are located in elevated positions above where the gun battle occurs. Despite having an excellent and unencumbered view (thus the ability to fire accurate shots) and no chance of hitting Crockett or Tubbs, the snipers fire only two times and discontinue their shooting even when the gun battle looks to be turning against the police. See more »
Although there were no opening credits in the theatrical release, the Unrated Director's Cut contains credits over a new sequence that opens the film. Once the credits are done, the film begins in the nightclub scene that opened the theatrical version. See more »
While this is called 'Miami Vice' and has the same names as the characters from the TV show, thats where the similarities end. This is a no nonsense undercover cop thriller. There are no 'buddy cops', wisecracks, car chases, or O.T.T action, so the casual movie goer is going to be a little bemused by what they are seeing. But fans of Michael Mann's work will be in seventh heaven, because this has all the director's trademarks.
There's some stunning camera-work (A lot of it digital), and some beautifully rendered sequences in this and some explosive action (But don't go expecting 'Lethal weapon' style action.) The trailer park stand off with the white supremacists was my favourite scene and an abject lesson in how to put suspense on screen.
Performances are all very good, right down to the smaller parts and the plot demands attention. I found the films running time flew by. Its so refreshing to see a cop thriller for adults, with no silliness and one that doesn't insult the audiences intelligence.
Best film so far this year.
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