A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
Ricardo Tubbs is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy, as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves. Written by
When Crockett and Tubbs are cleaning guns at the aircraft hangar a helicopter is visible behind them. After the camera angle changes and returns, a white airplane is now behind them in front of the helicopter. See more »
Although there were no opening credits in the theatrical release, the Unrated Director's Cut contains credits over a new sequence that opens the film. Once the credits are done, the film begins in the nightclub scene that opened the theatrical version. See more »
Just saw the film today- I am a big fan of Michael Mann' films but I must say I was somewhat disappointed. The story is realistic and believable, the acting was on point for the most part and of course the cinematography was excellent. The films biggest fault-unintelligible dialog. I viewed Miami Vice in a digital surround theater,and the effects-gunshots,helicopters,speedboats,sports cars etc.were plenty clear but I found myself straining to hear most of what the actors were saying. Of course, the heavy accents and macho low voice tones didn't help. Its a good drug/crime action movie but very far from the caliber of films Mann is known for(Heat,Collateral). I remember rushing home in the eighties to see Miami Vice,I don't think I ever missed an episode. Maybe I just expected too much.
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