Based on Michel Houellebecq's controversial novel, this movie focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a ... See full summary »
Thiss drama focuses on three very different brothers, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful ... See full summary »
The story of the first cloned human being - told in her own words: At the age of thirty the world-famous composer Iris Sellin learns that she has an incurable illness. She - a person who ... See full summary »
Flanders, a famous female author, travels 1989 after the fall of the Berlin wall into the German capitol. She is deeply depressed of the events because she saw the communistic states as a ... See full summary »
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
Based on Michel Houellebecq's controversial novel, this movie focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. His pitiful life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again... Written by
Director Oskar Roehler originally offered Moritz Bleibtreu the role of Bruno, but he turned it down because he thought the role of a sex-addicted loser looked too much like his role in Roehler's previous film Agnes and His Brothers (2004). Roehler gave Bleibtreu the role of Bruno's half-brother Michael instead, casting Christian Ulmen in the role of Bruno. Late into the rehearsals, four weeks before shooting, Bleibtreu and Roehler decided that Bruno would actually be a better fit for Bleibtreu and so Bleibtreu and Ulmen switched roles. See more »
The first letter talking about the move to another grave of the brothers' grandmother says she has to be moved due to the construction of "Bundesstraße 17". Later the gravedigger says it's about "Bundesstraße 7" See more »
I do love Brazilian dancing. Because Brazil is full of energy.
F***ing Brazil is full of mindless fanatics, obsessed with soccer and motor-racing. We could go to Brazil together, Katja. We could drive through the favelas in an armored minibus and look at little 8-year old killers and little whores dying of AIDS at 13. Later we can hang out at the beach with filthy-rich drug dealers and pimps.
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Some will deny it, but most will find themselves in it
Elementary particles starts out as a quest for existence and what this word really means. Two brothers (half-brothers to be precise) realize their lives are not what kids dream about however much they seem to fit in the mechanism". One is having doubts about his devotion to chase his scientific pioneering while the other does not seem to find comfort in teaching literature any more while being constantly turned down by publishers and neglected by his wife. They both have to reach back to their roots to be able to find out where to go from here, though Bruno (Moritz Bleibtrau) does so amidst rather compulsive circumstances, in a clinic he ends up in. They have not been given much of a head-start in life with their capricious, self-indulgent, impulsive and utterly careless hippie mother who left them both with their troubled and lonesome adolescence. Life has taken no mercy either that is not the nature of things. Michael (Christian Ulmen) however, finds some inspiration to carry on in the shape of an old, more-than-friend girl pal, while Bruno has to rethink and reestablish his everyday needs and desires. He is living his second childhood a time without constraints but full of uncertainty and odd, unbalanced characters trying to escape his feeling of being redundant. Oscar Roehler's stark and thick drama seems a little exaggerating, a bit too much, nevertheless depicts life as it is: after stripped from all the fake Christmas wrappers, often desperate, pitiful at most times and forgiving only every once in a while.
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