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First his daughter was kidnapped. Then his wife. How much can one man have taken from him?
Liam Neeson and Fox, the studio behind the film, get in on your jokes and put that theory to the test in a cheeky new music video featuring their star who just can’t seem to get people to stop taking his stuff.
The latest theatrical outing sees Neeson’s ex-government operative Bryan Mills accused of a murder he didn’t commit. Relentlessly tracked by the police, Mills attempts to flush out the real killers while he is on the run from the law.
Thanks in part to his first outing as Bryan Mills in 2008’s Taken, Neeson has become a late-in-life action hero, becoming the go-to guy for »
- Rachel West
Sandwiched between Star Wars and Star Trek: The Motion Picture in the heyday of late 1970’s sci-fi entertainment was Battlestar Galactica. The show pitted Cylons against the crew of the Galactica for 24 episodes before being followed by Galactica 1980, and fans of the franchise should be pleased to hear that Universal is releasing both series on two separate Blu-ray releases—each with a bunch of bonus features:
(Press release via TVShowsOnDVD.com.) “Universal City, Calif., Nov. 24, 2014 – From renowned writer/producer Glen A. Larson, the creative force behind Knight Rider, The Six Million Dollar Man, and Buck Rogers in the 25th Century, comes the groundbreaking TV series that launched one of the most beloved sci-fi franchises in history, now available in widescreen and high definition as both Battlestar Galactica: The Definitive Collection and Battlestar Galactica: The Remastered Collection come to Blu-ray on May 12, 2015 from Universal Pictures Home Entertainment. »
- Derek Anderson
Created by Frank Lupo
Produced by Invader Productions, Inc. (Us), Hoyts Productions (Aus)
Aired on NBC for a mini-series and 1 season (8 episodes, 2 originally unaired) from October 21 – December 9, 1988
Joe Cortese as Jack Breslin
Maryam D’Abo as Ta’Ra
Gregory Sierra as Victor Maldonado
Kim Delaney as Mandy Estabrook
Jack Breslin is a street cop who, upon investigating a series of unexplained murders, stumbles on Ta’ra, a female humanoid space alien from an orbiting prison starship, who is the only one that knows who or what is committing the murders. She reveals to Jack that she was a medical technician that survived an attack from an inmate alien known as a “Xenomorph” who killed her crew before escaping to Earth. They team up to stop the rogue alien by using Jack’s street smarts and Ta’Ra’s advanced alien technology. »
- Jean Pierre Diez
Joe Carnahan's Stretch reminds me a lot of Michael Mann's Collateral. The operating word there being "reminds" as in this is the B-movie, bat-sh*t crazy, balls-to-the-wall red-headed step child of Collateral. And I mean that in the nicest way possible. For anyone the least bit familiar with Carnahan's work, Stretch will come as no surprise. Carnahan could easily be described as a director interested in masculinity. He's a "tough guy" cinema director, making the movie equivalent to beef jerky. I like beef jerky and I like Carnahan's films. I like the outlandish nature of his movies, the "anything can happen" narratives, and he consistently brings actors along for the ride that are just as willing and excited about starring in something crazy. While his films such as Narc and The Grey show he can also delve competently into serious cinema, his movies such as Smokin' Aces and »
- Brad Brevet
“Are you a firestarter?” That’s the deceptively flippant question repeatedly leveled at Patrick Wilson’s in-over-his-head limo driver by batshit billionaire client Roger Kairos (Chris Pine), who lands the poor guy – named Kevin and nicknamed Stretch – in a whole world of trouble over one crazy night during this wildly entertaining action farce (simply titled Stretch).
Although it takes a long while to figure out an answer, audiences should already know going in that there’s at least one firestarter involved in this production – director Joe Carnahan. Throughout his career, the helmer has delivered more than his fair share of stylish flicks winkingly infused with genre tropes and over-the-top, testosterone-fueled action. Whatever project he’s working on, Carnahan goes at it with equal parts intensity and intelligence. Consequently, he’s delivered an outstanding range of films, some which deal in hopped-up machismo fantasies (The A-Team) and others which work more »
- Isaac Feldberg
After being suddenly delayed earlier this year, Universal Pictures is releasing Joe Carnahan's comedic action thriller Stretch on VOD this coming weekend. Kicking things off with a red band that was approved by "your mama" and an upbeat tune from the Ferris Bueller's Day Off soundtrack, this is one wacky trailer for what promises to be an equally crazy movie from director Joe Carnahan, who has apparently promised to refund your money himself if you don't like the movie. It's a very weirdly cut trailer, with some annoying sound editing, and just a list of all the craziness that you'll see. But is it enough to get people to watch? Here's the weird red band trailer for Joe Carnahan's Stretch from the film's YouTube page: Watch the first trailer for Joe Carnahan's wacky thriller Stretch right here. Stretch is written and directed by Joe Carnahan (of Narc, »
- Ethan Anderton
One of the things I like about Joe Carnahan's films is that they filter drama and action through a working-class lens. Narc is on the down-and-dirty streets; The Grey is about a group of oil drillers trying to survive in the wild; and even his blockbuster feature The A-Team sides with guys just trying to make a living. The outlier is Smokin' Aces, an ensemble piece that ranges from cartoonish to somber as assassins compete to take out an informant. Carnahan's latest feature, Stretch, attempts to blend the slapdash attitude of Smokin' Aces with a grounded, working-class character. The result is a movie that still manages to be endearing despite how often it tries to remind you of its weirdness. Stretch (Patrick Wilson) is a limo driver struggling to turn his life around. A failed actor and former addict, Stretch owes $6,000 to the Mexican mob, and he needs the »
- Matt Goldberg
Joe Carnahan has carved out an eclectic career for himself as a director. Three years ago he made his best film to date with the emotional and tense dram, The Grey. That film followed The A-Team and Smokin’ Aces, movies that are best described as fun. One was an unabashedly over-the-top popcorn the movie, the other a wacky R-rated shoot’m up, and the voice that gave us those two films has now returned with Stretch. Happily though, this is a more consistent and successful blend of sorrow and anarchy. Kevin Stretch (Patrick Wilson) moved to Los Angeles with the dreams of becoming an actor, but instead found himself behind the wheel of a stretch limousine. After overcoming his substance abuse and gambling problem, Stretch is at his lowest point — he has zero money to his name, a job he’s unhappy with, an ex-girlfriend (Brooklyn Decker) he can’t get over and the ghost of his »
- Jack Giroux
Stars: Sharlto Copley, Thomas Kretschmann, Josie Ho, Joseph Morgan, Erin Richards, Max Wrottesley, Márta Szabó, Balázs Szitás, Zsuzsanna Szabados, Tofi Seffer | Written by Eddie Borey, Chris Borey | Directed by Gonzalo López-Gallego
On paper Open Grave sounded like yet another “homage” to the likes of Buried. After all its the tale of a man who wakes up on the titular open grave – that alone was enough to spark comparisons for me. How wrong could I have been…
Directed by Gonzalo López-Gallego (Apollo 18), Open Grave stars Sharlto Copley (District 9, The A-Team) as a man who wakes up in a pit full of corpses with no memory. He’s rescued by a mute Chinese woman who leads him back to a house where there are four other people who have all “awoke” with the same loss of memory and total lack of idea who they are and why they are there. »
- Phil Wheat
Manuel here to bring great news to fans of 90s TV shows and Dwayne “The Rock” Johnson. I know you’re out there!
Not to be outdone in this week’s “craziest Hollywood pitch ideas finally being developed” (coughTetriscough), Paramount has announced that it’s moving forward with its long-gestating Baywatch film adaptation with none other than Johnson himself, he of great box office power when paired with an established brand, in talks to star. May we hope this turns out to be more Charlie’s Angels than Bewitched? More Mission:Impossible than The A-Team? In true 21 Jump Street fashion, it seems they’re going for comedy, as they’ve hired Sean Anders and John Morris, of We are the Millers fame. If the film truly embraces its own kitsch appeal and zeroes in on 90s nostalgia, it might make for an interesting... no, I can't even finish that sentence.
That said, »
- Manuel Betancourt
It was a good run, Liam Neeson. The 62-year-old who was Oskar Schindler and Alfred Kinsey spent the last seven years kicking the crap out of much younger bad guys in bone-crushing B-movies, best epitomized by the Taken films. But as of this past weekend, there's a new sheriff in town. Two-time Oscar winner Denzel Washington, one of the biggest movie stars of the past 25 years, and almost always, the coolest guy in the room, delivered his 12th No. 1 film, The Equalizer. Directed by Antoine Fuqua (Training Day), The Equalizer is a Neeson-ized adaptation of the 1980s CBS detective drama series that starred Edward Woodward. »
- Jeff Labrecque
Who owns rights to an actor's face? The question seems simple, but it really isn't. Take Bradley Cooper and Liam Neeson, who once sued two home cinema companies for using a screenshot of the duo from the action film The A-Team to promote a large projection screen. Do Cooper and Neeson own the rights to their mugs as presented in A-Team or did the actors transfer those rights to the film's studio, 20th Century Fox? Or take Peter Fonda, who sued Dolce & Gabbana after seeing T-shirts emblazoned with an image of him from the 1969 film Easy Rider. Were those
- Eriq Gardner
Just two weeks after a gag reel surfaced, the first trailer has finally arrived for Stretch, the latest offering from director Joe Carnahan (The A-Team, The Grey). Patrick Wilson stars as a downtrodden man taking on a job as a limo driver to earn some extra money, where he picks up an eccentric millionaire (Chris Pine), who puts him through hell and back.
In addition, we also have the first clip that shows Patrick Wilson interacting with David Hasselhoff, playing himself, who isn't too pleased about the chauffeur being an hour late. Check out the latest footage, then read on for more information.
Back in January, Universal Pictures pulled the plug on Stretch, just before it was set for release on March 21. The studio claimed they didn't want to spend between $20 million and $40 million to promote the movie, which only cost $5 million to make. Our report from last week revealed »
Joe Carnahan’s Stretch has been dealt blow after blow during its post-production. The gritty low-budget offering from the director of The Grey and The A-Team staggered about in limbo after Universal pulled it from its allotted March release. And took away its $40 million marketing budget. Following an extensive recut by Carnahan, the studio now looks set to deliver the fun caper this October and today, they have planted the first trailer online.
Following “a down-on-his-luck chauffeur looking to relieve his debt by driving around a mysterious billionaire who drags him to hell and back,” Carnahan’s tale distinctly places it in the realms of his earlier works. Except this time it doesn’t venture to the dark, sombre recesses of humanity (Narc), but instead presents like a darker, funnier, edgier version of Driving Miss Daisy. You might expect bonkers behaviour, and you’ll be pleased to hear there’s »
- Gem Seddon
There are two species of Joe Carnahan movie: Pensive monochrome thrillers like Narc and The Grey, and rollicking color-blasted thrillers like Smokin’ Aces and The A-Team. Based on the trailer, Carnahan’s newest film Stretch is very much the latter. Patrick Wilson plays a chauffeur in need of a serious cash injection, who agrees to take kooky billionaire Chris Pine around for a night of general insanity. The film also features Ed Helms, Jessica Alba, and Norman Reedus. It’s on iTunes and Amazon on Oct. 7 and VOD on Oct. 14, but you can watch the trailer right now exclusively on EW. »
- Darren Franich
When rebooting an old television show for the silver screen, it has become tradition in Hollywood to try and find some way to include the original stars. We have seen it happen time and time again, from Johnny Depp and various others showing up in 21 Jump Street to Dirk Benedict and Dwight Schultz showing up in The A-Team. Now that a Power Rangers reboot is on the way, most of us probably assumed that cameos from the original cast were a possibility, but now one of the stars has come forward and admitted that he will be in the film. Jason David Frank, who many of you may remember as Tommy Oliver a.k.a. the Green/White Ranger on the original Mighty Morphin Power Rangers, has revealed that he has already been having conversations with the people behind the new Power Rangers movie and that he will, at the »
With Colin Farrell, Vince Vaughn and Taylor Kitsch reportedly set for three of the leading roles in season two of HBO’s True Detective, the hunt for the show’s female leads continues. Elisabeth Moss and Rachel McAdams were recently named as favourites, but a new report lists Seven actresses in contention.
While they could still be in the running, it seems as if creator and writer Nic Pizzolatto is casting a wide net to find the right person for the still pretty mysterious role. Here’s the full list of True Detective candidates:
Brit Marling (Another Earth), Oona Chaplin (Game of Thrones), Kelly Reilly (Flight), Jessica Biel (The A-Team), Malin Akerman (Watchmen), Jamie Alexander (Thor: The Dark World) and Rosario Dawson (Sin City).
However, a Variety reporter adds to the information in the video below by stating that McAdams and Moss are up for role of Vince Vaughn’s wife, »
- Josh Wilding
It was the huge success of Brian de Palma’s The Untouchables back in 1987 that made Hollywood realise that vast amounts of money could be mined from a middle-aged audience by revisiting their childhood nights spent in front of the television. Fellow 1950s TV stalwart Dragnet arrived the same year to lesser acclaim – pairing Dan Aykroyd’s stoic Joe Friday against Tom Hanks’s impossibly-named Pep Streebeck – but the ball kept rolling.
In the 1990s, the ‘movie version of the classic 1960s TV show’ became a genre of its own. Some were huge hits (The Fugitive, Maverick), some spawned brand new franchises (Mission: Impossible, The Addams Family), some were absolute disasters (The Avengers, Wild Wild West). The best of them cooked up something fresh and new from the old ingredients, creating something with pan-generational appeal. If the recipe was right, there were huge dividends to reap.
Strange then that the »
- Cai Ross
With films such as Narc, The A-Team and The Grey under his belt, you would think it would a little easier these days for director Joe Carnahan to get his films made. However, his latest film Stretch, a low-budget thriller made with small-budget horror specialists Blumhouse, the film was due to bow in March this year, but was dropped by Universal earlier in the year.
The film, which is now set to debut on VOD this month, has some big talent involved, including Chris Pine (Star Trek, Jack Ryan: Shadow Recruit), Patrick Wilson (Watchmen, Insidious), Ed Harris (The Rock, Snowpiercer), Ed Helms (The Hangover), Brooklyn Dekker (Battleship), and Jessica Alba (Sin City: A Dame to Kill For), but it seems even they were not enough for the studio to fully back the film.
According to Deadline, Blumhouse is launching a new venture, Bh Tilt, aimed at putting together multi-platform releases »
- Scott Davis
It's only yesterday that we were talking about one movie that got caught in limbo, and now another has come up, or at least resurfaced. "The A-Team" and "The Grey" director Joe Carnahan spent last year working on a low-budget thriller called "Stretch," about a limo driver (Patrick Wilson) who chauffeurs around a billionaire (Chris Pine) who's trying to sell his book of criminal contacts. Produced by micro-budget horror specialists Blumhouse, the film was originally meant to be released by Universal back in March, but only two months ahead of the opening date, it was dropped unceremoniously by the studio, who apparently didn't feel justified in spending the hefty marketing costs on a wide release, despite the small investment. Carnahan shopped the picture to other studios, but no one bit, and little was heard in the meantime. But in the last few days, Carnahan started sharing the first images from »
- Oliver Lyttelton
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