Andie MacDowell portrays a woman who is tormented by the ghost of her abusive, alcoholic husband. She must come to terms with the past if she is to find peace and love. Samuel le Bihan is a... See full summary »
The true story of a Catholic man and his Protestant wife, and the events resulting in the Co. Wexford, Ireland community when the wife decides she doesn't appreciate being forced to send ... See full summary »
Joseph, a retired New York police officer, played by the late Roy Scheider, travels to Nuremberg to visit his son Ronnie years after turning his back on him for rejecting a promising career... See full summary »
In 1935, 99-year-old former slave Shadrach asks to be buried on the soil where he was born to slavery, and that land is owned by the large Dabney family, consisting of Vernon, Trixie and ... See full summary »
John Franklin Sawyer,
Two grieving women - Ria, a Dublin mom whose husband discloses he's in love with a woman already pregnant, and Marilyn, a Connecticut Yankee whose son has died - swap houses for a couple months. Marilyn finds solace in Ria's garden and becomes friends with Colm, a local with a restaurant and his own demons. Ria gets a job cooking, has a date or two, and gradually comes out of her shell. Meanwhile, Ria's husband Danny has problems, economic and personal, that may bring more ruin to those close to him. The house on Tara Road comes to stand for the past, for possibilities, and for what can be lost. Written by
Maeve Binchy, author of the novel on which the movie is based, makes an uncredited cameo as a restaurant patron. She can be glimpsed seated at the end of the bar, right after the scene where Ria offers to take the job advertised at the restaurant cashier's counter. See more »
The US scenes supposedly take place in New England, but include a shot of an Interstate 75 road-sign. I75 goes nowhere near the east coast. See more »
TARA ROAD is a thickly populated movie that reaches for the female audience and succeeds in addressing old problems of infidelity and marriage conflicts. The problem is the story by highly published Irish author Maeve Binchy (adapted from Binchy's novel for the screen by Cynthia Cidre) is 'used goods' and while there are many moments of touching dialog there are equal moments of sham resolutions that in the end prove disappointing despite the cast of actors portraying these only occasionally interesting characters.
Two women, each bruised by life events, trade homes (Dublin, Ireland and Connecticut) to find the space to recover. In Connecticut, Marilyn (Andie MacDowell) is recovering from the accidental motorcycle (a birthday gift from his father Greg - August Zirner) death of her young son: grief has made her withdraw and lose her feelings for Greg. In Dublin, Ireland Ria (Olivia Williams) is blissfully happy in her beautiful home on Tara Road which she shares with her two children and her newly discovered unfaithful husband Danny (Iain Glen) - a lothario who has had affairs with Ria's best friend Rosemary (Maria Doyle Kennedy) and now confesses to the pregnancy of his current mistress Bernadette (Heike Makatsch). In too quick an instance Ria and Marilyn decide to swap homes with the hope that separation form their families will give them room to readjust to life. Each woman encounters the friends and neighbors of the other: Marilyn meets restaurateur Colm (Stephen Rea) among Ria's odd assortment of acquaintances while Ria encounters the brother of Greg and some intrusive and over the top friends of Marilyn. Gradually it all comes to a very predictable conclusion that simply solves too many problems too easily.
Director Gillies MacKinnon seems to have difficulty deciding how to maintain a tone for the film - a tearjerker versus a situation comedy. There are moments when the audience connects with some of the characters, but these are too few and separated by far too many stretches of weak writing. Despite some fine acting the movie never quite flies. Grady Harp
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