| Rupert Everett | ... | Sherlock Holmes | |
| Nicholas Palliser | ... | Dr. Dunwoody | |
| Neil Dudgeon | ... | Lestrade | |
| Ian Hart | ... | Dr. Watson | |
| Anne Carroll | ... | Mrs Hudson | |
| Tamsin Egerton | ... | Miranda Helhoughton (as Tasmin Egerton) | |
| Perdita Weeks | ... | Roberta Massingham | |
| Jennifer Moule | ... | Georgina Massingham | |
| Eleanor David | ... | Mary Pentney | |
| John Cunningham | ... | Bates | |
| Michael Fassbender | ... | Charles Allen | |
| Jonathan Hyde | ... | George Pentney | |
| Gina Beck | ... | Maid | |
| Helen McCrory | ... | Mrs. Vandeleur | |
| Andrew Wisher | ... | Constable (as Andy Wisher) | |
| Julian Wadham | ... | Hugo Massingham | |
| Penny Downie | ... | Judith Massingham | |
| Stewart Bevan | ... | Proprietor | |
| Anthony Cozens | ... | Young Constable | |
| Guy Henry | ... | Mr. Bilney | |
| Rachel Hurd-Wood | ... | Imogen Helhoughton | |
| Christine Kavanagh | ... | Lady Helhoughton | |
| Roger Monk | ... | Workman | |
| Jonathan Emmett | ... | Policeman | |
| Max Harvey | ... | Master of Ceremonies | |
| rest of cast listed alphabetically: | |||
| Greg Bennett | ... | Police Constable (uncredited) | |
| Alisha Smith | ... | Vestil Virgin (uncredited) | |
Directed by | |||
| Simon Cellan Jones | |||
Writing credits | ||
| Allan Cubitt | (written by) | |
| Arthur Conan Doyle | (characters) uncredited | |
Produced by | |||
| Greg Brenman | .... | executive producer: Tiger Aspect Productions | |
| Allan Cubitt | .... | co-executive producer | |
| Elinor Day | .... | producer | |
| Rebecca Eaton | .... | executive producer: WGBH | |
| Kate Murrell | .... | line producer | |
| Gareth Neame | .... | executive producer: BBC | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| David Katznelson | (director of photography) | ||
Film Editing by | |||
| Paul Garrick | |||
Casting by | |||
| Kate Rhodes James | (as Kate Rhodes-James) | ||
Production Design by | |||
| David Roger | |||
Art Direction by | |||
| Fleur Whitlock | |||
Set Decoration by | |||
| Jo Kornstein | |||
Costume Design by | |||
| Andrea Galer | |||
Makeup Department | |||
| Brandon Day | .... | hair colourist | |
| Pat Hay | .... | hair & makeup designer | |
| Helen Johnson | .... | makeup artist | |
| Liz Michie | .... | chief hairstylist | |
| Jamie Pritchard | .... | hair stylist | |
| Aaron Sherman | .... | prosthetics | |
| Sandrine Mugglestone | .... | makeup trainee (uncredited) | |
Production Management | |||
| Ian Hutchinson | .... | unit manager | |
| Kim Simon | .... | post-production supervisor | |
| Kate Murrell | .... | production manager (uncredited) | |
Art Department | |||
| Emma Caplin | .... | graphic props designer | |
| Katy Harvey | .... | stand-by art director (as Katy Pain) | |
| Tony Hefferman | .... | construction manager | |
| Patrick Henshaw | .... | dressing props | |
| Tony Henshaw | .... | props master | |
| Peter Holden | .... | stand-by carpenter | |
| Robert Jones | .... | production buyer | |
| Paul Mitchell | .... | dressing props | |
| Paul Mitchell | .... | stand-by props | |
| Craig Price | .... | stand-by props | |
| Laura Treen | .... | stand-by painter | |
| Melissa Magna | .... | assistant production buyer (uncredited) | |
Sound Department | |||
| Kevin Brazier | .... | dubbing editor | |
| Wayne Brooks | .... | dubbing editor | |
| Steve Fish | .... | sound maintenance engineer | |
| Tom Jessup | .... | sound assistant | |
| Richard Manton | .... | production sound mixer | |
| David Old | .... | dubbing mixer | |
| Anthony Faust | .... | adr mixer (uncredited) | |
| Steve Fish | .... | boom operator (uncredited) | |
| Tom Jessup | .... | boom operator (uncredited) | |
Special Effects by | |||
| Matthew G. Armstrong | .... | special effects technician (uncredited) | |
| Bernard Newton | .... | special effects senior technician (uncredited) | |
| Nick P. Phillips | .... | special effects technician (uncredited) | |
Stunts | |||
| Andy Bradford | .... | stunt coordinator | |
| Derek Lea | .... | stunt performer | |
| Matt Price | .... | stunt performer | |
Camera and Electrical Department | |||
| Paddy Blake | .... | focus puller | |
| Andy Cole | .... | best boy | |
| Frank Dawson | .... | electrician | |
| James Philpott | .... | grip | |
| Mike Rees | .... | clapper loader | |
| Boris Rybin | .... | camera assistant | |
| Carolina Schmidtholstein | .... | electrician (as Carolina Shmidtholstein) | |
| Otto Stenov | .... | gaffer | |
| David Taylor | .... | genny operator | |
| Roger Tooley | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Andy Morgan | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Claire Collins | .... | costume assistant | |
| Sally Crees | .... | costume supervisor | |
| Jason Gill | .... | crowd costume assistant | |
| Mark Lord | .... | costume assistant | |
| Charlotte Morris | .... | assistant costume designer | |
Editorial Department | |||
| Gerald Morris | .... | assistant editor | |
| Vincent Narduzzo | .... | colorist (as Vince Narduzzo) | |
| Graham Portbury | .... | on-line editor | |
Music Department | |||
| Terry Davies | .... | conductor (uncredited) | |
Other crew | |||
| Peter Anderson | .... | title designer | |
| Ian Hutchinson | .... | assistant location manager | |
| Karen Jones | .... | script supervisor | |
| Adrian Kelly | .... | assistant production coordinator | |
| Bridget Kenningham | .... | assistant location manager | |
| Kevin Khan | .... | production accountant | |
| Neil Lee | .... | location manager | |
| Steve Monchar | .... | assistant accountant (as Steven Monchar) | |
| Eleanor Moran | .... | development executive: BBC | |
| Hilary Norrish | .... | script executive | |
| Rachel Salter | .... | production executive for TAP | |
| Julie Scott | .... | production executive for BBC | |
| Lucy Anthony | .... | unit nurse (uncredited) | |
| Hannah Brown | .... | production assistant (uncredited) | |
| Mitchell Mcgee | .... | unit security (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| I liked it | janelafey |
| Dreadful | SanSanSan |
| Jonathan Hyde as Holmes | The_Critic_01 |
| I missed the ending | MrsMurphyMichaels |
| Who plays Watson's fiancee? | Little_Bill |
| The Violin Music... | kjartale |
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| A Study in Terror | Tightrope | So Sweet, So Dead | The Bone Collector | Copycat |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Rupert Everett has the aquiline profile and world-weary vocal delivery that are necessities for a screen Holmes, but he (and the excellent actors around him) are hamstrung by a cliché- ridden script. Sherlock Holmes, telling Watson to "keep your breath to cool your porridge"?? The last two times I heard that expression on screen were both in adaptations of Pride and Prejudice--and I certainly mean no disrespect to either of them. Holmes is also made to deploy a Mary Poppins aphorism about pie crusts and promises--perhaps you remember it from your childhood Disney viewing.
This is a good-looking production (apart from the occasional wobble from the annoyingly popular unsteadicam), though I have it on good authority that London fog did not swirl rapidly around the lampposts and chimneypots. Beautifully designed interiors include a Duchess' drawing room, a Victorian graveyard, an underground lair of the villain (he always has a lair, doesn't he), and a ceramic-tiled morgue. Costumes are in a muted color palette of cream, black, olive green, and brown, and the girls in their costumes for a classical tableau look as if they have stepped out of a Alma-Tadema painting.
In addition to Everett as Holmes, the production is graced with a uniformly strong cast. Ian Hart brings an acerbic vigor to the role of Dr. Watson, and Neil Dudgeon injects Lestrade with some humor. The superb Helen McCrory, as Watson's American fiancée, initially appears brash and pushy (she calls Holmes "Sherlock" throughout, even though his best friend Watson invariably calls him by his last name), an often-observed trait of American women in British film/TV productions, but she is too good an actress to keep to that one-note character. Guy Henry is disgracefully underused--give him a bigger role!
The story is a new one, which is not in itself a criticism; it is creepy and intriguing. The most glaring problem of the show is with the script; I hope that director Simon Cellan Jones continues to make more Holmes stories--but that writer Allan Cubitt will not.