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Sherlock Holmes and the Case of the Silk Stocking (2004)

A serial killer stalking the teen-aged daughters of the aristocracy brings Sherlock Holmes out of his drug-filled semi-retirement.

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Cast

Cast overview, first billed only:
...
Nicholas Palliser ...
Dr. Dunwoody
...
...
Anne Carroll ...
...
Miranda Helhoughton (as Tasmin Egerton)
...
Roberta Massingham
Jennifer Moule ...
Georgina Massingham
Eleanor David ...
Mary Pentney
John Cunningham ...
Bates
...
Charles Allen
...
George Pentney
Gina Beck ...
Maid
...
Mrs. Vandeleur
Andrew Wisher ...
Constable (as Andy Wisher)

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Storyline

A serial killer stalking the teen-aged daughters of the aristocracy brings Sherlock Holmes out of his drug-filled semi-retirement.

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Crime | Drama | Mystery

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Release Date:

26 December 2004 (UK)  »

Also Known As:

La revanche de Sherlock Holmes  »

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1.78 : 1
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Did You Know?

Trivia

Jonathan Hyde also appeared in an earlier series of "The Memoires Of Sherlock Holmes" with Jeremy Brett as Holmes and Edward Hardwicke as Watson. Hyde appeared as Culverton Smith in 'The Dying Detective' See more »

Goofs

When Holmes is reading by his fireside, he listens to the last movement of Schubert's string quartet, "Death and the Maiden", on his gramophone. However, the quality of the sound is far too good for a gramophone, the music is clearly being played by a string orchestra rather than a string quartet, and a timpani part has been added. See more »

Quotes

Dr. Watson: Once again, Holmes, you've deliberately held me at arm's length. I really think you might treat me with a little more frankness.
Sherlock Holmes: My profession would be a drab and sordid one, Watson, if I did not sometimes set the scene to glorify the results.
Dr. Watson: You have a peculiar secretive streak in you, Holmes.
Sherlock Holmes: The only safe plotter is he who plots alone.
Dr. Watson: Thank you for that vote of confidence.
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Connections

Follows The Hound of the Baskervilles (2002) See more »

Soundtracks

String Quartet No.14 in D Minor,'Death and the Maiden', the 4th Movement
Composed by Franz Schubert
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User Reviews

Double jeopardy - certainly not Holmes, and not very good
12 January 2005 | by (Burmingem, England) – See all my reviews

Apart from the names Sherlock Holmes and Dr Watson, there's really nothing to connect this original BBC TV movie to the original Conan Doyle stories. It's a return to the old wartime Basil Rathbone films, set in the wrong period, packed with anachronistic detail, and which fails to pay even lip service to Holmes's famous method. It's a poorly written modern police drama right down to the obligatory, clunking serial killer plot. It's just dressed in period costume. Even the plot twist about the killer's identity comes in Edwardian dress, as it could only ever possibly fresh and original in disguise pretending to be a story written a hundred years ago.

The story constantly forces modern elements incongruously into Holmes's necessarily, fundamentally low tech world. The story is set some time after the Victorian era of the classic Holmes stories, apparently to justify the use of telephones and modern police techniques like fingerprinting. Watson is about to marry an American psychiatrist, which opens the door to the modern serial killer psychodrama whose emphasis is on woolly sexual motivation and grotesque patterns of behaviour, worlds away from the traditional Holmes story where logic and deduction solve single victim locked room murders. The oddly un-Edwardian London police set up an incongruous, modern incident room to collate the information about their spiralling body count. In one scene Holmes spins around this room staring helplessly at photographs and maps, unable to connect fact and incident, which reduces the finest logical detective mind in the world to the level of "Inspector X" in any paint-by-numbers police series. Eventually Inpector Lestrade himself time-travels to the 1970s to give a suspect an Sweeney-style kicking to make him talk.

Rupert Everett as Holmes drifts through the first half of the story like someone on a mixture of recreational drugs, which is clearly the writer's deliberate intention. Trying to exploit the radical elements in Holmes's character the story inflates his drug use out of proportion. Conan Doyle saddled his creation with a habit of injecting cocaine, but there is never any suggestion that Holmes had a narcotic monkey on his back. He claims his 7 per cent solution stimulates his mind in times of boredom, a world away from the use of soporifics to deaden his brain.

Ironically it seems that in order to make these seasonal specials featuring Holmes himself the BBC abandoned its own excellent Holmes homage, the quite superb Murder Rooms, which succeeded in every respect that this film fails, injecting modern style and sensibilities while still honouring the source material. They were faithful in period detail and in many respects to the type of detective story which suits the Holmes character, and where they took a post-modern approach were able to underscore rather than undermine the quality of the original. It begs the question, as they clearly have access to writers with the talent to produce this kind of work, why didn't they use them here? Even more ironically, in the UK while this film was one of the main planks of the BBC's Christmas 2004 season evening schedule, the BBC have also been showing daytime repeats of Jeremy Brett as Sherlock Holmes. The strength of this performance, and the faithfulness to the original material, casts the poor work here into sharp relief.


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