Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city.
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After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and ... See full summary »
A French romantic follows his dream girl to NYC, but a weekend of white lies, one-night-stands and tangled love triangles prove infatuation and romance are not what they seem. Featuring indie darling Greta Gerwig.
Farinelli, is the artistic name of Carlo Broschi, a young singer in Handel's time. He was castrated in his childhood in order to preserve his voice. During his life he becomes to be a very ... See full summary »
Enrico Lo Verso,
A group of friends on vacation decide to venture onto a trail high up in the mountains that has been closed for repairs. The climb proves more perilous than planned, especially as they soon... See full summary »
The Tunisian-French Laura is a young woman that lives with her Orthodox Jewish family in the Jewish community in the suburbs of Paris. Her mother is a widow that left Tunisia; her sister Mathilde is having troubles in her marriage because she repressed her sexual desire based on her misunderstandings of the principles of her religion. Laura is an open minded student of philosophy and works cleaning a school in the nightshift. While Laura feels a strong passion and desire for her Muslin Algerian colleague, her sister finds that her husband had an affair with a woman and looks for an advisor that helps her to interpret the true meaning of love and the duties of a married woman. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Yes, this movie offers a rare view into the lives of two Jewish sisters living with their family in France, the problem is there is not a whole lot of conviction behind the themes, the whole movie just kind of floats by on its own accord, never really making those connections it wishes to with the main characters. Laura, played by the sensual Fanny Valette does do a good job with her various inner struggles, and paints a respectable, and hardly viewed female archetype, in her character breaking with the traditions of family to seek out her own unique philosophies. Although potentially inspiring to the new generations of strict fundamentalist families, there is nothing depicted in this subtle religious rebellion that was not gone over ten fold with other countries feminist and/or religious fare. The resulting transformations of these two sisters seems rote in comparison, and despite the inclusion of several sex scenes, becomes predictable, tedious, and uninvolved all too quickly. Writer/Director Karin Albou does what she can for her part to retain some authenticity and command of her film but ultimately ends up loosing the viewer do to the underdeveloped script and flawed direction.
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