5.5/10
6,785
30 user 24 critic

Suburban Girl (2007)

A Manhattanite book editor finds her take on the game of romance changed after she lures the attention of an influential older man.

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Writers:

(screenplay), (short stories "My Old Man" and "The Worst Thing a Suburban Girl Could Imagine" from the book "The Girls' Guide to Hunting and Fishing")
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Cast

Cast overview, first billed only:
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Jed
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Stephanie Berry ...
Nurse
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Storyline

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who's 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Sometimes the ending is only the beginning. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual material and language | See all certifications »

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Details

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Release Date:

October 2007 (New Zealand)  »

Also Known As:

The Girls' Guide to Hunting & Fishing  »

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Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film was the mark of Marc Klein's directing career. See more »

Goofs

At the scene where Brett goes to Archie's place to tell him that someone was reading her book she meets a girl who was having an affair with Archie. We see the braces of the shirt the girl was wearing slipped down when she was just leaving. But as she was talking to Bretty the braces are fine, not slipped down. See more »

Quotes

Robert Eisenberg: You're Brett Eisenberg, MD.
Brett Eisenberg: MD?
Robert Eisenberg: My daughter.
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Crazy Credits

While the credits are rolling, Brett is walking down the street and sees the book she edited in a store window. Brett also finally puts on the leather pants. See more »

Connections

References Citizen Kane (1941) See more »

Soundtracks

Charm Attack
Written and Performed by Leona Naess
Courtesy of Geffen Records
Under License from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Surprisingly intelligent
10 February 2008 | by (Australia) – See all my reviews

Unlike the Europeans, Hollywood has never been comfortable with May-December romances. One film after another they throw the 50-something Daniel Auteuil into the arms of a 20-something babe without explanation or apology and we sit in the cinema never questioning the logic of it. When it comes to Hollywood, it is either a tragedy or a morality tale. Jack Nicholson can only be redeemed by settling for a woman near his age at the end of Something Has to Give.

Suburban Girl has an intelligent script that manages to sidestep such apologia. It also doesn't try to dilute the issue or make the motives of its main characters nobler than what they are. The December character (Alec Baldwin in excellent self-parodying mode) is a diabetic and recovering alcoholic. He is also a self-confessed womanizer and an absentee father with serious daughter issues. The May of the film (Sarah Michelle Gellar acting as if she is using the film as personal therapy) is a father-worshiper and has no qualms about allowing the older man to use his influence to better her career. It is all too real. It is a pity that Mark Klein directs the film like an afternoon romance for Hallmark channel – without flair or imagination, and that Alec Baldwin's personal life interfered unnecessarily with the screening. The unevenness of the directorial treatment might alienate the mainstream audience that seem to prefer their comedies separate from their dramas. The script skilfully avoids the known clichés without taking too many risks. The sweet-sour ending will also add to the audience confusion.

Supporting roles are cleverly underplayed by a competent ensemble. Maggie Grace, one of the early casualties of the TV hit Lost, is surprisingly effective in a role that seems to have been written for her.


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