Straight-laced Rose breaks off relations with her party girl sister, Maggie, over an indiscretion involving Rose's boyfriend. The chilly atmosphere is broken with the arrival of Ella, the grandmother neither sister knew existed.
An uptight, conservative, businesswoman accompanies her boyfriend to his eccentric and outgoing family's annual Christmas celebration and finds that she's a fish out of water in their free-spirited way of life.
Sarah Jessica Parker,
Michael and Jenna, having been a couple for three years, want to get married and start a family. These plans seem to be well on their way when Jenna announces that she's pregnant. But ... See full summary »
Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who's 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich? Written by
At the scene where Brett goes to Archie's place to tell him that someone was reading her book she meets a girl who was having an affair with Archie. We see the braces of the shirt the girl was wearing slipped down when she was just leaving. But as she was talking to Bretty the braces are fine, not slipped down. See more »
They did good rowing, Dave and Michelle. When she was pregnant with Carl, he hit her - once. Her body - always assailed him with ambivalence - wanting to possess it, and yet repelled - her marbled belly, her engorged breasts that shamed him, the way they tipped him into revulsion.
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While the credits are rolling, Brett is walking down the street and sees the book she edited in a store window. Brett also finally puts on the leather pants. See more »
Unlike the Europeans, Hollywood has never been comfortable with May-December romances. One film after another they throw the 50-something Daniel Auteuil into the arms of a 20-something babe without explanation or apology and we sit in the cinema never questioning the logic of it. When it comes to Hollywood, it is either a tragedy or a morality tale. Jack Nicholson can only be redeemed by settling for a woman near his age at the end of Something Has to Give.
Suburban Girl has an intelligent script that manages to sidestep such apologia. It also doesn't try to dilute the issue or make the motives of its main characters nobler than what they are. The December character (Alec Baldwin in excellent self-parodying mode) is a diabetic and recovering alcoholic. He is also a self-confessed womanizer and an absentee father with serious daughter issues. The May of the film (Sarah Michelle Gellar acting as if she is using the film as personal therapy) is a father-worshiper and has no qualms about allowing the older man to use his influence to better her career. It is all too real. It is a pity that Mark Klein directs the film like an afternoon romance for Hallmark channel without flair or imagination, and that Alec Baldwin's personal life interfered unnecessarily with the screening. The unevenness of the directorial treatment might alienate the mainstream audience that seem to prefer their comedies separate from their dramas. The script skilfully avoids the known clichés without taking too many risks. The sweet-sour ending will also add to the audience confusion.
Supporting roles are cleverly underplayed by a competent ensemble. Maggie Grace, one of the early casualties of the TV hit Lost, is surprisingly effective in a role that seems to have been written for her.
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