The story centers on Veronika, a woman in her mid twenties who appears to have everything: good looks, good job and a great life ahead of her. Yet she decides to end her own life. She is ... See full summary »
Sarah Michelle Gellar,
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
With her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a tangled relationship with her Mother, and Harry Pleasant, an Alzheimer's Disease patient who, in an opposing way, shares Sophie's struggle to remember.
Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who's 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich? Written by
Right after the 'Sanctuary' title when Brett and her father are driving to her parent's house Brett's seat belt goes from across her body to under her arm. See more »
I know I'm not dad, but if you ever need to talk to someone I could try to manufacture something that sounds lucid.
The only thing that I can't bear, that's killing me... Is the thought that he was worried about me when he died.
He wasn't worried.
How do you know?
I was here the morning that dad got the phone call from Mickey. Well, after he hung up the phone, I told him would gladly assassinate Archie, if that's what he wanted. You know a dieing wish vendetta type of thing.
[...] See more »
While the credits are rolling, Brett is walking down the street and sees the book she edited in a store window. Brett also finally puts on the leather pants. See more »
Unlike the Europeans, Hollywood has never been comfortable with May-December romances. One film after another they throw the 50-something Daniel Auteuil into the arms of a 20-something babe without explanation or apology and we sit in the cinema never questioning the logic of it. When it comes to Hollywood, it is either a tragedy or a morality tale. Jack Nicholson can only be redeemed by settling for a woman near his age at the end of Something Has to Give.
Suburban Girl has an intelligent script that manages to sidestep such apologia. It also doesn't try to dilute the issue or make the motives of its main characters nobler than what they are. The December character (Alec Baldwin in excellent self-parodying mode) is a diabetic and recovering alcoholic. He is also a self-confessed womanizer and an absentee father with serious daughter issues. The May of the film (Sarah Michelle Gellar acting as if she is using the film as personal therapy) is a father-worshiper and has no qualms about allowing the older man to use his influence to better her career. It is all too real. It is a pity that Mark Klein directs the film like an afternoon romance for Hallmark channel without flair or imagination, and that Alec Baldwin's personal life interfered unnecessarily with the screening. The unevenness of the directorial treatment might alienate the mainstream audience that seem to prefer their comedies separate from their dramas. The script skilfully avoids the known clichés without taking too many risks. The sweet-sour ending will also add to the audience confusion.
Supporting roles are cleverly underplayed by a competent ensemble. Maggie Grace, one of the early casualties of the TV hit Lost, is surprisingly effective in a role that seems to have been written for her.
19 of 30 people found this review helpful.
Was this review helpful to you?