A group of delinquents are sent to clean the Blackwell Hotel. Little do they know reclusive psychopath Jacob Goodnight has holed away in the rotting hotel. When one of the teens is captured, those who remain - a group that includes the cop who put a bullet in Goodnight's head four years ago - band together to survive against the brutal killer.
Michael J. Pagan
A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist, embark on a remote archaeological dig in the jungle where something evil lives among the ruins.
A werewolf loose in Los Angeles changes the lives of three young adults, who, after being mauled by the beast, learn they must kill their attacker if they hope to change their fate to avoid becoming werewolves too.
Portia de Rossi
SPOILER: Eric and his Yankee teenage mates travel South by motorbike to a swampy backwater town in Louisiana, where Sean's father Ray lived, the local tow truck driver, who abandoned the then baby-boy and his mother. Ray recently died, while trying to rescue a voodoo witch and at her urging her trunk, which got opened and released the poisonous serpents possessed by the souls of truly evil sinners she trapped in them. Ray was bitten and possessed as the car sunk, and shortly after it's dragged out rises as an 'undead' zombie, who murders without provocation and is immune to lethal weapons. He soon finds the teens' trace and proves his indiscriminately evil blood-thirst by charging his only offspring equally lethally. However they were warned by Eden's friend Cece, the witch's granddaughter, who explained the situation in her home and assures them when the zombie attacks it's safe thanks to a 'blessed' spell preventing evil from entering; alas the chain- and crowbar-waving undead finds... Written by
The movie is based on a story for a video game that BFG has in development. See more »
When Sean is pulled through the window with the chain by Ray Sawyer, the whole window behind him shatters. However, a few moments later inside the house - the window has somehow repaired itself. See more »
[Walking in Cece's house]
Mambo woman meant business, huh?
See more »
At the end of the credits we hear the sound of Ray's keys jangling See more »
Jim Gillespie transforms "Backwater" from computer game to horror movie with undeniable flair. Venom takes the best elements of "Backwater" and builds upon them to create an entertaining, if ultimately ridiculous, slasher film. If you don't spend too much time thinking about the plot and manage to overlook the general lunacy, Venom offers 90 minutes of dumb fun.
As a horror fan, the most interesting aspect of the film for me was the joining of two horror sub-genres (for want of a better description) - the voodoo/hoodoo and slasher genres. There are better voodoo films, Wes Craven's "The Serpent and the Rainbow" comes to mind, and certainly many better slasher films, but it was fun to watch the director mix the genres.
Ray, originally known as "Jangles" in the computer game, makes for an interesting villain. He's the town outcast, who dies while trying to rescue a voodoo priestess from a car crash. Unfortunately, the old lady's possessed snakes attack Ray and he turns into a voodoo powered zombie with a really bad attitude. Ray is no Freddy Krueger or Jason Vorhees, but he's also a step up from most of the clowns polluting American horror movies these days. Ray's weapon of choice is a crowbar and he busily uses it to impale, spear and slash anyone he comes across.
The film also gets extra credit for having Bijou Phillips in the cast. I have no idea why this woman isn't a bigger star, she manages to steal every movie that she appears in. Bijou doesn't have a big role and she really is way too cool to be believable as a small town bimbo. However, she is a beacon in the sea of pretty but wooden actors that make up the rest of the cast.
The film starts well but becomes increasingly improbable. The character of Cece is so idiotic that it defies belief - Apparently every resident of Louisiana keeps a spare voodoo priestess robe in their wardrobe. Oh, and nice idea to use your dead friend as a voodoo doll. The director also gets carried away with CGI effects as the film progresses and spends far too much time making snake eyes move under Ray's skin than concentrating on the good, old fashioned gore that makes the first half of the film so enjoyable.
The film's finale is fairly predictable and by then I had lost interest. Nevertheless, Venom is a fun horror film and should please less discerning genre fans.
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