| Tom Caltabiano | ... | Himself | |
| Roger Lay Jr. | ... | Himself | |
| Ray Romano | ... | Himself | |
| Jearlyn Steele | ... | Herself |
Directed by | |||
| Tom Caltabiano | |||
Produced by | |||
| Tom Caltabiano | .... | producer | |
| Roger Lay Jr. | .... | associate producer | |
| Cheyenne Pesko | .... | associate producer | |
| Ray Romano | .... | producer | |
Original Music by | |||
| Adam Gorgoni | |||
Cinematography by | |||
| Roger Lay Jr. | |||
Film Editing by | |||
| Cheyenne Pesko | |||
Sound Department | |||
| Darren Barnett | .... | sound re-recording mixer | |
| Kevin Hamilton | .... | dialogue editor | |
| Michael Kamper | .... | sound effects editor | |
| Scott C. Kolden | .... | dialogue editor | |
| Seth Krugliak | .... | sound supervisor | |
Visual Effects by | |||
| David Lange | .... | graphics designer | |
Editorial Department | |||
| Shaley Brooks | .... | final colorist | |
| Mike Nichols | .... | additional on-line editor | |
| Cindy Scott | .... | editor: bonus features | |
| Will Torbett | .... | editor (home video) | |
Music Department | |||
| Ted Blaisdell | .... | score recording engineer | |
| Brian Bulman | .... | music editor | |
| Walt Fowler | .... | musician: trumpet | |
| Christopher S. Parker | .... | music clearances | |
Other crew | |||
| Nicholas Sadler | .... | creative consultant | |
Thanks | |||
| Andy Kindler | .... | special thanks | |
| Brandon Moore | .... | special thanks | |
| Mike Nichols | .... | special thanks | |
| David Wild | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
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Ray Romano's eight-day drive through the south on a stand-up comedy tour becomes more than he bargains for when longtime friend and opening act, Tom Caltabiano, brings a film student along to document their thousand-mile journey. Together, all three struggle with Ray's obsessions, phobias, and insecurities in this unscripted exploration of new-found fame.
I have nothing nice to say about this film. Ray Romano has never been a great comedian, and even his sitcom was successful because of Peter Boyle and Brad Garrett. Here, we see just how awful and unfunny he can be.
The clips from the stage are not funny, with his observations on life not being clever, original or quirky. He has nothing to offer his audience, and only a small group seems to enjoy his style (elderly women). The stuff from his hotel and more is even worse... wow, such a boring man. If you want to be a professional comedian, watching this film can teach you everything on how to not be successful.