| Kirstie Alley | ... | Jo Beckett | |
| Bill Smitrovich | ... | Reverend Daniel Beckett | |
| Janaya Stephens | ... | Cass Beckett | |
| Peter Horton | ... | Eli Mayhew | |
| Deborah Odell | ... | Sylvia Mayhew | |
| Sandra Caldwell | ... | Betty | |
| Rebecca Benson | ... | Young Jo Beckett | |
| Jeff Topping | ... | Young Eli Mayhew | |
| Kim Poirier | ... | Dana Jablonski | |
| Ryan Kennedy | ... | Duncan | |
| Adam Smoluk | ... | Larry | |
| Tyler Hynes | ... | Malky McDowell | |
| River Ferreira | ... | Jesus Martinez | |
| Kevin Williams | ... | Byron Hall | |
| Shauna MacDonald | ... | Detective Geary | |
| Bill Lake | ... | Sergeant Eberhart | |
| rest of cast listed alphabetically: | |||
| Cory Cassidy | ... | Bartender (uncredited) | |
| Aaron Hannem | ... | Night Club Patron (uncredited) | |
| Brooke Palsson | ... | Jo Beckett's Daughter (uncredited) | |
Directed by | |||
| Mike Robe | |||
Writing credits(WGA) | ||
| Alan Sharp | (teleplay) | |
| Sue Miller | (novel) | |
Produced by | |||
| Ted Babcock | .... | co-producer | |
| Richard Fischoff | .... | producer | |
| Peter Sadowski | .... | producer | |
| Robert M. Sertner | .... | executive producer | |
| Randy Sutter | .... | co-executive producer | |
| Frank von Zerneck | .... | executive producer | |
Original Music by | |||
| Lawrence Shragge | |||
Cinematography by | |||
| Derick V. Underschultz | (director of photography) (as Derick Underschultz) | ||
Film Editing by | |||
| Neil Mandelberg | |||
Production Design by | |||
| Deanne Rohde | |||
Set Decoration by | |||
| Norma Jean Sanders | |||
Costume Design by | |||
| Tina Fiorda | |||
Makeup Department | |||
| Amanda Kuryk | .... | first assistant makeup artist | |
| Barry Olafson | .... | key hair stylist | |
| Joyce Wold | .... | key makeup artist | |
| Frances Hans | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Anastasia Geras | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Danielle Dumesnil | .... | second assistant director | |
| Kevin Thomson | .... | first assistant director | |
| Charles Crossin | .... | second assistant director (uncredited) | |
| Brent Deere | .... | trainee assistant director (uncredited) | |
| Emily Drake | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Jason Gibbs | .... | property master | |
| Holly Moore | .... | art department coordinator | |
| Brian Smith | .... | construction coordinator | |
| Lawrence Van Went | .... | key scenic artist | |
| Ricardo Alms | .... | props buyer (uncredited) | |
| Jonathan Van Winkle | .... | graphic artist (uncredited) | |
Sound Department | |||
| Kevin Fisher | .... | sound effects editor | |
| G. Michael Graham | .... | supervising sound editor (as Michael Graham) | |
| Robert L. Harman | .... | sound re-recording mixer | |
| Allen Hurd | .... | sound re-recordist | |
| Barbara Issak | .... | adr supervisor | |
| Anita Lubosch | .... | production sound mixer | |
| Dean Okrand | .... | sound re-recording mixer | |
| Beau Biggart | .... | adr mixer (uncredited) | |
| Tommy Goodwin | .... | foley mixer (uncredited) | |
| Stan Mak | .... | boom operator (uncredited) | |
| Paul Morrow | .... | second boom operator (uncredited) | |
Stunts | |||
| Rick Skene | .... | stunt coordinator | |
Camera and Electrical Department | |||
| François Balcaen | .... | key grip (as Francois Balcaen) | |
| Laurence Mardon | .... | gaffer | |
| Arlea Ashcroft | .... | lead lamp operator (uncredited) | |
| John Durica | .... | daily electrician (uncredited) | |
| Allen Fraser | .... | still photographer (uncredited) | |
| Matthew Hannam | .... | assistant camera (uncredited) | |
| Joao Holowka | .... | best boy electric (uncredited) | |
Casting Department | |||
| Susan Glicksman | .... | casting: Los Angeles | |
| Jim Heber | .... | casting: Winnipeg | |
| Coral Legault | .... | casting: Toronto | |
| Alex Wald | .... | casting: Los Angeles | |
| Clare Walker | .... | casting: Toronto | |
| Eleanor Erum | .... | extras casting assistant (uncredited) | |
| Kari Rieger | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Paula Dunfield | .... | costume set supervisor (uncredited) | |
| Amy Sztulwark | .... | costume intern (uncredited) | |
Editorial Department | |||
| Jacqueline F. Bisbano | .... | assistant editor (as Jackie Bisbano) | |
Music Department | |||
| Terri Fricon | .... | music supervisor | |
| Chris Ledesma | .... | music editor | |
| Michael Stern | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Garry 'Diesel' Trosky | .... | transportation coordinator (as Garry Trosky) | |
| Dave Perich | .... | cast driver: Ms Alley (uncredited) | |
Other crew | |||
| Sarah Jane Cundell | .... | location manager | |
| Adeline Elias | .... | production accountant (as Adeline A. Elias) | |
| Tanya Mazur | .... | script supervisor | |
| Kimberly Mikoluff | .... | production coordinator | |
| Jason Campbell | .... | production assistant (uncredited) | |
| Paul Courchaine | .... | second assistant accountant (uncredited) | |
| Martin Ellis | .... | assistant location manager (uncredited) | |
| Becky Harland | .... | animal trainer (uncredited) | |
| Jordan Heppner | .... | animal trainer (uncredited) | |
| Andrea Hutchison | .... | assistant production coordinator (uncredited) | |
| Robb Inniss | .... | assistant production coordinator (uncredited) | |
| Georgette Nairn | .... | assistant to producer (uncredited) | |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
Jo is a veterinarian in the Boston area and the wife of Daniel, a minister. One of Jo's patients is a dog in such bad shape he may need to be put down. The dog's owner turns out to be Eli, one of the group Jo used to share a house with during her hippie days. Through flashbacks, we see the young people from their time in the house.
Jo is unhappy in her marriage and tempted to cheat. Not only that, but Eli has a deep dark secret. Jo is not particularly religious despite who her husband is, but she does have moral dilemmas to face.
This was probably a well-done movie, but I didn't like it that much. There was a violent incident which was probably necessary to the plot, but we didn't actually need to see the blood. One good thing about this movie: it didn't hide religious faith, though most of Jo's friends didn't practice 'mainstream' religion, if they were religious at all. The best thing was probably the moral struggle Jo had to go through.