Celeste (Margaret Cho) and Bam Bam (Bruce Daniels) escape their Midwest hometown for New York, and take on their high-school nemeses - the dictators of the world-famous Salon Mirage - while discovering that true beauty lies within.
Pip is a street kid who's meeting life head-on in the big city. On his eighteenth birthday he receives his grandfather's Second World War memoirs on audio cassette, a gift that awakens the ... See full summary »
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
As Inge buries her husband Olaf on their Minnesota farm in 1968, we relive her life story as she tells her grown grandson about how she arrived from Germany in 1920 as Olaf's postal bride and of the obstacles they overcame in order to marry... Written by
Elizabeth Reasers' Norwegian pronunciation was so bad that after Dagbladet (one of Norway's biggest news-papers) stumbled upon this film, they posted a clip from it with the title "What is she trying to say?" See more »
The film takes place in 1920, however, the Farmall tractor that Brownie is driving is a Farmall "F" series that was not made until 1932. See more »
This is the story of a German mail order bride who moves to a small, Minnesota town filled with Norwegians who don't exactly embrace difference.
The movie creates a palatable tension between doing what you need to do to fit in with your community (what you're "supposed" to do) and finding love with someone who is different (what you should do).
That message resonates in today's political climate.
A funny, poignant, wonderfully acted movie, Sweet Land has the confidence to treat us as if we are intelligent. It lets us fill in the blanks and trusts us to understand what's going on without telling us everything. While this makes us work a little rather than sit back and be spoon fed the entertainment, the effort is well worth it.
For example, when characters speak German, instead of using subtitles, the filmmakers know we'll get the gist of the scene - even though we don't get the exact verbiage. Selim lets the emotion carry us and it works. This is delicate work but it's handled with care and talent.
Sweet Land is about how love is stronger than fear.
Very, very good movie...the kind they don't make in Hollywood. I'd compare it to Jean de Florette and the sequel Manon of the Spring. It's a simple story with complex emotions where the smallest details, like someone taking a huge bite of potatoes, say a lot.
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