Struggling private investigator Louis Simo treats his work more as a means to make a living than a want to do right by what few clients he has. Through connections with the investigation firm for which he used to work, Simo is hired by Helen Bessolo to investigate the death of her son, actor George Reeves. Reeves was best known for his title role in Adventures of Superman (1952), a role which he always despised, in part since it typecast him as a "cartoon", despite it bringing him a certain fame. His June 16, 1959 death by a single gunshot wound while in his bedroom in his Los Angeles home was ruled a suicide by the police, the death which occurred when the house was filled with people. Reeves' story is told in part in flashback as Simo, who is trying to make a name for himself with this case, talks to or tries to talk to some of the players involved, most specifically the wife of MGM General Manager E.J. Mannix, Toni Mannix, with who Reeves was having a relatively open and ... Written by
George Reeves's agent, Gus Dembling, was combined in the film with the character of Reeves's manager, Arthur Weissman, who in actuality did not come into Reeves' life until much later than the film depicts. See more »
As the detective with Simo at Western Costume walks down the stairs, his hands are at his side. Just as he leaves the building, his hands are now in his pockets. See more »
A great film that will make its mark on the Academy if not the masses
Just when I had given up on ever seeing a "Hollywood Star Filled" film along comes a masterful film about the not so famous star of the 1950's television phenomenon, "Superman". I saw the film this evening and Mr. Brody, the director, writer and Ms. Lane were all in attendance but that did not seem to matter much. The film is a real work of artistry. I cannot tell you what a delight is is to go see a film that I have heard nothing about and then sit in the theater totally and thoroughly engaged in a serious film that manages to convince the audience that the art of film making is alive and well. If I had known that Ben Affleck was in the film I would have passed. Its a good thing I did not. He and Diane Lane re-introduce the idea of stardom to film making. They were fantastic. The script was fantastic, the period accuracy enthralling and the long forgotten story riveting. Hollywoodland should prove to be the next "Capote". Congratulations! A 21st Century Noir treat.
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