When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Struggling private investigator Louis Simo treats his work more as a means to make a living than a want to do right by what few clients he has. Through connections with the investigation firm for which he used to work, Simo is hired by Helen Bessolo to investigate the death of her son, actor George Reeves. Reeves was best known for his title role in Adventures of Superman (1952), a role which he always despised, in part since it typecast him as a "cartoon", despite it bringing him a certain fame. His June 16, 1959 death by a single gunshot wound while in his bedroom in his Los Angeles home was ruled a suicide by the police, the death which occurred when the house was filled with people. Reeves' story is told in part in flashback as Simo, who is trying to make a name for himself with this case, talks to or tries to talk to some of the players involved, most specifically the wife of MGM General Manager E.J. Mannix, Toni Mannix, with who Reeves was having a relatively open and ... Written by
As in most movies based on true stories, some facts and characters have been altered to fit the narrative structure. See more »
Excuse me. You the Times?
I'm the Times.
You're the Times? What do you think about Superman offing himself and cutting his beloved fiancee out of the picture, leaving the green to Eddie Mannix's wife? Huh? Like she needs the dough? "Hell hath no fury," huh! I mean, people get killed for less than that.
You saying George Reeves was murdered?
It's a heck of a question.
What's your name?
Louis Simo. S-I-M-O.
See more »
I recently was lucky enough to get to go to a screening of this film followed by a Q&A with director Allen Coulter, stars Diane Lane and Adrien Brody; each one of which did a fantastic job in their most recent performances. Coulter's first foray into film is a very successful one. His abilities with the camera from his experience like The Sopranos is clear throughout and is very strong from the opening shot of LA as it swoops into the house as police enter the crime scene that is George Reeves home. The cinematography by Jonathan Freeman ("Rescue Me", "Taken") is very strong with a great contrast in shadows and a subtle yet noticeable difference between the two times shown in the film. Coulter also uses music and sound differences to establish the Louis Simo (Adrien Brody) and George Reeves (Ben Affleck) time lines as separated. The acting is all around amazing, Affleck and Brody take their characters and live them, both amazing. Affleck has a few moments where the Reeves voice seems to lapse slightly but it's nearly unnoticeable. Both near perfect performances and as for the rest of the cast, there is not a poor performance to be found in this film. Expect a SAG ensemble nomination here. The overall style of the film is very interesting. Coulter describes the film as a "film noir in the daytime" and a "film about a modern man." The story is beautifully told with a nicely flowing back and forth between George Reeves life up until his death and 'independent investigator' Simo's search for the truth about that fateful night. Overall the film gets a 9/10 from me because it was simply nearly flawless, I left the theater very happy for having seen it because I'm willing to predict that this film will get some mentions come award time.
134 of 180 people found this review helpful.
Was this review helpful to you?