A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desdemona in Othello. But what will become of the male actor she once worked for and eventually replaced?
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved.
Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa to cover the Truth and Reconciliation Commission hearings, in which the perpetrators ... See full summary »
Samuel L. Jackson,
New York. Rebecca (Moore), an actress, is crushed to discover that her marriage may be falling apart. Her husband Tom (Duchovny) leaving long-suffering Rebecca to pick up the pieces of their relationship. Rebecca's brother Tobey (Crudup), meanwhile, is in a long-term relationship with Elaine (Gyllenhaal) that has begun to turn sour. Both couples are spoiled and bratty. Written by
Matteo (from Italy for Julianne)
Duchovny and Moore worked in Evolution together. See more »
In the scene transitioning to the Christmas holidays, a shot of Central Park is shown with Christo and Jeanne-Claude's The Gates, Central Park, New York City, 1979-2005 in the park. However, this display was unfurled on February 12, 2005 - after the holidays were over. See more »
An occasionally funny romantic comedy although it's mostly a non-engaging ride
Tom (David Duchovny) is a stay-at-home dad married to a popular actress (Julianne Moore), while his best friend and her younger brother Tobey (Billy Crudup) has lived for eight years with the hard-working Elaine (Maggie Gyllenhaal) but won't commit to the relationship by marrying her. This is what happens when these four New Yorkers decide to explore other options.
At a glance, Trust the Man seems harmless enough but it's actually fake and a bit too insignificant to really have an impact on the viewer. The script was simple and it wasn't hard to figure out where things were going. The dialog was okay although some of it was a bit unnatural. I'm not from New York so maybe this is actually normal behavior but a lot of the conversations were just awkward and none of it felt real. All of the characters spoke in the same way so the movie got a little irritating because it was just the same personalities on screen and there was no variety. However, some of the dialog and scenes were pretty funny.
The characters weren't particularly interesting and most of them were unlikable. In the beginning, their situations were interesting to watch and then the film ditched the laughs and got all serious. The sudden change of tone invited the viewer to feel sorry for these people even though most were one-dimensional and pretty selfish. So, the first half of the movie was decently funny and consistent. The second half was serious and just not very interesting. The one thing I did like about the movie was the setting and Bart Freundlich did a good job at creating a realistic area. It's too bad he couldn't use some of that realism with the script and characters.
Out of the leading cast, Billy Crudup gave the best performance. His character was pretty selfish yet still engaging and funny. David Duchovny was very wooden and not interesting at all. This was probably the intention although I didn't like the idea of his character at all and his performance was unbearable at times. Maggie Gyllenhaal was fine but she can do better and she didn't seem to really be trying. Julianne Moore had a couple of good scenes although she was a bit over the top and fake. Out of the supporting cast, Eva Mendes was surprisingly funny although she was only on screen for about ten minutes, maybe a little less. She was the only one who stuck out from that group. Overall, Trust the Man had a decent story although it couldn't generate genuine sympathy due to it's shallow and fake storyline. If you like any of the actors, it might be worth a rental although they all have better work out there. Rating 5/10
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