By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desedmona in Othello. But what will become of the male actor she once worked for and eventually replaced?
New York. Rebecca (Moore), an actress, is crushed to discover that her marriage may be falling apart. Her husband Tom (Duchovny) leaving long-suffering Rebecca to pick up the pieces of their relationship. Rebecca's brother Tobey (Crudup), meanwhile, is in a long-term relationship with Elaine (Gyllenhaal) that has begun to turn sour. Both couples are spoiled and bratty. Written by
Matteo (from Italy for Julianne)
Billy Crudup and Moore started in 'World Travelers' together (2001) See more »
In the scene transitioning to the Christmas holidays, a shot of Central Park is shown with Christo and Jeanne-Claude's The Gates, Central Park, New York City, 1979-2005 in the park. However, this display was unfurled on February 12, 2005 - after the holidays were over. See more »
The only thing this movie has going for it is the acting talent. There is no story, no arc, and the characters take an incredibly shallow view on relationships. Just like the other 2 B. Freundlich movies, it is all talk and no substance. Boring and has nothing to say. Tries way too hard to be funny, and all the forced jokes just fall flat. Since IMDb is forcing me to write 10 full lines, I will continue by saying that Julianne Moore is luminous as always, David Duchovny is very likable, Billy Crudup is over-the-top and annoying (scenery chewing much?) and Maggie Gyllenhaal is wonderful. She is the best thing in the movie and rises above the weak material.
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