A dramatization of the shocking Barbara Daly Baekeland murder case, which happened in a posh London flat on Friday 17 November 1972. The bloody crime caused a stir on both sides of the Atlantic and remains one of the most memorable American Tragedies...
A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
New York. Rebecca (Moore), an actress, is crushed to discover that her marriage may be falling apart. Her husband Tom (Duchovny) leaving long-suffering Rebecca to pick up the pieces of their relationship. Rebecca's brother Tobey (Crudup), meanwhile, is in a long-term relationship with Elaine (Gyllenhaal) that has begun to turn sour. Both couples are spoiled and bratty. Written by
Matteo (from Italy for Julianne)
The children of star Julianne Moore and writer/director Bart Freundlich make their movie debuts in "Trust the Man". Caleb Freundlich plays Cosmos, Pamela's son who punches David Duchovny and Liv Freundlich plays Moore's daughter Maggie in the final scenes. See more »
In the scene transitioning to the Christmas holidays, a shot of Central Park is shown with Christo and Jeanne-Claude's The Gates, Central Park, New York City, 1979-2005 in the park. However, this display was unfurled on February 12, 2005 - after the holidays were over. See more »
An amusing look at all too familiar spousal situations
I missed this one at last year's Toronto International Film Fesival, but have just seen a preview prior, presumably to its Toronto release.
For me live-in lovers Billy Crudup and Maggie Gyllenhall delivered sparkling performances far more sympatici than the other couple -- the married pair of Julianne Moore and David Duchovny who also did their job well, but it's the antics of the former two that keep this film alive and moving.
Without wising a spoiler on you, I was in a genuine state of suspense over whether or not this movie would have a feel good ending.
The behaviour of these four characters is not really rooted in reality -- who expects this of a comedy? -- but their quirks and good qualities are sufficiently close to it speak for the times.
There were several good laughs and a couple of good running jokes which didn't pall on me.
I found Trust the Man a likable effort which should prove popular in spite of what I know will be some critics' objections for occasional in-your-face crudities
33 of 51 people found this review helpful.
Was this review helpful to you?