With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.
The chief spokesperson and lobbyist Nick Naylor is the Vice-President of the Academy of Tobacco Studies. He is talented in speaking and spins argument to defend the cigarette industry in the most difficult situations. His best friends are Polly Bailey that works in the Moderation Council in alcohol business, and Bobby Jay Bliss of the gun business own advisory group SAFETY. They frequently meet each other in a bar and they self-entitle the Mod Squad a.k.a. Merchants of Death, disputing which industry has killed more people. Nick's greatest enemy is Vermont's Senator Ortolan Finistirre, who defends in the Senate the use a skull and crossed bones in the cigarette packs. Nick's son Joey Naylor lives with his mother, and has the chance to know his father in a business trip. When the ambitious reporter Heather Holloway betrays Nick disclosing confidences he had in bed with her, his life turns upside-down. But Nick is good in what he does for the mortgage. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Sam Elliott's character Lorne Lutch is based on real "Marlboro Man" model Wayne McLaren, who contracted lung cancer, testified for anti-smoking legislation, and had the Phillip Morris Company try to deny he was in the ads. Two other models - David McLean and Dick Hammer - also died of lung cancer. A fourth, Eric Lawson, died of respiratory failure due to chronic obstructive pulmonary disease, or COPD, at the age of 72 in 2014. See more »
The back seat armrest when Nick and The Captain are talking in the Rolls Royce. See more »
Robin Williger. He is a 15 year old freshman from Racine, Wisconsin. He enjoys studying history; he's on the debate team. Robin's future looked very, very bright. But recently he was diagnosed with cancer, a very tough kind of cancer. Robin tells me he has quit smoking, though, and he no longer thinks that cigarettes are "cool."
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The opening credits are styled to appear as cigarette boxes. See more »
First of all, sorry for the cheesy title. I couldn't help myself. Second of all, "Thank You for Smoking" is, in fact, a darn good satire
one of the best I've seen since "Election". Aaron Eckhart holds the
picture together with a witty, charismatic performance as a tobacco lobbyist. The film is basically about his profession as he spins the news, pitches a movie idea, dodges a subpoena, has an affair with a reporter (Katie Holmes), tries to spend time with his son (Cameron Bright), and has lunch with an alcohol lobbyist (Maria Bello) and a firearms rep (David Koechner) - where they literally compare body counts. The performances are excellent across the board, from William H. Macy's crusading Senator to Rob Lowe's smirking Hollywood agent who struts around his office in a kimono. Even Adam Brody is enjoyable as Lowe's hyperactive assistant whose in-joke with a co-worker earned one of the biggest laughs of the movie.
The majority of the credit, however, needs to go to first-time feature director Jason (son of Ivan) Reitman. Adapting from Christopher Buckley's novel, Reitman has fashioned an enormously clever script, consistent and strong in character, yet not forgetting to be incredibly funny. The style is also perfect - brisk, light-hearted, with impeccable timing marred only by a tangental subplot including Sam Elliott that is, sadly, not very funny. Overall, however, the pace is fast enough where the laughs keep coming.
Reitman also does the unthinkable: he keeps the satire dark and funny to the very end. While most comedies stray blindly into the sentimental, "Thank You" avoids unnecessary emotional tripe and - thankfully - avoids sermonizing about the dangers of smoking or of the flaws of the political process. Eckhart's flawless performance and Reitman's wonderful screenplay anchor an uncommonly perceptive comedy, provided you take yours black. If you need a little cream and sugar, "Fun with Dick and Jane" might still be at the dollar theater.
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