An experimental, ludicrous, plotless, absurd, surreal comedy. It is seemingly intentionally impossible to understand. It leaps from scene to scene, world to world, with recurring names and ...
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Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight ... See full summary »
Robert Downey Sr.
Downey takes his camera and microphone onto the streets (and into some bedrooms) for a look at Manhattan's singles scene of the late sixties. Of course, that's not all: No More Excuses cuts... See full summary »
Robert Downey Sr.
Robert Downey Sr.,
A multimillionaire, whose son and daughter are both gay, leaves a will with one clause: His children will inherit his money only if at least one of them produces him a grandchild within a year of his death.
Robert Downey Sr.
Robert Downey Jr.,
A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always ... See full summary »
This puber-comedy is a kind of mixture between 'Animal House' and 'Police Academy'. Four boys are sent, for different reasons, to a the Sheldon R. Wienberg military academy. The life of ... See full summary »
An experimental, ludicrous, plotless, absurd, surreal comedy. It is seemingly intentionally impossible to understand. It leaps from scene to scene, world to world, with recurring names and actors being the only things that hold it together. Very much like sketch comedy, except without much of a point. The movie literally goes from "Moment To Moment", with no actual narrative in mind rather than to just film a bunch of miscellaneous scenes and ideas and cut them together. Make of it what you will. Written by
'Two Tons of Turquoise to Taos Tonight' - sometimes known as 'Moment to Moment' - the shorter title is very fitting here as this Robert Downey Sr. experimental movie plays out as a series of unfinished skits rather than any sort of cohesive narrative. The longer title refers to a wordplay sketch in which a character's efforts to get someone to transport "turquoise" (paint?) is hampered by the fact that everyone thinks she means "turkeys". While all of the skits come off as highly random here and not strongly related to one another, they are linked by the same lead actress (Downey's wife, Elsie) playing a different role in each of the twenty plus segments. Some of the supporting players also reappear but the film first and foremost feels like Robert Downey Sr. showcasing to the world how versatile his wife can be in front of the camera. Highlights include a sketch in which Elsie satisfies a boyfriend (or is it her husband?) who claims that he is "still hungry" after already being given something to eat, and a pseudo documentary sketch with the same aesthetics as Arthur Lipsett's '21-87' and some morbid humour. The vast majority of skits are unfortunately unfunny and come off as if they have been truncated with the punchline cut out. And yet, it is often fascinating to see just what sort of very different character Elsie will play next. This is not a particularly polished film and it certainly pales against 'Putney Swope' and the director's vastly underrated 'Up the Academy', but it is a film with a fair bit of interest about it beyond the curious title(s).
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