A mercenary gets involved in a mission that threatens the lives of his kin. In order to succeed, he must break into one of the most wellguarded prisons in Eastern Europe and free the son of the most notorious drug lord in the world today.
Chris Kody, the world's best mercenary, is freed from prison -- but there's a catch. Kody must use his lethal weapons and fighting skills to stop a group of terrorists who have taken over a nuclear sub.
Matt is an elite ex-cop whose life has gone down hill since he was kicked off the Force. After a rough encounter with a mysterious henchman, Matt is brought face to face with his only ... See full summary »
Renée Elise Goldsberry
Billy Ray Lansing, a former covert agent turned survivalist, discovers that the foster program he is using to help a young girl is actually a human trafficking network. Lancing heads overseas to find the girl and shut down the operation.
Mercenary John Seeger is one of the best in the business. John and his crew are battling some French soldiers on the French-controlled Galmoral Island in Southern Africa as they're trying to rescue the French Ambassador -- there's a coup going on. John gets angry when some of his soldiers unload their machine guns into the Ambassador and his family, blowing the mission and getting his best friend Radio Jones killed. John goes back to the U.S.A. and goes to the home of Radio's wife Shondra, tells her the news, and then promises her that he'll take care of her and her son Eddie. But shortly after he makes that vow, Shondra and Eddie get kidnapped. They were kidnapped by a CIA faction led by CIA dirty deeds man John Dresham and his boss, CIA Black Ops producer Anthony Chapel, who want to force John into doing a mission for them. Kamal Dasan, the son of prominent gun runner Ahmet Dasan, has been arrested and thrown into the Randveld Prison outside of Cape Town, South Africa, and Chapel ... Written by
Principal photography was on location in Cape Town, South Africa. See more »
The police-vehicle sirens in S.A. don't sound like those used in the film. See more »
You know, Bulldog, you never did say where you're from. But let me guess, don't tell me. Detroit.
Detroit, Michigan. How'd you guess?
You know what? I'm from detroit. Highland Park. Two Motor City boys, just like that.
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Seagal fans rejoice? Ahhh, not quite, but a step in the right direction
If you've kept up with Seagal's direct-to-video career (as I diligently have) "Mercenary for Justice" is certainly a step in the right direction. No, it's not great movie, but it's a whole lot better than most of his previous direct-to-video efforts. First and foremost the cinematography is really well done. This movie looks great and feels "bigger" than most of Seagal's previous direct to video movies. Second, although there's more gun-play than Aikido, Seagal performs in all his own action sequences (no stunt/body doubles) and the fight choreography is relatively classic Seagal (arm and wrist twisting / body tossing). Third, Seagal's voice doesn't appear to be dubbed at any point during the movie (as it's been in several of his other releases). What's bad is the usual: muddled story, poor supporting cast, some of the dialogue. The first 20 minutes of the movie lack a real cohesive setup / story (in fact, beside a brief freeze frame / still, Seagal doesn't appear for the first 11 minutes or so). The opening also suffers from the classic low budget, "shooting a stunt from multiple angles then intermittently cutting those different shots of the same stunt into the movie trying to sell it as a new event each time" trick. Oh well. Bottom line: If you've kept up with Seagal this far in his career you won't be disappointed with "Mercenary for Justice." Favorite Seagal theatrical release: Out For Justice / Favorite Seagal direct-to-video release (as of 04/19/06): Belly of the Beast
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