Pleasantly plump teenager Tracy Turnblad teaches 1962 Baltimore a thing or two about integration after landing a spot on a local TV dance show.

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Cast

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Storyline

Tracy Turnblad, an overweight teenager with all the right moves, is obsessed with the Corny Collins Show. Every day after school, she and her best friend Penny run home to watch the show and drool over the hot Link Larkin, much to Tracy's mother Edna's dismay. After one of the stars of the show leaves, Corny Collins holds auditions to see who will be the next person on the Corny Collins show. With all of the help of her friend Seaweed, Tracy makes it on the show, angering the evil dance queen Amber Von Tussle and her mother Velma. Tracy then decides that it's not fair that the black kids can only dance on the Corny Collins Show once a month, and with the help of Seaweed, Link, Penny, Motormouth Maybelle, her father and Edna, she's going to integrate the show.....without denting her 'do! Written by leoprez1030

Plot Summary | Plot Synopsis

Taglines:

This Summer, when you follow your own beat, there is no limit to how far you can go. See more »


Motion Picture Rating (MPAA)

Rated PG for language, some suggestive content and momentary teen smoking | See all certifications »

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Details

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Release Date:

20 July 2007 (USA)  »

Also Known As:

Lak za kosu  »

Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

£2,045,912 (UK) (20 July 2007)

Gross:

$118,823,091 (USA) (19 October 2007)
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Company Credits

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Technical Specs

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2.35 : 1
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Did You Know?

Trivia

Costume designer Rita Ryack actually got vintage outfits for some of the characters to wear during a number of the scenes shot in the high school. Link Larkin's blue sweater was a sweater vest found at a vintage shop. See more »

Goofs

In the scene when Motormouth Maybelle is singing, "I Know Where I've Been", they do 3 quick scenes when Maybelle is singing the lyrics, "There's a dream..." and the crowd behind here sings background. The guy in the stripped shirt is up stage of Tracy, in the next camera pan, he is stage right by 2 people from Tracy. Then, in a quick closeup of Tracy, he is back upstage (behind) Tracy. Then, they pan back to a wide shot of the crowd and he is back stage right of Tracy. See more »

Quotes

[first lines]
Tracy Turnblad: [singing] Oh, oh, oh, woke up today, feeling the way I always do. Oh, oh, oh, hungry for something that I can't eat. Then I hear that beat. That rhythm of town starts calling me down. It's like a message from high above. Oh, oh, oh, pulling me out to the smiles and the streets that I love. Good morning, Baltimore!
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Connections

References The Twilight Zone (1959) See more »

Soundtracks

I Can Hear the Bells
Written by Marc Shaiman, Scott Wittman and Marc Shaiman
Performed by Nikki Blonsky
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Frequently Asked Questions

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User Reviews

 
Great, cheesy fun!
16 July 2007 | by (Minnesota) – See all my reviews

Obviously a big-budget, flashy musical remake of a John Waters film is never going to be as subversive or as comically edgy as its predecessors, but one of the good things about HAIRSPRAY is that it never intends to be. It fully embraces the cheesy, over-the-top aspect of a movie musical from frame one, a trait that most other current films of its type try to avoid. In a welcome change from the summer drudgery of explosions and CGI, this film is a pure feel-good crowd pleaser where excitement and energy rise above all.

Everyone in the cast gives able performances; even Travolta who, in drag and a fat suit, seems at first off-putting, beginning a one-joke "hey I'm a man in a dress!" performance, quickly grows into his own as Edna does, becoming the most crowd-pleasing character by the film's end. It's a pleasure to see a former GREASE-r returning to what made him famous, but Travolta proves surprisingly agile in the comedy department, especially during his song and dance numbers.

The real enjoyment here, however, and the truly great performances are given by the younger members of the cast. Every single teenager in the film, from the leads to the chorus boy in the back of the room are injected with an unshakable, undeniable energy that reaches through the screen and captivates the viewer. This rings true especially for the film's two major finds: newcomers Nikki Blonsky and Elijah Kelly. Both of them have that instant star quality, a charisma and charm that make them instantly likable. Kelly displays simply astounding singing and dancing skills, while Blonsky easily carries the entire film of her shoulders, becoming the heart and soul of the movie with one hip thrust.

HAIRSPRAY has nothing much to offer besides two hours of entertainment and escapism, but it offers it in spades. It is a pure joy to watch from beginning to end and a welcome change of pace from the big-budget action film that surround its release. Yes, it's a musical and yes, it's over-the-top, but the audience is sold on that point from the first moment Tracy opens her mouth and the audience cannot help but be sucked in.


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