About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Tracy Turnblad, an overweight teenager with all the right moves, is obsessed with the Corny Collins Show. Every day after school, she and her best friend Penny run home to watch the show and drool over the hot Link Larkin, much to Tracy's mother Edna's dismay. After one of the stars of the show leaves, Corny Collins holds auditions to see who will be the next person on the Corny Collins show. With all of the help of her friend Seaweed, Tracy makes it on the show, angering the evil dance queen Amber Von Tussle and her mother Velma. Tracy then decides that it's not fair that the black kids can only dance on the Corny Collins Show once a month, and with the help of Seaweed, Link, Penny, Motormouth Maybelle, her father and Edna, she's going to integrate the show.....without denting her 'do! Written by
It wasn't until halfway through production that Michelle Pfieffer realized that her character was racist. She became worried about what people would think, but director Adam Shankman calmed her down and she continued the movie. See more »
In "Welcome to the 60s", Edna and Mr Pinky are negotiating Tracy's contract. Edna asks Mr Pinky to 'throw in a bustier'. The word 'bustier' did not enter the English language until the 1970s, some ten years after the film is set. Incidentally, the outfit that Edna is later seen in is not a bustier. See more »
Oh, oh, oh, woke up today, feeling the way I always do. Oh, oh, oh, hungry for something that I can't eat. Then I hear that beat. That rhythm of town starts calling me down. It's like a message from high above. Oh, oh, oh, pulling me out to the smiles and the streets that I love. Good morning, Baltimore!
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As a fan of the stage musical, I was worried that the film might not measure up - but they hit this one out of the ballpark! Bright, bouncy and joyously hilarious! A big smile hit my face as soon as it started and I didn't stop grinning until the end of the credits.
I haven't heard a press screening audience applaud after musical numbers since "Chicago" - and they cheered! The huge cast is uniformly terrific. Travolta, Pfeiffer and Walken are a hoot and Nikki Blonsky couldn't be more perfect.
The performances, script, lyrics, sight gags and costumes wage an all-out assault on your funny bone. Even the set dressing gets laughs!
This is the movie musical that Grease, Rent and Dreamgirls should have been.
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