Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Two brothers - a dwarf (Rolfe) and one normal-sized (Steve). When Steve's girlfriend Carol becomes pregnant, the pair are fearful that the baby will inherit the dwarfism gene. Matters are ... See full summary »
Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor being hounded by a ruthless dictator.
At 35, Tripp has an interesting job, a hip car, a passion for sailing, and a great house - trouble is, he lives with his parents. They want him out, so they hire Paula, an "interventionist," who has a formula in these cases: chance encounter, get him to ask her out, involve him in a trauma, meet his friends and get their nod, delay sex, have him teach her something, then launch him. It's worked up to now, but this gets complicated when Tripp thinks she's getting too serious and one of his pals is attracted to Paula's deadpan, semi-alcoholic roommate, who's plagued by a mockingbird. Too many secrets may scrub the launch, and what if Paula really likes him? Who can intervene then? Written by
I watched & enjoyed "The Family Stone." I watched and forgot "How to Lose a Guy." I don't have impossible standard for films. I love romantic comedies, and if I want to see more one movie a year, I can't afford standards. But this film, "Failure to Launch," made me want to give up and stay home. I could have popped "Love, Actually" into the DVD player for the thousandth time and had a better, more rewarding evening. There are many many ways this movie went wrong, but I'd like to focus on the nail that sealed its coffin.
Two words . . .
That's right . . . more than one. In this movie. Were you thinking "Must Love Dogs" or "The Wedding Date?" Think "Caddyshack" without the appeal.
Four separate animatronic animals appeared, one in a subplot which provided neither support nor counterpoint to the purported "main plot" (the romance between SJP & MM).
I wanted to like these subplot sections. Even with excessive sweat and scary, crazy eyes, I just love Bradley Cooper, but no actor on earth could have saved this movie.
If even one of these animatronic monstrosities had appeared in a trailer, I would have saved my $8. Maybe the failure was in marketing a low-ball comedy as a romantic comedy.
I don't ask that a romantic comedy be high art, but this was barely a romantic comedy at all.
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