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Fahrenhype 9/11 (2004)

Not Rated | | Documentary | Video 5 October 2004
A documentary which refutes and debunks "facts" made by Michael Moore in his hit film Fahrenheit 9/11 (2004).

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Cast

Cast overview, first billed only:
Dick Morris ...
Himself
Zell Miller ...
Himself
...
Himself
...
Himself - Actor & Narrator
...
Herself
Peter King ...
Himself
David Frum ...
Himself
Frank Gaffney ...
Himself
...
Himself (as Dave Kopel)
David Hardy ...
Himself (as David T. Hardy)
...
Himself
Peter Damon ...
Himsel
Bill Sammon ...
Himself
Gwen Tose-Rigell ...
Herself
Ed Sapp ...
Himself
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Storyline

America is asking if Fahrenheit 9/11 is a healthy dose of dissent, or shameful cowardice. If Moore really believes what he says, or if it's all about the money. Fahrenhype 9/11 plunges a big needle deep into Moore's methods and answers these questions, drawing both blood and bile. See how America has been lied to about the cause of 9/11. Lied to about the truth of Islamic fascism. Lied to about how best to make America safe. Written by Anonymous

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Taglines:

"Somebody has to tell the country the truth about terrorism..." - Dick Morris See more »

Genres:

Documentary

Certificate:

Not Rated
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Details

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Release Date:

5 October 2004 (USA)  »

Box Office

Budget:

$500,000 (estimated)
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Aspect Ratio:

1.85 : 1
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Connections

References Fahrenheit 9/11 (2004) See more »

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User Reviews

 
Excellent, thoughtful rebuttal
20 October 2004 | by (Bay Area, CA) – See all my reviews

I don't know if the producers or participants of this film choose to read these postings - but in any case I want to personally thank them for taking the time and effort to refute and rebut the outragous allegations I witnessed in Fahrenheit 9/11 by Michael Moore. I did see Moore's film, mostly out of morbid curiosity and for the shock value (I'm also a sucker for South Park), but the fact is I really didn't see the art in his production. While it was well edited and sensationalistic, the narration and theories seemed weak and labored - as if someone was struggling to work backwards from a predetermined conclusion. Obviously, Moore was walking a thin line between skewing the truth and trying like the devil to avoid the same indictments and lies he was caught in with Bowling for Columbine.

Thank you, Dick Morris et al, for taking the time to put the facts and context back into view. I just wish you had the resources to pull the same water in liberal Hollywood that Moore enjoys.


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