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Overview
User Rating:
Director:
Writers:
Eileen McGann (written by)
Dick Morris (written by)
more
Release Date:
5 October 2004 (USA) more
Genre:
Tagline:
You knew it was a lie... Now you'll know why.
Plot:
A documentary which refutes and debunks 'facts' made by Michael Moore in his hit film "Fahrenheit 9/11". full summary | add synopsis
User Comments:
Interesting... more (108 total)
Cast
(Credited cast)| Dick Morris | ... | Himself | |
| Zell Miller | ... | Himself | |
| Edward I. Koch | ... | Himself | |
| Ann Coulter | ... | Herself | |
| Steve Emerson | ... | Himself | |
| David Frum | ... | Himself | |
| Jason Clarke | ... | Himself | |
| Frank Gaffney | ... | Himself | |
| David Hardy | ... | Himself | |
| Dave Kopel | ... | Himself | |
| Bill Sammon | ... | Himself | |
| Peter Damon | ... | Himself (as Sgt. Peter Damon) | |
| rest of cast listed alphabetically: | |||
| John Ashcroft | ... | Himself (archive footage) | |
| Osama Bin Laden | ... | Himself (archive footage) | |
| George Bush | ... | Himself (archive footage) | |
| George W. Bush | ... | Himself (archive footage) | |
| Laura Bush | ... | Herself (archive footage) | |
| Jimmy Carter | ... | Himself (archive footage) | |
| Rosalynn Carter | ... | Herself (archive footage) | |
| James W. Cawley | ... | Himself (archive footage) | |
| Mike Cawley | ... | Himself | |
| Glenn Chastain | ... | Himself | |
| Steven Emerson | ... | Himself | |
| Vicente Fox | ... | Himself (archive footage) | |
| Logan Gregory | ... | Himself | |
| James Haddock | ... | Himself | |
| Julie Hanson | ... | Herself | |
| Saddam Hussein | ... | Himself (archive footage) | |
| Uday Hussein | ... | Himself (archive footage) | |
| William Kennard | ... | Himself (archive footage) | |
| John F. Kennedy | ... | Himself (archive footage) | |
| Andy Kenyon | ... | Himself | |
| Peter King | ... | Himself | |
| Arthur Levitt | ... | Himself (archive footage) | |
| Paul MacNamara | ... | Himself | |
| Samantha Madsen | ... | Herself | |
| Thomas Mack McLarty | ... | Himself (archive footage) | |
| Ralph Nader | ... | Himself (archive footage) | |
| Ronald Reagan | ... | Himself (archive footage) | |
| Ed Sapp | ... | Himself | |
| Ron Silver | ... | Himself / Narrator | |
| Monty Smith | ... | Himself | |
| Britney Spears | ... | Herself (archive footage) | |
| Gwen Tose-Rigell | ... | Herself | |
| Paul Wolfowitz | ... | Himself (archive footage) | |
Additional Details
Parents Guide:
Runtime:
80 min
Country:
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Aspect Ratio:
1.85 : 1 more
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| Fahrenheit 9/11 | Celsius 41.11: The Temperature at Which the Brain... Begins to Die | A Call to Arms | Billy Graham: God's Ambassador | Why We Fight |
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I have now watched both Fahrenheit 9/11 and Fahrenhype 9/11 and it is evident that both films, in my opinion contain biases that influence largely the desired end of the film.
The problem with contrasting the two films is the discussion of who has the burden of proof? Many reviewers state that Fahrenhype 9/11 has no proof to disprove the accusations and conclusions of Fahrenheit 9/11, but Fahrenheit is lacking the clear, solid proof to justify Moore's speculation of the Bush administration's activities. Who has the burden of proof? Is it the producers of Fahrenhype 9/11 who are trying to refute Moore's film or is it Michael Moore who speculates about the various alleged lies of the Bush administration? Neither film clearly proves their opinion, but instead gives usually shaky evidence, although both at times have critically thought out premises of their arguments.
After watching Fahrenheit 9/11, I must admit I felt largely like there was a much more concerted effort on Moore's part to get me to believe what he believes about the Bush administration, perhaps Moore feels some urgency for people to examine the actions of President Bush. With Fahrenhype 9/11, I can't say I felt the same pressure to believe what they are preaching.
Both films are effective in that they both raise discussion about the known facts and what we know about the surrounding events. Neither, however, are give good enough grounds to truly influence one's political doctrine. Both films prey on the viewer's naiveness and they both challenge the viewer to question what is being told to them, whether it is the US Government speaking or it is Michael Moore.