A wealthy and successful career woman gets a second chance in life when a magical wish transports her back in time eight years to when she walked away from her fiance to lead a business life in New York.
On Christmas Eve, Shannon McManus (Andrea Roth) is stuck driving around a wealthy and eccentric client (Howard Hesseman) who is giving away large sums of money with the secret hope of ... See full summary »
Sara Vancamp ('Eva LaRue') is a busy mom with no Christmas spirit. Christine (Summer Glau), an elf from Santa's village who wonders if there could be more to life than making toys in the ... See full summary »
When a pair of feuding colleagues, Kyle and Jenna are thrown together after their siblings, Jim and Trisha fall in love, they have to learn to get along in time for their nephew's birth on ... See full summary »
Casper Van Dien,
Greta Kaine (Katrina Law) is always in search of juicy gossip. As a tabloid reporter of gossip in Los Angeles, it's her job to expose the rich and famous. So when word gets out that the ... See full summary »
The story of driven, heartless, publishing executive, Carol Huffman, who on Christmas eve is visited by the ghost of her former boss, Eve. Eve tells Carol that she has lost sight of the ... See full summary »
It's Christmas Eve, 2004. Eve Simon is a wealthy and successful advertising executive with Bernstein & Barlow on Madison Avenue, but her personal life is less than satisfying. Beyond her assistant Mandy who has been her best friend since grammar school, her married boss and lover, Neil Barlow, is the only other significant person in her personal life. She has not been home to Eastborough, Oregon since she left eight years ago, and rarely speaks to her loving and supportive family there. When Neil tells Eve that he will be spending Christmas with his wife and kids instead of her as was originally planned leaving her alone for Christmas, Eve reflects on her life, most specifically the decision she made eight years ago not to marry her then fiancé and love, Scott Gustafson, who she has not seen or heard of since, but rather accept the internship with Bernstein & Barlow that began the day after Christmas. Christmas was to be the day of her wedding. That decision not to get married was in ... Written by
When the Eve picks up the newspaper at her front door to look for the advert for the bookstore, the paper clearly shows an advert for a Boxing Day Sale. Boxing Day is not celebrated in the US, so the local paper is obviously from Canada where Boxing Day is celebrated. See more »
He spilled pudding in her hair... on the way to the high school rafting trip.
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Not since 1980's Somewhere in Time, starring Christopher Reeve and Jane Seymour, have I enjoyed as charming a film as Eve's Christmas. I even love the catchy title, transposing "Christmas Eve" to convey that the title character embodies, from a secular perspective, the essence of Christmas spirit. After each viewing, I am left with a tingly feeling that a person sometimes can be granted a second chance at love in the tender embrace of his or her soulmate.
Eve's Christmas, a fast-paced, sparkling fantasy, definitely is aimed at female audiences but, especially in these turbulent times, might find many fans among males. Not only do men also need a harmless escape now and then, but, like women, they are 10 pounds heavier after Thanksgiving and need a spiritual lift from the holiday blues (not to mention a distraction from their pockets becoming lighter).
I might add that the acting in the film is satisfactory, and I find that Cheryl Ladd (who portrays Eve's mom) is more attractive in her autumnal years than in her "Charlie's Angels" days -- or should I say, daze. I love the scene when mom and daughter sit in the living room, and Eve gets a chance to hear her mother confess that she had flirted once with the road less traveled.
Eve's Christmas reminds us all that, no matter how intellectual we have become as we age, the little girl (or boy) in all of us yearns for the miracle of What Could Have Been. Time-travel films, whether on TV or the big screen, are delightful vehicles for reaffirming the fluid, non-linear properties of romance. It does not matter -- logically or metaphysically speaking -- who the prince (or princess) turns out to be in these films, as long as love itself is the winner in the time-trek game. So, once again, like other chick-flick-loving gals, I await repeated airings in December of Eve's Christmas and other cable films of its ilk that transport me and you to that perfect dimension of time -- orchestra, please -- The Romantic Zone.
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