When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.
In order to gain influence over their North Carolina district, two CEOs seize an opportunity to oust long-term congressman Cam Brady by putting up a rival candidate. Their man: naive Marty Huggins, director of the local Tourism Center.
Dave is a married man with two kids and a loving wife , and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain when lightning strikes and they switch bodies.
When a street magician's stunts begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act - and their friendship - by staging their own daring stunt.
Tim (Rudd) is a rising executive who "succeeds" in finding the perfect guest, IRS employee Barry (Carell), for his boss's monthly event, a so-called "dinner for idiots," which offers certain advantages to the exec who shows up with the biggest buffoon. Written by
The same dark Scion car drives behind Tim's Porsche in he scene where hi runs over Barry: after the accident and again, when Barry hugs Tim. See more »
I'm a naughty schoolgirl!
You look a little old to be a schoolgirl.
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After the credits, A diorama is displayed of a stuffed mouse sitting in a burnt down house, with Barry heard laughing as he reveals that Fender's company has gone bust with Forbes Magazine naming him the "World's Biggest Loser." See more »
A strained, misbegotten remake with a few chuckles at best
Painfully unfunny. As a fan of Steve Carell and Paul Rudd (not to mention Jermaine Clement and Zak G) and sometimes of director Jay Roach, it's hard to reckon how none of these talented people noticed how strained, mean-spirited and downright ridiculous this comedy is. No one behaves like an actual human being, and Carell's "loser" character is so annoying you're insulted when the script asks us to find him lovable-- you'd rather strangle him. A deeply cynical, formulaic farce without a shred of anything resembling reality. Even the broadest comedy has to be based in some recognizable behavior. It mocks the bad corporate villains for making fun of the fools invited to the party, and does the same thing itself. A few scattered laughs is the best you can hope for. What a waste of talented people. The producers should be spanked.
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