When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.
Dave is a married man with two kids and a loving wife , and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain when lightning strikes and they switch bodies.
In order to gain influence over their North Carolina district, two CEOs seize an opportunity to oust long-term congressman Cam Brady by putting up a rival candidate. Their man: naive Marty Huggins, director of the local Tourism Center.
A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
As the result of a childhood wish, John Bennett's teddy bear, Ted, came to life and has been by John's side ever since - a friendship that's tested when Lori, John's girlfriend of four years, wants more from their relationship.
Tim (Rudd) is a rising executive who "succeeds" in finding the perfect guest, IRS employee Barry (Carell), for his boss's monthly event, a so-called "dinner for idiots," which offers certain advantages to the exec who shows up with the biggest buffoon. Written by
Shipped to theaters under the code name "Emphasis". See more »
When Mueller is filled in about the purpose of the dinner, he says that he has a similar event called "Dinner for Unterschlagen". Unterschlagen is a German word for embezzler or a underhanded person. See more »
After the credits, A diorama is displayed of a stuffed mouse sitting in a burnt down house, with Barry heard laughing as he reveals that Fender's company has gone bust with Forbes Magazine naming him the "World's Biggest Loser." See more »
In order to impress his girlfriend, Tim (Paul Rudd) needs to secure a promotion. So he decides to accept his bosses challenge; bring an 'idiot' to their annual 'Dinner for Winners'. A competition run by white-collar executives and disguised as a celebration of brilliance in unrecognised individuals. In reality, the meal is simply an opportunity for elitist senior-management types to laugh at some quirky and eccentric members of society. Tim's girlfriend tries to convince him the whole idea is abhorrent. Just as he is beginning to agree with her, he meets Barry (Steve Carell). An IRS worker, with a passion for creating art from taxidermied mice, Barry might just be the perfect man to help Tim win the competition.
The US version of The Office has shown us that Carell can do awkward better than most and Anchorman proved his capabilities of making stupidity funny. However, his character here is completely unlikeable and, more often than not, irritating. His bowl haircut, glasses and protruding teeth, evoke bad seventies sitcoms. A time when this look would have been a stylists shorthand for 'socially inept'. Paul Rudd, on the other hand, is given little opportunity to make us laugh, playing two-dimensional straight man, Tim. Director Jay Roach's previous franchises (Austin Powers, Meet the Parents/Fockers) may not have been the greatest comedies of the past fifteen years, but delivered as and when expected. The problems with Dinner for Schmucks lie in the pacing and the writing. With a 114 minute runtime, it is simply too long. Entire characters and subplots are superfluous. It also suffers badly from second-act-drag, believing that given enough on-screen time we will somehow empathise with our two leads.
Producer Sacha Baron Cohen (Borat, Bruno), seems to have called in a number of favours from celebrity friends and cast them in every available role. The idea, presumably, is that good performances can boost a weak script into something amusing. Of Course, this is not the case. Jemaine Clement (Flight of the Conchords) as avant-garde artiste, Kieran, makes the most of his characters nonsequiturs but only manages to raise a smirk at best. The same cannot be said for David Walliams (Little Britain), whose Swiss, aristocratic character, Mueller, is completely redundant in every way. The only worthy gag in almost two-hours is provided by Chris O' Dowd (The I.T. Crowd) as a blind swordsman. However having only a handful of lines and appearing twenty minutes before the credits roll, its far too little, far too late.
Dinner for Schmucks starts with a premise full of comedic opportunities, but spends the next hour and a half ignoring these. The original, a French film from 1998 entitled The Dinner Game, was a social satire focusing on the ridiculous measures the aristocracy will go to amuse themselves. It was full of witty dialogue and, at 80 minutes long, it worked. As often happens, Hollywood seems to have missed the point and delivered a broad and bland remake.
79 of 132 people found this review helpful.
Was this review helpful to you?