When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Tim (Rudd) is a rising executive who "succeeds" in finding the perfect guest, IRS employee Barry (Carell), for his boss's monthly event, a so-called "dinner for idiots," which offers certain advantages to the exec who shows up with the biggest buffoon. Written by
When Barry is showing the mouse to Tim that is crafted to look like Tim as the camera changes back and forth so does Barry's grip on the mouse. See more »
[Whilst holding a picture of Nelson Mandela]
He's friends with Morgan Freeman!
See more »
After the credits, A diorama is displayed of a stuffed mouse sitting in a burnt down house, with Barry heard laughing as he reveals that Fender's company has gone bust with Forbes Magazine naming him the "World's Biggest Loser." See more »
Dinner for Schmucks is the adaptation of the French movie "Le dinner de Cons" which in itself is an adaptation of the play of the same name. In the original version Pierre Brochant (Thierry L'Hermitte) is a successful editor that takes part in monthly dinners where each host has to invite "a schmuck". On the night where Pierre and his "schmuck are supposed to go to dinner Pierre hurts his back and is unable to attend the dinner, therefore the evening takes a very strange turn of events including his wife's ex-husband an I.R.S inspector and a car accident.
When David Guion and Michael Handelman put there hands on this script not only did they change the whole idea of the movie they also transformed it's meaning, the original version had a deeply ironic tone in which Francois Pignon (Tim) trying to do the right thing makes everything worse whereas in this version everything finishes well.
In the American remake the movie is filled with an insane artist, a crazy ex-girlfriend and a psychic nemesis. The American company responsible for this release turned into ridicule a French classic. The message of hope conveyed in the movie is feeble and not believable in any way.
Overall Big Brother has come in with a big wallet and once again transformed a French masterpiece into a ridiculous feel-good American production.
The only positive note is the act of both Steve Carell and Paul Rudd who despite a shaky scenario manage to pull off a great performance.
To sum-up I highly recommend the original version and advise you to stay away from the American re-make.
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