Confetti - a mockumentary which follows three couples, competing for the title of Most Original Wedding of the Year: The Musical Wedding, The Tennis Wedding and the Naturist Wedding. Written by
According to Robert Webb in an interview with Graham Norton, they (himself and Olivia Colman) were told that they would be pixelated in the nude scenes (they play a naturist couples), and the first time they found out they weren't was at a screening on the film. Webb recalled a moment when Jessica Hynes turned round and said "Oh-ho-ho" at him. Both Webb and Colman have since spoken negatively about their experiences of the film and dissatisfaction with the end product. See more »
Hello, my name is Antoni Clarke, and I am a bride's best friend.
I'm not gay.
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There are few things so stressful in life as planning and executing a wedding. When that morass of charged emotions runs headlong into a contest held by Confetti Magazine for the "most original wedding," things are bound to get messy.
Three couples are chosen for their unique wedding ideas: Matt (Martin Freeman) and Sam (Jessica Stevenson) want a Hollywood musical style, Josef (Stephen Mangan) and Isabelle (Meredith MacNeill) vie for a tennis theme, while Michael (Robert Webb) and Joanna (Olivia Colman) are "naturalists" and want their nuptials to be done in the nude. Trying to wrangle these three disparate couples into some kind of order are wedding planners Archie Heron (Vincent Franklin) and Gregory Hough (Jason Watkins) who seem to be channeling Corky St. Clair...
In fact, shot as a documentary, this British ensemble piece is sure to be (justly) compared to Christopher Guest's mockumentaries (WAITING FOR GUFFMAN, A MIGHTY WIND, et cetera). Director Debbie Isitt does a fair job of aping Guest though she doesn't know when to go from documentary hand-held to a smoother choreographed camera and relies too much on non-diegetic music.
Clearly, too, Isitt is aware of the weaknesses to the storyline. Two of the three couples are off screen for long stretches and our "villainous" couple (think Parker Posey and Michael Hitchcock from BEST IN SHOW) is mishandled in the finale. Even when they're not working with the best material (how many jokes about a nudist wedding can there be?) the cast does a terrific job keeping the film afloat. Besotted with faces familiar to anglophile TV/film viewers, CONFETTI is an amusing farce.
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