From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
After his wife Rita's fatal car accident, Dave tries to raise his four children, helped by Rita's best friend Sarah. Things get complicated when mourning gives way to romantic feelings, while his kids remain sincere priority.
Alan and Tricia Hamilton are very happy. He's the head of a building firm and on top of his game. She's a part-time beautician and mother to their two sons. One day their perfect, if ... See full summary »
Andy De Emmony
The RSC puts a modern spin on Shakespeare's Hamlet in this filmed-for-television version of their stage production. The Prince of Denmark seeks vengeance after his father is murdered and his mother marries the murderer.
Bev is a downtrodden housewife who's failed her driving test eight times, having only been instructed by her impatient husband Ian. After registering with a driving school, she develops a crush on her instructor, Chris.
Charming Brendan Block dates Miranda Cotton and gets seriously committed. But she dumps him, claiming he invaded her privacy. A few weeks later, Brendan gets engaged to Miranda's sister and... See full summary »
A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.
Despite some reservations, a marvellously engaging and enjoyable programme
After watching bits of "Queer As Folk", a season of the new "Doctor Who", the "Doctor Who" Christmas special (also listening to the accompanying commentary) and the three parts of "Casanova", I think I've figured out what it is that frustrates me about Russell T. Davies's writing: its inconsistency. If it was merely mediocre, I'd simply dismiss it as such--but it's not.
His stories do have characters, scenes, and story arcs that are absolutely wonderful; his attention to detail can be minute; his dialogue can be scintillating in its irreverence and vivacity and his plot development can display astonishing originality. But these moments of brilliance are offset by under-developed secondary characters, unconvincing gaps in the plot, frankly ridiculous surprise twists, huge leaps of logic, jarringly crass jokes, lines intended merely to shock and unexplained dialogue non sequiturs. When I watch his work, I find my reactions alternating between, "Wow, this is great!" and "WTF?"
As for "Casanova" specifically: on balance, I love it. It's funny, engaging, exciting, romantic, sexy, and devastatingly sad at the end. It portrays a compellingly sympathetic Casanova and makes me curious about the real historic figure. While I personally already enjoy a lot of "costume dramas", I applaud this production's efforts to bring a younger and hipper audience to the genre. The acting is fine across the board and the leads (David Tennant and Peter O'Toole especially) are excellent. The innovative direction is effective. Since I knew beforehand not to expect historical accuracy, most of the anachronisms didn't bother me.
My chief complaint aside from the Russell T. Davies stuff mentioned above is probably with the music, the quality of which, like the writing, varied widely in my opinion. Some of it was fantastic, to be sure, but a significant amount was irritating and intrusive. And, call it a personal pet peeve if you will, but I really really dislike the sound of synthesized strings and brass. If it's a choice between what are obviously synthesizers and minimal or no instrumental accompaniment, I almost always prefer the latter.
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