From start to finish, it's a story of friendship between 4 street-wise males who don't mind using violence to achieve the lives that they want. They trust no one but each other which is vital to their success as mobsters.
In the 60's, the Puerto Rican Carlito Brigante, the Afro-American Earl and the Italian Rocco become best friends while in prison. When they are released, Rocco intermediates a heroin business with a family of the Italian Mafia leaded by Artie Badalato Sr. Carlito negotiates with the lord Leroy "Hollywood Nicky" Barnes the area where the trio could operate in his neighborhood and sooner the three friends become powerful. Later, Carlito dates and has an affair with the beautiful Leticia. When Earl decides to move to Barbados with his girlfriend and leave the heroin business, his stupid younger brother causes a situation with the Italian mobsters, and Carlito and Rocco have to resolve the mess to save their lives. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The posters in the barbershop include modern day haircuts. See more »
Sooner or later, a thug will tell his tale. We all want to go on record. So let's hear it for all the hoods. The Jews out of Brownsville, the blacks on Lennox Avenue, the Italians from Mulberry Street, the Irish in Hell's Kitchen. Like that. Meanwhile, Puerto Rican's been getting jammed since the fortys, and ain't nobody said nothing. Well, I'm gonna lay it on you one time, for the record. My people. They hit New York and filed into the roach stables in Spanish Harlem and the South...
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In the racially divided East Harlem in the late 60s, three prison buddies Puerto Rican Carlito Brigante (Jay Hernandez), the Afro-American Earl (Mario Van Peebles) and the Italian Rocco (Michael Kelly) bridge the divide. They import heroin, and does a deal with Italian mob boss Artie Badalato Sr (Burt Young). They negotiate a truce with Hollywood Nicky (Sean Combs) who runs the black area. Carlito hounds coat-check girl Leticia (Jaclyn DeSantis) until she falls for him. Earl wants to quit leaving his part to his younger brother Reggie (Mtume Gant). Only Reggie causes one problem after another.
This is what happens when a producer thinks that he could do the job. Michael Bregman took the Edwin Torres novel and made the movie himself. It's a poor amateurish effort. There are some interesting actors involved. I'm sure a lot of them got pulled in by the title. However that's all we have here. The production looks so poor. Any money spent is wasted with this badly directed movie. The only truly interesting character is Reggie because he is such an annoying punk. His unrelenting superiority attitude is actually fascinating. Otherwise there isn't much interesting here. This material deserves better.
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