By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
This is a story of a music prodigy. Lyla is a renowned and beautiful cellist and Louis is a guitar player and vocalist at a club. Lyla and Louis fall in love once they meet each other following the music. Since they have different lives, they have to separate without seeing each other again. However, Lyla has had their baby - Evan, a prodigy born to music. Lyla has an accident and bears the baby but Lyla's father gives the baby to an orphanage without telling her, for fear of affecting her career. After that, both Louis and Lyla give up their music careers. Eleven years later, poor little Evan believes that his parents are waiting for him and goes to New York to find them. In New York, his musical gift leads him to success but also gives him some trouble. A monger uses Evan to make money and prevents him from achieving success. He escapes and runs into a church and people there are surprised by his gift and send him to the best music school, Juilliard. There he receives an education ... Written by
(at around 1h 40 mins) When Louis is in the van passing Central Park, the banner he sees shows that the concert's pianist is Lionel Wigram, Executive Producer of the movie. See more »
When Evan (August) meets Mr. Jeffries for the first time, Freddie Highmore's microphone pack attached to the back of his pants is visible as he gets up from the table. See more »
[talking to Lyla on the phone]
I'm in New York
What are you doing in New York
It's strange, I've always felt that he was alive. I mean, used to lay in bed at night and I swear I could hear him. I swear I could hear him!
Lyla, oh my gosh! Calm down!
I've been calm for over ten years and look where it's gotten me!
It's alright honey, we're on our honey moon, we'll be back in two days
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If you don't have a great imagination, you won't like it
If you love it, you'll LOVE it. If not, then the most you'll probably give it is an 'ok'. The movie requires the audience to have a somewhat willful suspension of reality as there are some slightly mystic themes interwoven in the storyline. But as the movie is basically centered on the power of music, the mystic elements make sense. It's completely about belief and faith in the intangible.
Personally, I loved the story. And the music was amazing. I had goosebumps throughout the entire movie. In fact, there was probably so much emphasis on the music that there was less character development than a lot of people would like. I liked this element of the movie, though, as it requires you to read between the lines. Not even the ending is handed to you nicely wrapped and on a platter. There's no wrap-up dialogue or epilogue sequence, just the audience's own inferences. Hence, if you don't have an imagination, you should stay home.
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