The story of a charismatic young Irish guitarist and a sheltered young cellist who have a chance encounter one magical night above New York's Washington Square, but are soon torn apart, leaving in their wake an infant, August Rush, orphaned by circumstance. Now performing on the streets of New York and cared for by a mysterious stranger, August uses his remarkable musical talent to seek the parents from whom he was separated at birth. Written by
When August was playing the piano at the church for the first time, he played a note, then two more to the left, and got a higher tone when he should have gotten a lower one. He then plays two notes to the right of the original pitch, and gets lower tones. This is exactly reversed from what should have occurred. See more »
[talking to Lyla on the phone]
I'm in New York
What are you doing in New York
It's strange, I've always felt that he was alive. I mean, used to lay in bed at night and I swear I could hear him. I swear I could hear him!
Lyla, oh my gosh! Calm down!
I've been calm for over ten years and look where it's gotten me!
It's alright honey, we're on our honey moon, we'll be back in two days
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This is an urban fairy tale. If you go to AUGUST RUSH with the intention of poking holes in it, you can find little glitches and logic flaws. On the other hand, if you are looking for a movie that will sing to your soul (and show you some beautiful eye candy as a bonus), look no farther. The casting director and cinematographer should each get an award. This gem of a movie takes us on a journey, and the people we meet along the way are well worth the ticket price.
A trio of beautiful performances form the heart of this film, although the secondary characters are also crisply compelling. A day after seeing it, I find that specific shots of their faces still glow in mind like pieces of a mosaic. And the music is a genuine addition, as it should be in a film of this kind. I was genuinely moved.
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